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Pacific Rim (2013)

PG-13 | | Action, Adventure, Sci-Fi | 12 July 2013 (USA)
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As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.

Director:

Guillermo del Toro

Writers:

Travis Beacham (screenplay), Guillermo del Toro (screenplay) | 1 more credit »
Popularity
874 ( 444)
Nominated for 1 BAFTA Film Award. Another 7 wins & 47 nominations. See more awards »

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Cast

Cast overview, first billed only:
Charlie Hunnam ... Raleigh Becket
Diego Klattenhoff ... Yancy Becket
Idris Elba ... Stacker Pentecost
Rinko Kikuchi ... Mako Mori
Charlie Day ... Dr. Newton Geiszler
Burn Gorman ... Herman Gottlieb
Max Martini ... Herc Hansen
Robert Kazinsky ... Chuck Hansen (as Rob Kazinsky)
Clifton Collins Jr. ... Ops Tendo Choi
Ron Perlman ... Hannibal Chau
Brad William Henke ... Construction Foreman
Larry Joe Campbell ... Construction Worker
Mana Ashida ... Young Mako
Santiago Segura ... Wizened Man
Joe Pingue ... Captain Merrit
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Storyline

When monstrous creatures, known as Kaiju, started rising from the sea, a war began that would take millions of lives and consume humanity's resources for years on end. To combat the giant Kaiju, a special type of weapon was devised: massive robots, called Jaegers, which are controlled simultaneously by two pilots whose minds are locked in a neural bridge. But even the Jaegers are proving nearly defenseless in the face of the relentless Kaiju. On the verge of defeat, the forces defending mankind have no choice but to turn to two unlikely heroes - a washed up former pilot (Charlie Hunnam) and an untested trainee (Rinko Kikuchi) - who are teamed to drive a legendary but seemingly obsolete Jaeger from the past. Together, they stand as mankind's last hope against the mounting apocalypse. Written by Del Torro

Plot Summary | Plot Synopsis

Taglines:

Go big or go extinct See more »


Motion Picture Rating (MPAA)

Rated PG-13 for sequences of intense sci-fi action and violence throughout, and brief language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA

Release Date:

12 July 2013 (USA) See more »

Also Known As:

Still Seas See more »

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Box Office

Budget:

$190,000,000 (estimated)

Opening Weekend USA:

$37,285,325, 14 July 2013, Wide Release

Gross USA:

$101,802,906

Cumulative Worldwide Gross:

$411,002,906
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The set was built as a non-destroyed Hong Kong, then destroyed and redressed to play as a different area, post-monster battle. The Hong Kong set was used as four different streets and sets, with the placement and dressing of elements changed each time. See more »

Goofs

Russian surnames take masculine and feminine forms. So the female pilot Lt. A. Kaidanovsky should really be Lt. A. Kaidanovskaya. See more »

Quotes

[first lines]
Raleigh Becket: [narrating] When I was a kid, whenever I'd feel small or lonely, I'd look up at the stars. Wondered if there was life up there. Turns out I was looking in the wrong direction. When alien life entered our world, it was from deep beneath the Pacific Ocean. A fissure between two tectonic plates. A portal between dimensions. The Breach. I was fifteen when the first Kaiju made land in San Francisco.
[pause]
Raleigh Becket: By the time tanks, jets and missiles took it down, six days and 35 miles later, ...
[...]
See more »

Crazy Credits

At the end of the closing credits, a Kaiju roar is heard. See more »

Alternate Versions

In the North American release, the scene where Mako is introduced has her and Raleigh speaking in Japanese. Some international releases have this scene dubbed in English - not in Denmark and Norway though, where the Japanese is intact. To the exception of France where all Japanese dialogs are subtitled even in french dubbed versions. See more »

Connections

Referenced in Honest Trailers: Batman & Robin (2013) See more »

Soundtracks

Drift
Written by Blake Perlman, RZA and Ramin Djawadi
Produced by RZA and Ramin Djawadi
Performed by Blake Perlman featuring RZA
See more »

Frequently Asked Questions

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User Reviews

 
Do you remember what entertainment is?
19 August 2013 | by matthewlintschingerSee all my reviews

Entertainment is not just a story. It is not just drama or social commentary. It is not something that can be measured by terms like "latest and greatest" or "cutting edge". This movie is not Man of Steel or Star Trek into Darkness where there is a child-like obsession with being "taken seriously" by adding grotesque violence or depressing overtones. This is not Transformers 3 or the Hobbit where special effects and action scenes are a cluttered mess of ADD rave parties that try to up the excitement with jumpy editing. THIS IS A SINCERE MOVIE.

Sure it has lack luster actors, but they are mixed with some fine ones as well. Yes this has giant robots and that is the main reason to see the film, but they are not just jingling keys in front of us. These action scenes have atmosphere. The fights are exciting because of anticipation and build up. This movie (while very flawed) should be a model example of popcorn entertainment. I came in, saw some good fights, and got a happy ending without bullshit. This was the kind of fun I remember as a kid.

This is a movie (strangely enough like John Carter) that should just be enjoy. They may not have had the best plots or most original stories, but they had substance that can honestly be felt. Genuine love for what they are doing in the film and real effort in making us as the audience part of that fun. They can be dumb or dull, but it feels more like a circumstance of a rushed schedule or odd-ball casting. It feels like Hollywood at its best since they just want us to have a good time.

I not only hope for a sequel, I hope for loving imitators who don't aspire to pretentious greatness (Rise of the Guardians), don't have something to immaturely prove (Man of Steel), and actually have their own story to tell even if its derivative (Star Trek into Darkness is not only a Rip-off of Wrath of con, but it is practically a sequel that is DEPENDANT on it).

This is not the degradation of film, this is the much needed laxative in a world of fast edited adaptations, sequels, and reboots with emo endings.


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