Everyone likes everything now. In the years since streaming began to dominate listening habits, this twisted mantra has taken over the music industry, driven more by the desire for some algorithmic utopia than reality. Because everyone has access to everything, the theory goes, they must automatically like it all. It’s a credo at the very core of the mindset of the new look, pop-leaning Reading & Leeds festival. And today, everyone-likes-everything-now (Elen) comes up against its ultimate test.
When Rage Against The Machine pulled out of headlining Sunday’s line-up for health reasons, according to the Elen Theory, all of the Rage fans must naturally welcome replacements The 1975 with open arms. “We heard you!” the announcement tweet read, as though the country’s politico punk metal fans had taken to the streets en masse to demand the immediate instigation of a millennial Go West in Rage’s place. Instead Ratm’s fans,...
When Rage Against The Machine pulled out of headlining Sunday’s line-up for health reasons, according to the Elen Theory, all of the Rage fans must naturally welcome replacements The 1975 with open arms. “We heard you!” the announcement tweet read, as though the country’s politico punk metal fans had taken to the streets en masse to demand the immediate instigation of a millennial Go West in Rage’s place. Instead Ratm’s fans,...
- 8/29/2022
- by Mark Beaumont
- The Independent - Music
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