A subversive romantic comedy gone wrong that follows a young woman into and out of an emotionally abusive relationship.A subversive romantic comedy gone wrong that follows a young woman into and out of an emotionally abusive relationship.A subversive romantic comedy gone wrong that follows a young woman into and out of an emotionally abusive relationship.
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"I Love You Forever" begins with a couple in bed. However, the guy is a total d*** who only wants sex from the woman and doesn't seem to give a darn about her even though there are hints the woman would like more than just late night booty calls. The woman is McKenzie, played by the always good Sofia Black-D'Elia, and she is a law student. She has a quirky roommate and a close guy friend, and at a birthday party for her roommate she meets Finn, played by Ray Nicholson. Finn is a rich, good-looking, ultra successful man who is the lead news anchor for a local TV station. He begins to smoothly woo her and give her gifts and before long they're head over heels with each other. But he suddenly starts to get very needy and clingy and we watch as the relationship unfolds...
I think this was intended to be a deep story about emotional issues in a relationship, but it doesn't succeed. None of it rings true, the dialog sounds like it was written by a Diablo Cody wanna-be (and I was a little surprised to see Diablo listed at the end as a producer!). Finn gets very needy and it never makes sense -- he's rich, good looking, clearly very smooth and confident around women, so his sudden personality change doesn't make sense. But worst of all, Black-D'Elia makes McKenzie incredibly appealing and her repeatedly making incomprehensible decisions is wildly annoying. I mean, literally the last hour of this film is us screaming at the TV, "What are you doing, McKenzie? What are you thinking of?" The movie means to make Finn the "bad guy" and we certainly dislike him, but he never comes off as more than just weird and annoying.
I love supporting small indie films, so it sort of pains me to speak ill of "I Love You Forever." You could definitely do worse, but I suspect that most people just won't find it an entertaining way to spend 90 minutes.
I think this was intended to be a deep story about emotional issues in a relationship, but it doesn't succeed. None of it rings true, the dialog sounds like it was written by a Diablo Cody wanna-be (and I was a little surprised to see Diablo listed at the end as a producer!). Finn gets very needy and it never makes sense -- he's rich, good looking, clearly very smooth and confident around women, so his sudden personality change doesn't make sense. But worst of all, Black-D'Elia makes McKenzie incredibly appealing and her repeatedly making incomprehensible decisions is wildly annoying. I mean, literally the last hour of this film is us screaming at the TV, "What are you doing, McKenzie? What are you thinking of?" The movie means to make Finn the "bad guy" and we certainly dislike him, but he never comes off as more than just weird and annoying.
I love supporting small indie films, so it sort of pains me to speak ill of "I Love You Forever." You could definitely do worse, but I suspect that most people just won't find it an entertaining way to spend 90 minutes.
Greetings again from the darkness. So, may we interest you in a Valentine's Day movie about an abusive relationship doomed to failure? What if I told you that it's meant to be funny, but it's actually quite depressing and dark? Cazzie David (Larry David's daughter) and Elisa Kalani are co-writers and co-directors on this film rumored to be 'inspired' by Ms. David's relationship with a certain former SNL comedian (the one known for dating a steady stream of beautiful women).
MacKenzie (Sofia Black-D'Elia, "Your Honor", "The Night Of") is a law student, and when the film opens, she's in bed with Jake (Raymond Cham Jr, THE IDEA OF YOU, 2024). We quickly realize this is a booty call ... although it doesn't appear that MacKenzie recognizes it as such. Or perhaps, more accurately, she hopes for more from Jake. This is merely the first painful example - and there are many more to come - of MacKenzie displaying very little self-confidence or self-worth, despite being lovely, intelligent, and quite capable of participating in flirty and witty banter.
Rounding out the trio of good friends are Ally (the film's writer/director Cazzie David) and Lucas (Jon Rudnitsky, HOME AGAIN, 2017). When together, these buds have a strong bond and whip-smart dialogue. The movie is at its best during these times. Things shift quickly when MacKenzie meets Finn (Ray Nicholson, Jack's son) at Ally's birthday bash. Finn seems like the perfect guy for her. He's a news reporter who can match her flirtatious ways, and delivers the most romantic first date one could imagine. The early stages go smoothly, and the weeks click by as they grow closer.
Of course, things (and men) are never as perfect as they seem. Finn begins to throw these manipulative tantrums that, frankly, are quite frightening. MacKenzie recognizes the behavior as unacceptable, yet is so intent on keeping 'Mr. Right', that she continues to work through his wicked (and bipolar) ways. Ally and Lucas try to be supportive for her, but Finn demands so much attention, that friendships and law school become after thoughts. It's infuriating to watch, and it's likely that I'm simply too old to understand why anyone would put up with Finn. Sure, partners are never as perfect as they initially seem, but hopefully few turn out to be as psychotic as Finn. The filmmakers have delivered a masterclass on what not to subject yourself to in a relationship ... it's just questionable whether this is the right message to deliver on Valentine's Day. On second thought, maybe that's the perfect time.
Opening in theaters on February 14, 2025.
MacKenzie (Sofia Black-D'Elia, "Your Honor", "The Night Of") is a law student, and when the film opens, she's in bed with Jake (Raymond Cham Jr, THE IDEA OF YOU, 2024). We quickly realize this is a booty call ... although it doesn't appear that MacKenzie recognizes it as such. Or perhaps, more accurately, she hopes for more from Jake. This is merely the first painful example - and there are many more to come - of MacKenzie displaying very little self-confidence or self-worth, despite being lovely, intelligent, and quite capable of participating in flirty and witty banter.
Rounding out the trio of good friends are Ally (the film's writer/director Cazzie David) and Lucas (Jon Rudnitsky, HOME AGAIN, 2017). When together, these buds have a strong bond and whip-smart dialogue. The movie is at its best during these times. Things shift quickly when MacKenzie meets Finn (Ray Nicholson, Jack's son) at Ally's birthday bash. Finn seems like the perfect guy for her. He's a news reporter who can match her flirtatious ways, and delivers the most romantic first date one could imagine. The early stages go smoothly, and the weeks click by as they grow closer.
Of course, things (and men) are never as perfect as they seem. Finn begins to throw these manipulative tantrums that, frankly, are quite frightening. MacKenzie recognizes the behavior as unacceptable, yet is so intent on keeping 'Mr. Right', that she continues to work through his wicked (and bipolar) ways. Ally and Lucas try to be supportive for her, but Finn demands so much attention, that friendships and law school become after thoughts. It's infuriating to watch, and it's likely that I'm simply too old to understand why anyone would put up with Finn. Sure, partners are never as perfect as they initially seem, but hopefully few turn out to be as psychotic as Finn. The filmmakers have delivered a masterclass on what not to subject yourself to in a relationship ... it's just questionable whether this is the right message to deliver on Valentine's Day. On second thought, maybe that's the perfect time.
Opening in theaters on February 14, 2025.
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Box office
- Gross US & Canada
- $12,989
- Opening weekend US & Canada
- $5,548
- Feb 9, 2025
- Gross worldwide
- $12,989
- Runtime1 hour 29 minutes
- Color
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