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Midnight in Paris

  • 2011
  • PG-13
  • 1h 34m
IMDb RATING
7.6/10
462K
YOUR RATING
POPULARITY
1,967
80
Owen Wilson in Midnight in Paris (2011)
On vacation in Paris, a married man who is somewhat of a killjoy slowly falls in love ... with the city itself.
Play trailer2:04
8 Videos
99+ Photos
Romantic ComedyComedyFantasyRomance

While on a trip to Paris with his fiancée's family, a nostalgic screenwriter finds himself mysteriously going back to the 1920s every day at midnight.While on a trip to Paris with his fiancée's family, a nostalgic screenwriter finds himself mysteriously going back to the 1920s every day at midnight.While on a trip to Paris with his fiancée's family, a nostalgic screenwriter finds himself mysteriously going back to the 1920s every day at midnight.

  • Director
    • Woody Allen
  • Writer
    • Woody Allen
  • Stars
    • Owen Wilson
    • Rachel McAdams
    • Kathy Bates
  • See production info at IMDbPro
  • IMDb RATING
    7.6/10
    462K
    YOUR RATING
    POPULARITY
    1,967
    80
    • Director
      • Woody Allen
    • Writer
      • Woody Allen
    • Stars
      • Owen Wilson
      • Rachel McAdams
      • Kathy Bates
    • 783User reviews
    • 320Critic reviews
    • 81Metascore
  • See production info at IMDbPro
    • Won 1 Oscar
      • 26 wins & 103 nominations total

    Videos8

    Midnight in Paris
    Trailer 2:04
    Midnight in Paris
    Midnight In Paris
    Clip 0:40
    Midnight In Paris
    Midnight In Paris
    Clip 0:40
    Midnight In Paris
    Midnight In Paris
    Clip 0:36
    Midnight In Paris
    Midnight In Paris: Why Are You So Dressed Up?
    Clip 0:45
    Midnight In Paris: Why Are You So Dressed Up?
    Midnight In Paris: Parents In Restaurant (Uk)
    Clip 0:41
    Midnight In Paris: Parents In Restaurant (Uk)
    Midnight In Paris: You're Just A Tourist
    Clip 0:38
    Midnight In Paris: You're Just A Tourist

    Photos159

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    Top cast50

    Edit
    Owen Wilson
    Owen Wilson
    • Gil
    Rachel McAdams
    Rachel McAdams
    • Inez
    Kathy Bates
    Kathy Bates
    • Gertrude Stein
    Kurt Fuller
    Kurt Fuller
    • John
    Mimi Kennedy
    Mimi Kennedy
    • Helen
    Michael Sheen
    Michael Sheen
    • Paul
    Nina Arianda
    Nina Arianda
    • Carol
    Carla Bruni
    Carla Bruni
    • Museum Guide
    Maurice Sonnenberg
    • Man at Wine Tasting
    Thierry Hancisse
    Thierry Hancisse
    • 1920's Partygoer
    Guillaume Gouix
    Guillaume Gouix
    • 1920's Partygoer
    Audrey Fleurot
    Audrey Fleurot
    • 1920's Partygoer
    Marie-Sohna Condé
    • 1920's Partygoer
    • (as Marie-Sohne Condé)
    Yves Heck
    Yves Heck
    • Cole Porter
    Alison Pill
    Alison Pill
    • Zelda Fitzgerald
    Tom Hiddleston
    Tom Hiddleston
    • F. Scott Fitzgerald
    Sonia Rolland
    Sonia Rolland
    • Joséphine Baker
    Corey Stoll
    Corey Stoll
    • Ernest Hemingway
    • Director
      • Woody Allen
    • Writer
      • Woody Allen
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews783

    7.6461.6K
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    Featured reviews

    8alexart-1

    Parisian Holiday

    "Do you think it's possible to love two women at the same time?," asks our protagonist Gil Prender to a tour guide discussed Auguste Rodin's love for his mistress and his wife. Like that's the first time we've heard that question in a Woody Allen movie. Infidelity, gorgeous women, and neuroticism are some of Allen's favorite motifs, so it's really not too much of a surprise that they all appear in Midnight in Paris.

    That said, Allen's rendition of those ideas feels fresh this time. Midnight in Paris is a sweet, fun romp through the art world of France. This light comedy may not have some of the heavier messages about adultery and art that previous Allen films have had, but Midnight in Paris is, nonetheless, an enjoyable exercise in allusion to the Lost Generation and artists of the 1920s.

    Midnight in Paris begins with the same idea of a man, in this case a screenwriter named Gil played by Owen Wilson, searching for connection with the real world. The protagonist is clearly a projection of Allen's self, but no matter. Gil is engaged to the Inez, played by a blond Rachel McAdams who coincidentally (or is it?) looks like Scarlet Johansson from Vicky Cristina Barcelona. Inez bores Gil with her pretentious friends and spiteful parents, which ultimately causes Gil to seek inspiration on his own time by drunkenly wandering that streets of Paris. One night, he is invited into a car that takes him back to the 1920s where he meets his favorite writers and artists, something that eventually leads to a breakthrough in his work. A large supporting cast includes Kathy Bates, Allison Pill, Adrien Brody, Michael Sheen, and Marion Cotillard.

    Allen's conception of Paris is just as romantic as the story itself. The film's physical look matches some of the complexities of the women in that it appears to be almost splashed in gold. It is, after all, the City of Lights. It's a beautiful movie that matches the pretty faces of its starring women.

    Allen's screenplay leaps right off the page thanks to his cast, but this too is something that isn't unusual for a Woody Allen film. At his best, Allen picks actors that play their parts with a sense of realism that, when combined with some elements of the fantastic, charm the audience. Just about everyone here manages to do just this, with the exception of Rachel McAdams, who tries her hardest with an underdeveloped character. Marion Cotillard is the best of the cast (as per usual) in her role as Picasso's mistress. She's bursting with sexuality yet she's grounded in her ability to deliver her dialogue with her natural French accent.

    Midnight in Paris is fantastique. In comparison to Woody Allen's previous tales of lust and spite, his newest film feels like a dessert rather than a filling entree, yet this is exactly how a good, highbrow summer movie should be. The cast shines just as bright as the lights at the top of the Eiffel Tower and Allen proves himself worthy of his place in society as a master director once again. By no means a classic, Midnight in Paris is a pretty little diversion, one that is grounded in a theatrical gimmick that totally works every time. This, along with The Tree of Life, will be one of a few summer movies that will dazzle visually (without explosions) and somehow manage not to insult the viewer's intelligence.
    8barry_mooney

    Ah, they don't make them like this any more

    I'd been meaning to watch Midnight in Paris for ages but, I have to confess, I was put off by the presence of Owen Wilson, who I could not really envisage as the lead in a Woody Allen film. He was actually surprisingly good though and did a decent job as the vessel from which Allen's brilliant dialogue could be heard. However, this is not an actor-driven film or even a story-driven film; its beauty lies in the simple but clever script and the easy-going laid-back style that you'd expect from a Woody Allen film all about nostalgia.

    To be fair, I can completely understand why there have been so many negative reviews of Midnight in Paris. There isn't a great deal going on superficially and the characters are all gloriously stereotypical. This doesn't matter though because, although the film is quite simple, it is at the same time wonderfully clever and thought-provoking. However, you do probably have to be in the right mood to watch it. I saw this film on a lazy Saturday afternoon and wasn't expecting too much, so when I was left both entertained and thinking about the past, the present and the future, it was a pleasant surprise. There are few films these days that still have you thinking about them several days later – this is definitely one of them. What do you want from life, with whom do you want to experience it, and why are we always so dissatisfied with where we are and what we've got? Like I say, quite thought-provoking!

    It's incredibly ironic that some critics go on about how Woody Allen films aren't anywhere near as good as they were back in the seventies and that he's a has-been pseudo-intellectual, when here he is making a film about nostalgia and poking fun at pseudo-intellectuals in both an obvious and also a more subtle manner. Midnight in Paris is full of self-parody and interesting contradictions, but not everything is immediately apparent and I believe that some viewers of the film may have simply taken it at face value and consequently been left thinking "is that it then?".

    On a slightly more negative side, I am perplexed that some people have praised the cinematography and the wonderful images of Paris in the light, in the dark and in the rain. To me, the use of colour and imagery are not too impressive and I would argue that Paris has looked far better in plenty of other films. The music can be a little annoying too – especially in the opening sequence, which seems to go on for ever!

    As I said before though, Midnight in Paris is primarily about the dialogue and the interesting ideas that it throws out to the audience. Catch them if you like, and run with them. It's a great easy-going relaxing film that'll hopefully leave you both entertained and thought- provoked.

    8/10
    JohnDeSando

    "We'll always have Paris."

    "Paris, France is exciting and peaceful." Gertrude Stein

    Welcome to the world of Woody Allen as he has always loved it: nostalgic, romantic, imperfect, and full of hope. Midnight in Paris is one of his finest treatises on the lure and delusions of the past: Like Zelig it depicts other times, like Purple Rose of Cairo it uses magic realism to deal squarely with the present. Allen has another of his surrogates, this time Gil (Owen Wilson),who virtually experiences the past (the twenties) while dealing with the troublesome present.

    Gil, engaged to marry Inez (Rachel McAdams), is with her and her parents on business in Paris where he hopes to work on his novel while he is still a successful Hollywood writer. Although she is a materialist who would like him to become wealthy to enjoy the life his parents are used to, he dreams of escaping the hack work of LA and living in the City of Lights for inspiration, just as his idols Fitzgerald and Hemingway did in the roaring twenties.

    Well, the twenties roar back to him as he experiences their friendship and the mentoring of Gertrude Stein, among just a few of the many expatriate luminaries he meets through the magic of nostalgia. Just one of the Allen signature touches that make him the equal of great European directors such as Rohmer and Godard is opening the film with music that reflects the allure of the twenties, the romance of Paris, and his abiding love for this city: "Si Tu Vois Ma Mere" by Sidney Bechet combines jazz, the clarinet, the twenties, and Allen with a romantic nostalgia.

    Owen Wilson catches the halting diffidence of the typical Allen persona without slavishly imitating him. Yet whatever little duplication Wilson employs endears as he sweetly visits his heroes, falls in love, and comes to terms with his writer's voice and his mismatched engagement. But that engagement is the troublesome present; the past offers the chance to experience history on a human level that only someone who writes for now and reveres the past can do.

    The magic and the realism, both requiring hard work from the protagonist, lead to surprising understanding of human nature, the delusion of nostalgia and Paris, and hope for a present that brings love and inspiration.

    "For all we know, Paris might be the hottest place in the universe." (Gil)

    It's been at least a decade since I have enjoyed an Allen movie this much.
    8littlemartinarocena

    French Woody, at last!

    The love between the French and the Americans has always been mixed with an element of dismissal even contempt but the love is real. Woody Allen walks that fine line in truly inspired fashion. "Midnight in Paris" is a delight. This is he first time I actually loved Owen Wilson. He is terrific as Woody's alter ego. Rachel McAdams superb. Her mean American girl is hilarious and frighteningly recognizably, so are Kurt Fuller and Mimi Kennedy as her parents. What a chillingly awful, normal pair. I loved the moment in which Owen Wilson, in a great close up, comes to accept what's happening around him. I accepted it too. Happily. Another stand out moment: the meeting with Salvador Dali, played brilliantly over the top by Adrien Brody. Highly recommended.
    10Ahmad_Abdallah

    Forever grateful

    I was, until half an hour ago, struggling with life, I graduated from my university last year and I haven't coped with this new life style, I kept feeling nostalgic and depressed and wishing to go back to the past because I liked it there, it really affected my life badly. Thia movie helped in a way I could never explain to you, helped me see things in a clearer way and more importantly helped me move on, I'm forever grateful to Owen Wilson and Woody Allen, thank you very much.

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    Storyline

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    Did you know

    Edit
    • Trivia
      Tom Hiddleston received a letter from Woody Allen, along with fifteen pages of the script, offering him the role of F. Scott Fitzgerald. "It was three sentences long," Hiddleston told Entertainment Weekly. "Dear Tom, I'm making a movie in Paris this summer. I attached some pages. I'd love for you to play the role of Scott." Hiddleston now has the letter framed and hanging up in his home office.
    • Goofs
      Zelda Fitzgerald says to Gil, "You have a glazed look in your eye, stunned, stupefied, anesthetized, lobotomized..." Lobotomies were introduced in 1935.
    • Quotes

      Gil: Would you read it?

      Ernest Hemingway: Your novel?

      Gil: Yeah, it's about 400 pages long, and I'm just looking for an opinion.

      Ernest Hemingway: My opinion is I hate it.

      Gil: Well you haven't even read it yet.

      Ernest Hemingway: If it's bad, I'll hate it because I hate bad writing, and if it's good, I'll be envious and hate all the more. You don't want the opinion of another writer.

    • Connections
      Featured in Ebert Presents: At the Movies: Episode #1.18 (2011)
    • Soundtracks
      Si tu Vois ma Mère
      Music by Sidney Bechet

      Lyrics by Sidney Bechet and Jean Broussolle

      Performed by Sidney Bechet

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    FAQ26

    • How long is Midnight in Paris?Powered by Alexa
    • What is "Midnight in Paris" about?
    • Is "Midnight in Paris" based on a book?
    • Who are the people that Gil meets after midnight?

    Details

    Edit
    • Release date
      • June 10, 2011 (United States)
    • Countries of origin
      • Spain
      • United States
      • France
    • Official sites
      • Official Facebook
      • Official Facebook (Spain)
    • Languages
      • English
      • French
      • Spanish
      • German
    • Also known as
      • Medianoche en París
    • Filming locations
      • Church of Saint-Etienne-du-Mont, Montagne Sainte-Geneviève, Paris 5, Paris, France(steps where Gil sits before vintage Peugeot arrives)
    • Production companies
      • Mediapro
      • Versátil Cinema
      • Gravier Productions
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $17,000,000 (estimated)
    • Gross US & Canada
      • $56,817,045
    • Opening weekend US & Canada
      • $599,003
      • May 22, 2011
    • Gross worldwide
      • $151,487,383
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 34 minutes
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 1.85 : 1

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