
L'homme à la Gordini (2009)
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- 10min
- Animation, Short
- 05 Oct 2011 (France)
- Short
- 4 wins & 4 nominations.
- See more »
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Cast
Rest of cast listed alphabetically: | |||
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Daniel Crumb | ... |
Policier / Garde / Voisin (voice)
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Marion Ducamp | ... |
Madame R. (voice)
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Sophie Fougère | ... |
Concierge / Commissaire (voice)
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Patrick Hauthier | ... |
Monsieur R. (voice)
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Joël Pyrene | ... |
Policier / Garde / Voisin (voice)
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Directed by
Jean-Christophe Lie |
Written by
Jean-Christophe Lie | ... | (writer) |
Produced by
Christophe Jankovic | ... | producer |
Valérie Schermann | ... | producer |
Bruno Seznec | ... | co-producer |
Music by
DJ Moule |
Editing by
Céline Kélépikis |
Sound Department
Fabien Devillers | ... | re-recording mixer |
Sébastien Marquilly | ... | sound designer / sound editor / supervising sound editor |
Piste Rouge | ... | sound: studio |
Bruno Seznec | ... | sound supervisor |
Animation Department
Jean-Michel Bonnet | ... | animator |
Julien Dexant | ... | animator |
Jean-Christophe Lie | ... | animator |
Additional Crew
Adeline Bonacchi | ... | production assistant |
Production Companies
- Prima Linea Productions
- Piste Rouge (co-production)
Distributors
- Cinéma Public Films (2011) (France) (theatrical)
Special Effects
Other Companies
Storyline
Plot Summary |
End of the 70's, an imaginary suburb, the custom is to wear neither underwear nor trousers, only orange tops. With the help of a masked rebel driving a blue R8 Gordini, Mister R and his wife plot a radical clothing revolution and the assault of monochromatic orange totalitarianism. The absurd and the idiotic, with a libertarian impetus aiming at the overthrow of social codes and values, here are the main characteristics of this story. A kind of splash to the face of conventions and propriety. To provoke against the grain, a bit as if one wandered in shorts through a nudist village, not by sense of decency, but simply by desire to be different. But the subject of this story is not to criticize either the nudists or the emancipation of the Seventies, although... The most important for the main characters, is to break themselves of any form of standardization, whether liberal, ideological, moral, or linked to tastes or fashion.. |
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