VALUTAZIONE IMDb
4,0/10
6918
LA TUA VALUTAZIONE
Una donna e la sua amica d'infanzia cercano vendetta su coloro che le hanno vittimizzate e maltrattate.Una donna e la sua amica d'infanzia cercano vendetta su coloro che le hanno vittimizzate e maltrattate.Una donna e la sua amica d'infanzia cercano vendetta su coloro che le hanno vittimizzate e maltrattate.
- Premi
- 1 candidatura
Laurence Todd Rosenthal
- Dr. Haseem
- (as Larry Rosenthal)
Michael McCarthy
- Officer #2
- (as Mike McCarthy)
Trama
Lo sapevi?
- QuizProducer Jason Blum has since said remaking Martyrs (2008) "destroyed the original in every way and [the remake] never should have existed."
- ConnessioniFeatured in Brows Held High: Taxidermia: Why Did You Make Me Watch This? (2017)
- Colonne sonoreDirty Dusty Roads
Written and Performed by Volker Barber
Recensione in evidenza
Dead on arrival
I'm not even going to lay out a plot blurb for this, because if you are planning on seeing it, chances are you have already seen Pascal Laugier's 2008 original and know what's up. In fact, it's probably not inaccurate to say that the only people who may be seeing this film are those already acquainted with the source material, as this remake had virtually zero publicity, a sad excuse of a theatrical release, and a buzz that was DOA.
By most accounts, this remake of "Martyrs" was doomed by the mere fact of it being a remake; it's difficult to outdo something with as much palpable intensity and thematic abhorrence as the original film. and that's precisely where this film most falls flat. There is an inexplicable feeling of shallowness to the picture that pervades it from nearly beginning to end. Part of it is the lackluster cinematography, and part of it is the lack of dynamism in the performances, but most of all, it feels like the filmmakers in general were dispassionate about the material itself, and it shows.
The truth is, a remake could have worked, but it would have needed at least a little life breathed into it, and this film feels like it was taken off life support from day one. The script here is near identical to the original film's, and it begins as a near shot-for-shot remake, but falls off that train within the first ten minutes. In fact, the film only really begins to diverge in the final act, which is honestly where I found the it to be most convincing. I may be the minority here, but I actually thought the way they rewrote the conclusion was clever and intriguing without being too much of a touchy-feely tradeoff—it still maintained the dark nerve of the original's ending, which I respected, and the last five minutes may be the only portion of the film that I truly thought was worthwhile.
The acting here is decent, but the lead female actresses at times seem to be going through the motions. Some obtuse dialogue doesn't exactly help matters either. Kate Burton is an interesting and solid choice for the cultist matriarch, and I actually enjoyed her performance in this quite a bit.
Overall though, "Martyrs" only barely begins to scratch the surface of what the original film did, and it's unfortunate. It fails to capture any of the remote coldness, psychological disconnect, or stark brutality that made the original film so unforgettable, and ends up feeling like little more than a direct-to-video horror flick with about a fifth of the vitality. When watching the remake, one feels like the film is self-consciously going through the motions, and when taking into consideration its stodgy demeanor, failed distribution, and complete lack of any and all promotion, "Martyrs" 2016 ultimately feels like a production that was given up on before it had even begun. Where the original was gutsy, stylish, and unsparing, the remake manages to be the film equivalent of a death rattle. 4/10.
By most accounts, this remake of "Martyrs" was doomed by the mere fact of it being a remake; it's difficult to outdo something with as much palpable intensity and thematic abhorrence as the original film. and that's precisely where this film most falls flat. There is an inexplicable feeling of shallowness to the picture that pervades it from nearly beginning to end. Part of it is the lackluster cinematography, and part of it is the lack of dynamism in the performances, but most of all, it feels like the filmmakers in general were dispassionate about the material itself, and it shows.
The truth is, a remake could have worked, but it would have needed at least a little life breathed into it, and this film feels like it was taken off life support from day one. The script here is near identical to the original film's, and it begins as a near shot-for-shot remake, but falls off that train within the first ten minutes. In fact, the film only really begins to diverge in the final act, which is honestly where I found the it to be most convincing. I may be the minority here, but I actually thought the way they rewrote the conclusion was clever and intriguing without being too much of a touchy-feely tradeoff—it still maintained the dark nerve of the original's ending, which I respected, and the last five minutes may be the only portion of the film that I truly thought was worthwhile.
The acting here is decent, but the lead female actresses at times seem to be going through the motions. Some obtuse dialogue doesn't exactly help matters either. Kate Burton is an interesting and solid choice for the cultist matriarch, and I actually enjoyed her performance in this quite a bit.
Overall though, "Martyrs" only barely begins to scratch the surface of what the original film did, and it's unfortunate. It fails to capture any of the remote coldness, psychological disconnect, or stark brutality that made the original film so unforgettable, and ends up feeling like little more than a direct-to-video horror flick with about a fifth of the vitality. When watching the remake, one feels like the film is self-consciously going through the motions, and when taking into consideration its stodgy demeanor, failed distribution, and complete lack of any and all promotion, "Martyrs" 2016 ultimately feels like a production that was given up on before it had even begun. Where the original was gutsy, stylish, and unsparing, the remake manages to be the film equivalent of a death rattle. 4/10.
D’aiuto•343
- drownsoda90
- 29 gen 2016
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Мучениці
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.000.000 USD (previsto)
- Lordo in tutto il mondo
- 397.072 USD
- Tempo di esecuzione1 ora 26 minuti
- Colore
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