The Last Days on Mars (2013)
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- R
- 1h 38min
- Adventure, Horror
- 19 Sep 2013 (Denmark)
- Movie
A group of astronaut explorers succumb one by one to a mysterious and terrifying force while collecting specimens on Mars.
Director:
Writers:
Stars:
Awards:
- 4 nominations.
- See more »
Reviews:
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Complete, Cast awaiting verification
| Liev Schreiber | ... |
Vincent Campbell
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| Elias Koteas | ... |
Charles Brunel
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| Romola Garai | ... |
Rebecca Lane
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| Olivia Williams | ... |
Kim Aldrich
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| Johnny Harris | ... |
Robert Irwin
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| Goran Kostic | ... |
Marko Petrovic
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| Tom Cullen | ... |
Richard Harrington
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| Yusra Warsama | ... |
Lauren Dalby
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| Patrick Joseph Byrnes | ... |
Flight Commander Ellis
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| Lewis Macleod | ... |
Infected Voices (voice)
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| Rest of cast listed alphabetically: | |||
| Mark Clark | ... |
B Eanet (uncredited)
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| Paul Warren | ... |
Infected Marko (uncredited)
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Directed by
| Ruairi Robinson | ... | (directed by) |
Written by
| Clive Dawson | ... | (screenplay by) |
| Sydney J. Bounds | ... | (short story) |
Produced by
| Alexandra Arlango | ... | associate producer |
| Andrea Cornwell | ... | producer (produced by) |
| Clive Dawson | ... | associate producer |
| Mark Hubbard | ... | line producer |
| Michael Kuhn | ... | producer (produced by) |
| Brendan McCarthy | ... | co-producer |
| John McDonnell | ... | co-producer |
| Malcolm Ritchie | ... | executive producer |
| Tim Smith | ... | executive producer |
| James Swarbrick | ... | executive producer |
Music by
| Max Richter | ... | (music by) |
Cinematography by
| Robbie Ryan | ... | director of photography |
Editing by
| Peter Lambert | ||
Editorial Department
| Nick Davis | ... | assistant editor |
| Warren Dowling | ... | digital intermediate finishing editor |
| Andrew MacRitchie | ... | additional editor |
| Keith Mason | ... | first assistant editor |
| Steve O'Leary | ... | colorist/rushes |
| Simon Thornton | ... | digital intermediate conform |
| Mariah Breitel Hembree | ... | post script services (uncredited) |
Casting By
| Shaheen Baig | ||
Production Design by
| Jon Henson | ||
Art Direction by
| Philip Elton | ||
| Steven Lawrence | ... | supervising art director |
| Anees Maani | ||
| Chris Wyatt | ... | (as Christopher Wyatt) |
Set Decoration by
| Robert Wischhusen-Hayes | ||
Costume Design by
| Richard Sale | ||
Makeup Department
| Corinne Bossu | ... | makeup artist: dailies |
| Michael Byrne | ... | prosthetic makeup artist |
| Steven Byrne | ... | prosthetic makeup artist / prosthetics technician |
| Satinder Chumber | ... | prosthetic technician |
| Jack Coakley | ... | prosthetics trainee |
| Victoria Cottrell | ... | contact lens technician (as Victoria Warrington) |
| Nathaniel De'Lineadeus | ... | dental effects designer |
| Emma Faulkes | ... | art finisher (as Emma Sheffield) |
| Dan Frye | ... | prosthetics technician |
| Jo Grover | ... | key prosthetics makeup artist |
| Roseanna Larner | ... | makeup trainee: dailies |
| Chris Lyons | ... | special effects teeth |
| Kristyan Mallett | ... | prosthetic makeup designer |
| Tara McDonald | ... | hair designer / makeup designer |
| Brenda Mckernan | ... | special effects contact lens optician |
| José Mora | ... | prosthetic sculptor |
| Chloe Muton-Phillips | ... | art finisher |
| Sophie Roberts | ... | hair designer / makeup designer |
| Lucy Sibbick | ... | prosthetics technician |
| Sinead Sweeney | ... | contact lens technician |
| Simon Taylor | ... | prosthetics technician |
Production Management
| Diala Al Raie | ... | assistant production manager |
| Valentina Coccia | ... | production manager |
| Adrian Hubbard | ... | unit manager: Jordan |
| Fuad Khalil | ... | production manager |
| Tricia Perrott | ... | post-production supervisor |
| Rula Saleh | ... | travel & accommodation coordinator |
Second Unit Director or Assistant Director
| Tom Ackerley | ... | third assistant director |
| Benjamin Crowe | ... | first assistant director: vfx unit |
| Zoe Liang | ... | second assistant director |
| Chakameh Marandi | ... | local third assistant director |
| Josey McNamara | ... | second assistant director: dailies |
| Alex Oakley | ... | first assistant director |
| Amy Stares | ... | runner: assistant director |
Art Department
| Marshall Aver | ... | production buyer |
| Emad Azmi | ... | art department coordinator (as Emad Al Muhtaseb) |
| Ravi Bansal | ... | concept artist |
| Bruce Barnes | ... | carpenter |
| Rob Bliss | ... | concept artist |
| Becki Boot | ... | junior prop modeller |
| Lauren Briggs-Miller | ... | assistant prop buyer |
| Ian Bunting | ... | modeller |
| Scott Burgess | ... | props |
| Martin Campbell | ... | prop modeller |
| Dan Crandon | ... | construction manager |
| Jonathan Downing | ... | prop manufacturing buyer |
| Teri Fairhurst | ... | draughtsman |
| Muhannad Halawani | ... | property master |
| Mark Haydon | ... | carpenter |
| Ian Hazlewood | ... | supervising spray painter |
| Clare Holland | ... | scenic painter |
| Ibraheemkhorma | ... | greenery assistant |
| Mark Keene | ... | carpenter |
| Hannah Kons | ... | art department assistant |
| Elizabeth Loach | ... | draughtsman |
| Dan Marsden | ... | carpenter |
| Adam McCreight | ... | property master |
| Lara Murray | ... | head scenic painter |
| Tom Newton-Chance | ... | metalworker |
| Fabian Nyblom | ... | daily dressing props |
| Fadi Omeish | ... | buyer |
| William Overstall | ... | props modeller |
| Catherine Palmer | ... | standby art director |
| Christian Pearce | ... | vehicle concept artist |
| Joanna Pratt | ... | graphic artist |
| Paul Rigby | ... | carpenter |
| Paul Robinson | ... | chargehand stand-by props |
| Elliot Scott | ... | draughtsman |
| Elliot Scott | ... | draughtsman |
| Calle Sjölin | ... | stand by props: Jordan |
| David Stapleton | ... | scenic painter |
| David Sutheran | ... | stand-by props |
| Sophie Tarver | ... | prop maker |
| Michael Taylor | ... | set dresser |
| Pierre Tormo | ... | carpenter |
| Dan Walker | ... | concept artist |
| Mark Wallis | ... | carpenter |
| John Weller | ... | Senior Modeller |
| Terry Whitehouse | ... | prop maker |
| Rebecca Wood | ... | props |
Sound Department
| Christopher Atkinson | ... | boom operator (as Chris Atkinson) |
| Peter Blayney | ... | adr supervisor / dialogue editor |
| Emma Butt | ... | ADR recordist |
| Simon Bysshe | ... | additional boom operator |
| Martin Clarke | ... | sound assistant |
| Alan Collins | ... | sound facility director: ardmore sound |
| Steve Fanagan | ... | re-recording mixer |
| Garret Farrell | ... | re-recording mixer |
| Andrea King | ... | foley artist |
| Howard London | ... | adr mixer |
| Eoghan McDonnell | ... | foley artist |
| Jean McGrath | ... | foley mixer |
| Roger Morris | ... | adr mixer |
| Colm Mullally | ... | assistant sound editor |
| Andy Shelley | ... | sound recordist |
| Jon Stevenson | ... | supervising sound editor |
| Lionel Strutt | ... | adr coordinator |
Special Effects by
| David Christopher Brown | ... | specialty costumes (as David Brown) |
| Aidan Byrne | ... | special effects |
| Brendan Byrne | ... | special effects |
| James Davis III | ... | special effects crew |
| David Holt | ... | special effects technician |
| Mark Holt | ... | special effects supervisor |
| Peter Kersey | ... | special effects floor supervisor |
| Paul McGuinness | ... | senior effects technician |
| Dickon Mitchell | ... | special effects workshop supervisor |
| Pepe Mora | ... | special effects makeup (as Jose Mora-Perez) |
| Gilles Paillet | ... | foam latex technician |
| David Woods | ... | senior special effects technician |
| Aaron Parrott | ... | special effects assistant (uncredited) |
Visual Effects by
| Jaume Arteman | ... | digital compositor: Screen Scene |
| Louise Brand | ... | head of operations: 4DMax |
| Keith Brett | ... | lead rotoscope artist: Screen Scene |
| Ed Bruce | ... | visual effects supervisor: SSVFX |
| Jonathon Caffrey | ... | rotoscope artist: Screen Scene / rotoscoper |
| Denny Cahill | ... | rotoscope artist: Screen Scene |
| Giacomo Cavalletti | ... | cg artist: Screen Scene |
| Andy Chopping | ... | photographer: 4DMax |
| Joseph Courtis | ... | digital compositor: Screen Scene |
| Kenneth Coyne | ... | visual effects coordinator: Screen Scene |
| Vadim Draempaehl | ... | cg animator: Screen Scene |
| Rob Dunbar | ... | visual effects |
| Lars Ellingbø | ... | cg artist: Screen Scene |
| Grainne Freeman | ... | 2d supervisor: Screen Scene |
| Attila Gall | ... | digital compositor: Screen Scene |
| Ronan Gantly | ... | rotoscope artist: Screen Scene |
| Peter Hartless | ... | visual effects coordinator / visual effects data wrangler |
| Paul Hormis | ... | visual effects artist |
| Matthew Hotchkiss | ... | visual effects |
| Charlotte Jacobson | ... | digital compositor: Screen Scene |
| Amy Elizabeth James | ... | visual effects production manager: Screen Scene |
| Aled Rhys Jones | ... | digital compositor: Screen Scene |
| Gerard Keating | ... | head of visual effects pipeline: Screen Scene |
| Sevendalino Khay | ... | lead digital matte painter: Screen Scene |
| Andy Kirwan | ... | data wrangler: Screen Scene |
| Ben Klimmek | ... | cg artist: Screen Scene |
| Anaïs Lacoste | ... | digital compositor: Screen Scene |
| Garloff Langenbeck | ... | fx artist: Screen Scene |
| Duncan Lees | ... | head of 3D services: 4DMax |
| Jamie Lochhead | ... | compositor |
| Eoin Mahon | ... | rotoscope artist: Screen Scene |
| Nick Marshall | ... | digital matte painter/environment artist |
| Fran Martinez | ... | digital compositor: Screen Scene |
| Keith Mason | ... | visual effects editor |
| Dora Maud | ... | photographer: 4DMax |
| Adam McInnes | ... | visual effects supervisor |
| Sarah Mooney | ... | visual effects producer: Screen Scene |
| Nicholas Murphy | ... | visual effects coordinator: Screen Scene |
| Martin Naydenski | ... | lead fx artist: Screen Scene |
| John O'Connell | ... | cg technical director: Screen Scene |
| Ben O'Connor | ... | digital effects artist |
| Eoin O'Sullivan | ... | rotoscope artist: Screen Scene |
| Ed Plant | ... | in-house senior compositor |
| Aidan Rafferty | ... | digital effects artist |
| Daniel Rath | ... | cg artist: Screen Scene |
| Garth Reilly | ... | digital compositor: Screen Scene |
| Wayne Robson | ... | 3d supervisor: Screen Scene |
| Jean-Marc Rulier | ... | 3D scanning specialist: 4DMax |
| James Sellers | ... | matchmover: Screen Scene |
| Aleksandra Sienkiewicz | ... | digital compositor: Screen Scene |
| Yanko Slavov | ... | lead matchmover: Screen Scene |
| Nick Soothill | ... | 3d scanning specialist |
| Glen Southern | ... | cg artist: Screen Scene |
| Elliot Staker | ... | matchmover: Screen Scene |
| Greg Tully | ... | head of engineering: SSVFX |
| Anthony Webb | ... | digital compositor: Screen Scene |
| Dora Schluttenhofer Lees | ... | 3d scanning specialist (uncredited) |
Stunts
| Gary Arthurs | ... | stunt rigger |
| Andy Bennett | ... | stunt coordinator |
| Nellie Burroughes | ... | stunt double: Olivia Williams |
| Robin Earle | ... | stunt wire rigger |
| Guy List | ... | assistant stunt coordinator |
| David Newton | ... | stunt double: Johnny Harris |
| Simon Shrager | ... | stunt double: Elias Koteas |
| Hakim Tamimi | ... | stunt double: Liev Schreiber: stunt double: Liev Schreiber |
| Leo Woodruff | ... | stunt double: Liev Schreiber |
Camera and Electrical Department
| Mohammad Ali Balaawi | ... | grip |
| Tareq Alrousan | ... | lighting technician |
| Graham Baker | ... | hod rigger |
| Rachel Clark | ... | second assistant camera |
| Joe Coffey | ... | video playback |
| Andy Cole | ... | gaffer |
| Mahmoud Hourani | ... | grip |
| Brad Larner | ... | first assistant camera |
| Frankie Leonard | ... | digital imaging technician: vfx unit |
| Danny McGee | ... | practical electrician |
| Howard Mills | ... | central loader |
| Tim Morris | ... | second assistant camera, a camera, main unit |
| Simon Muir | ... | key grip |
| James Philpott | ... | grip |
| Maiya Rose | ... | camera trainee: dailies |
| Keith Saayman | ... | libra tech |
| Mais Salman | ... | videoassist: jordan unit |
| Nick Wall | ... | still photographer |
| John Watters | ... | first assistant camera |
Casting Department
| Aisha Bywaters | ... | casting associate (as Aisha Walters) |
Costume and Wardrobe Department
| Sophie Canale | ... | breakdown artist |
| Kate Collis | ... | costume maker |
| Phaedra Dahdaleh | ... | costumer |
| Sarah H.L. Fuller | ... | costume assistant |
| Leah Hall | ... | costume trainee |
| Stephen Kill | ... | costume maker |
| Heidi McQueen-Prentice | ... | costume maker / costumer assistant |
| Nadia Merabti | ... | costume trainee |
| Josie Pledge | ... | costume cutter |
| Elizabeth Richards | ... | costume trainee |
| Rebecca Tredget | ... | costume trainee |
| Kate-Beth Walling | ... | costume trainee (as Kate Walling) |
| Yanika Waters | ... | costume trainee |
| Vicky Westgarth | ... | costume prop maker (as Victoria Garside) |
| Joanna Wright | ... | key costumer |
Location Management
| Saeb Abul Ragheb | ... | assistant location manager |
Music Department
| Rupert Coulson | ... | score mixer |
| Lorenz Dangel | ... | conductor |
| Falko Duczmal | ... | score recording engineer |
| Dave Foster | ... | music preparation / orchestrator |
| Henning Fuchs | ... | composer assistant |
| Susanne Geisler | ... | music coordinator |
| Catherine Manners | ... | music coordinator |
Script and Continuity Department
| Jane Jackson | ... | script supervisor |
Transportation Department
| Mark Crowley | ... | driver: Liev Schreiber |
| George Kapetanios | ... | driver: cast |
Additional Crew
| Tom Ara | ... | bank counsel: City National Bank |
| David Bennett | ... | floor runner/stand-in |
| Anna Brazinova | ... | head of administration: Prescience |
| Jessica Corlett | ... | floor runner |
| Sasha Doghjouqa | ... | production manager assistant |
| Jon Duncan | ... | production accountant |
| Anders Erdén | ... | miscellaneous crew (as Anders Erden) |
| Elton Farla | ... | supervising medical practitioner |
| Sasha Gibson | ... | unit publicist |
| John P Gleeson | ... | financing and tax advisor (as John Gleeson) |
| Boyd Harvey | ... | insurance: Media Insurance Brokers |
| Roisin Henehan | ... | section 481 finance |
| Gary Hetzler | ... | adr voice |
| Jacky Holding | ... | assistant accountant |
| Oliver Kassman | ... | assistant to Mr Kuhn |
| Hussen Kastner | ... | Trainee Sound Department |
| Sam Khoubrouy Pak | ... | production assistant |
| Nessa King | ... | assistant accountant |
| Clare Kirby | ... | miscellaneous crew |
| Graeme Law | ... | miscellaneous crew |
| Deirdre Levins | ... | production executive: Fantastic Films |
| Tracey McCarrick | ... | miscellaneous crew |
| David B. Oliver | ... | production finance |
| Amy Quelch | ... | floor runner / stand-in |
| Farah Salah | ... | office production assistant |
| Mark Schrier | ... | adr voice |
| Anne Sheehan | ... | miscellaneous crew |
| Helen Swanwick-Thorpe | ... | assistant production coordinator |
| Richard Taylor | ... | travel agent |
| Liam Thornton | ... | production secretary |
| Peter Tighe | ... | post-production facilities manager |
| Sophie Treacher | ... | production coordinator |
| Joe Utichi | ... | production notes |
| Mark Woollard | ... | HOD prop modeling |
Thanks
| Jonathan Loughran | ... | very special thanks |
Production Companies
- British Film Institute (BFI) (presents)
- Bord Scannán na hÉireann / The Irish Film Board (in association with) (presents)
- Qwerty Films
- Fantastic Films (in co-production with)
- BFI Film Fund (support)
- City National Bank New York (support)
- Hindsight Media (support)
- MEDIA Programme of the European Union (support)
Distributors
- Universal Pictures International (UPI) (2013) (United Kingdom) (theatrical)
- Magnet Releasing (2013) (United States) (theatrical)
- Mongrel Media (2013) (Canada) (theatrical)
- Shaw Organisation (2013) (Singapore) (theatrical)
- Batrax Entertainment (2013) (Non-US) (multi-territory)
- Blue Sky Media (2013) (Czechia)
- Prorom Media-Trade (2013) (Bulgaria)
- Prorom Media-Trade (2013) (Hungary)
- Prorom Media-Trade (2013) (Romania)
- Broadmedia Studios (2014) (Japan) (theatrical)
- JIL (2014) (Hungary) (theatrical)
- A Contracorriente Films (2014) (Spain)
- Canal+ España (2014) (Spain) (tv)
- Canal+ (2014) (France) (tv)
- Film & TV House (2014) (Non-US)
- GEM Entertainment (2014) (Non-US)
- Magnolia Pictures (2014) (United States) (DVD)
- Magnolia Pictures (2014) (United States) (Blu-ray) (DVD)
- On Screen Films (Mexico) (Blu-ray)
- On Screen Films (Mexico) (DVD)
- SquareOne Entertainment (2014) (Germany)
- Universal Sony Pictures Home Entertainment (2014) (Australia) (DVD)
- Universum Film (UFA) (2014) (Germany) (DVD) (and Blu-ray)
- Canal+ Polska (2015) (Poland) (tv)
- Hotstar (2015) (World-wide) (video)
- Film4 (2017) (United Kingdom) (tv)
- Kanal 12 (2019) (Estonia) (tv)
Special Effects
- 4DMax (3D Cyber & LIDAR scanning and digital modelling)
- Bowsie Workshop
- Painting Practice (motion graphics)
- SSVFX (visual effects)
- Weta Workshop (Concept Design)
Other Companies
- ARRI Lighting Rental (lighting equipment)
- Atlantic Screen Music (music production and publishing)
- Audiolink Radio Communications (walkie talkies)
- Blue Efficience (anti-piracy)
- Compuhire (computer playback)
- Dolby Laboratories (sound mix: Dolby Digital)
- Dynamic International Freight Services (freight forwarders)
- Dynamic International Freight Services (shipping/freight)
- Film Finances (film completion guarantor)
- Fintage CAM (collection account management)
- Intelligent Media (international monitoring agency)
- International Traders (production services: Jordan)
- Kodak (film stock)
- Kube Rigging (rigging)
- Mediacom 24-7 (travel agent)
- Panavision Grips (camera dollies)
- Panavision (camera equipment provided by)
- Production Copier Company (production equipment and services)
- SSVFX (owner: president & ceo ssvfx)
- Sapex Scripts (post-production script services)
- Sapex Scripts (subtitles)
- Screen Scene Post Production (managing director)
- Zaman Productions (production services)
Storyline
| Plot Summary |
On the last day of the first manned mission to Mars, a crew member of Tantalus Base believes he's made an historic discovery; fossilised evidence of bacterial life. Unwilling to let the relief crew claim the glory, he disobeys orders to pack up, and goes out on an unauthorised expedition to collect further samples. But a routine excavation turns to disaster, when the porous ground collapses, and he falls into a deep crevice and near certain death. His devastated colleagues attempt to recover his body. However, when another vanishes, they begin to realise that the life-form they have discovered is highly dangerous to all human life. Written by AnonymousB |
| Plot Keywords | |
| Taglines | The search for life is about to end. See more » |
| Genres | |
| Parents Guide | View content advisory » |
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Additional Details
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Box Office
| Budget | GBP7,000,000 (estimated) |
Did You Know?
| Trivia | Romola Garai, who has appeared in more than a few period pieces, stated that "wearing a space suit is exactly the same as wearing a corset. It's equally uncomfortable". See more » |
| Goofs | The opening shot shows heat haze across the Martian desert, which is impossible because it is so cold that it barely reaches freezing temperatures, even at midday on the equator. In any case, at about 1% of Earth's atmospheric pressure, the Martian atmosphere is far too thin for the refraction necessary to form a heat haze. See more » |
| Movie Connections | Featured in Starfilm (2017). See more » |
| Soundtracks | Blue Skies Are Around The Corner See more » |
| Quotes |
[last lines]
Charles Brunel: You'll never get/go home See more » |