A mountain climber becomes trapped under a boulder while canyoneering alone near Moab, Utah and resorts to desperate measures in order to survive.

Director:

Danny Boyle

Writers:

Danny Boyle (screenplay), Simon Beaufoy (screenplay) | 1 more credit »
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Popularity
2,272 ( 20)
Nominated for 6 Oscars. Another 23 wins & 144 nominations. See more awards »

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Cast

Cast overview, first billed only:
James Franco ... Aron Ralston
Kate Mara ... Kristi
Amber Tamblyn ... Megan
Sean Bott Sean Bott ... Aron's Friend (as Sean A. Bott)
Koleman Stinger Koleman Stinger ... Aron Age 5
Treat Williams ... Aron's Dad
John Lawrence John Lawrence ... Brian
Kate Burton ... Aron's Mom
Bailee Michelle Johnson ... Sonja Age 10
Parker Hadley Parker Hadley ... Aron Age 15
Clémence Poésy ... Rana
Fenton Quinn ... Blue John (as Fenton G. Quinn)
Lizzy Caplan ... Sonja
Peter Joshua Hull Peter Joshua Hull ... Boy on Sofa (as P.J. Hull)
Pieter Jan Brugge ... Eric Meijer
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Storyline

127 Hours is the true story of mountain climber Aron Ralston's remarkable adventure to save himself after a fallen boulder crashes on his arm and traps him in an isolated canyon in Utah. Over the next five days Ralston examines his life and survives the elements to finally discover he has the courage and the wherewithal to extricate himself by any means necessary, scale a 65 foot wall and hike over eight miles before he can be rescued. Throughout his journey, Ralston recalls friends, lovers, family, and the two hikers he met before his accident. Will they be the last two people he ever had the chance to meet? Written by Fox Searchlight Pictures

Plot Summary | Add Synopsis

Taglines:

Every Second Counts See more »

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated R for language and some disturbing violent content/bloody images | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

Cillian Murphy was Danny Boyle's first choice to play Ralston before James Franco was cast. See more »

Goofs

Shortly after Franco gets his arm trapped by the boulder, Danny Boyle shows a scene of him taking off his "big yellow watch" with his teeth. A few minutes later the "big yellow watch" magically appears back on his left arm and stays there for the remainder of the film. This mistake is huge. See more »

Quotes

[first lines]
Aron Ralston: Hey. Aron here. Leave a message.
Sonja Ralston: Hey Aron. Sonja here, again. I know that you're probably gonna be away this weekend. But listen, just think about we we're gonna play. Please. 'Cause we have to decide, and we really... We need to practice, okay? Anyway, it will be fun. I promise. And oh, please call mom. Please. 'Cause she worries, which you know already. Okay. Later, A., goodbye.
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Crazy Credits

At the very end of the credits is the following paragraph: "Cycling is prohibited in Horseshoe Canyon, and in certain other specific areas of Canyonlands National Park. The filmmakers wish to make clear that neither Aron Ralson, a dedicated wilderness advocate, nor James Franco who portrays Aron in the film, cycled or condone cycling outside of the authorized trails within National Parks. For more information about protecting the Utah Canyons, the filmmakers recommend www.suwa.org". See more »

Connections

Featured in Maltin on Movies: Due Date (2010) See more »

Soundtracks

Ça Plane Pour Moi
By Lou De Prijck and Yves Lacomblez (as Yves Maurice Lacomblez)
Published by Universal Music Publishing MGB Ltd. (SABAM/SACEM)
Performed by Plastic Bertrand
(P) 1977 AMC Records SA-NV
Courtesy of AMC Records SA-NV, by arrangement with The Licensing Partnership UK Ltd.
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User Reviews

 
Boyle and Franco turn a true survival story into a powerful statement about living
29 November 2010 | by Movie_Muse_ReviewsSee all my reviews

As demonstrated by his ability to earn acclaim in everything from zombie films ("28 Days Later") to foreign coming-of-age love stories ("Slumdog Millionaire"), Danny Boyle has an extraordinary gift as a filmmaker and in "127 Hours," he channels it into an extraordinary story of human willpower. This could have easily been a compelling but plain and ordinary documentary on the Discovery Channel or National Geographic about a man pinned under a boulder who miraculously survives. Boyle, however, transforms it into a powerful statement about the will to live and where that motivation truly comes from.

"127 Hours" does not simply prove the point that humans will do whatever it takes to survive in dire circumstances. In fact, I might argue 9 of 10 people wouldn't do what Aron Ralston (James Franco) does in this film. Anyway, Boyle makes it his mission to use Ralston's incredible true story -- one that told at face value would probably just elicit gasps -- to alter our perspective on living.

What's obvious is that none of the impact of "127 Hours" is possible without Franco. A film about a man trapped in a crevice for more than five days needs a heck of a lead actor and Franco, despite few dramatic credits to this point, proves beyond capable. Although boredom might set in for some during this film given its plot, the believability of Franco's performance remains constant and irrefutable. He possesses the fun-loving and care-free charisma of Ralston then slowly breaks that shell and shows his human fragility.

Yet remarkably, Boyle leaves a substantial thumbprint on the film, much of which he shares with co-writer Simon Beaufoy, also of "Slumdog." Because the story is so straightforward, Boyle recognizes imagery and perception provide his only means of creativity. He shows us inside the tube of Ralston's water backpack, water bottle and other close-ups, all of which seem unnecessary, but they establish images which we will come to think about with a different perspective as the film wears on, such as when Aron drinks his own settled urine out of the water pouch. Boyle uses the same process shot, but suddenly we don't see it the way we did earlier and they become more meaningful than tedious.

This subtly effective technique can also be found in the beginning and ending shots of the film. It seems completely random that Boyle would open with crowded streets of people as if he's tricked us and really made "Slumdog 2," but the image gains significance after experiencing Ralston's journey.

"127 Hours" will not be kind to people who don't take lightly to seeing blood outside of the "shoot 'em up" genre. Many of these people will leave the film thinking all they got was shock value, but of course there's much more to it. Despite the "how will he survive?" plot, a substantial amount of time is placed on flashes to memories Aron thinks of regarding his family, fantasies and of course, regrets. Boyle beautifully shows us that although survival seems an inherently selfish thing, much of that motivation and will to live comes from other people, even total strangers. Aron thinks a lot of the girls (Kata Mara and Amber Tamblyn) he hiked with just hours before the accident though otherwise he'd have likely forgotten them.

The build-up and catharsis of Aron's story might not be the most powerful and uplifting based-on-true-story you've witnessed, but "127 Hours" clearly surpasses expectation in terms of the message it sends and the impact it leaves. With it, Boyle solidifies his place as one of those filmmakers you must always have an eye on and Franco emerges as a relatable everyman with above-everyman-grade talent.

~Steven C

Visit my site http://moviemusereviews.com


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Details

Country:

USA | UK | France

Language:

English | Italian

Release Date:

28 January 2011 (USA) See more »

Also Known As:

127 Hours See more »

Filming Locations:

USA See more »

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Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend USA:

$264,851, 7 November 2010

Gross USA:

$18,335,230

Cumulative Worldwide Gross:

$60,738,797
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SDDS | Dolby Digital | DTS

Color:

Color

Aspect Ratio:

1.85 : 1
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