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127 Hours (2010)

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An adventurous mountain climber becomes trapped under a boulder while canyoneering alone near Moab, Utah and resorts to desperate measures in order to survive.

Director:

Danny Boyle

Writers:

Danny Boyle (screenplay), Simon Beaufoy (screenplay) | 1 more credit »
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1,921 ( 84)
Nominated for 6 Oscars. Another 23 wins & 142 nominations. See more awards »

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Cast

Cast overview, first billed only:
James Franco ... Aron Ralston
Kate Mara ... Kristi
Amber Tamblyn ... Megan
Sean Bott Sean Bott ... Aron's Friend (as Sean A. Bott)
Koleman Stinger Koleman Stinger ... Aron Age 5
Treat Williams ... Aron's Dad
John Lawrence John Lawrence ... Brian
Kate Burton ... Aron's Mom
Bailee Michelle Johnson ... Sonja Age 10
Parker Hadley Parker Hadley ... Aron Age 15
Clémence Poésy ... Rana
Fenton Quinn ... Blue John (as Fenton G. Quinn)
Lizzy Caplan ... Sonja
Peter Joshua Hull Peter Joshua Hull ... Boy on Sofa (as P.J. Hull)
Pieter Jan Brugge ... Eric Meijer
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Storyline

127 Hours is the true story of mountain climber Aron Ralston's remarkable adventure to save himself after a fallen boulder crashes on his arm and traps him in an isolated canyon in Utah. Over the next five days Ralston examines his life and survives the elements to finally discover he has the courage and the wherewithal to extricate himself by any means necessary, scale a 65 foot wall and hike over eight miles before he can be rescued. Throughout his journey, Ralston recalls friends, lovers, family, and the two hikers he met before his accident. Will they be the last two people he ever had the chance to meet? Written by Fox Searchlight Pictures

Plot Summary | Add Synopsis

Taglines:

There is no force more powerful than the will to live. See more »


Motion Picture Rating (MPAA)

Rated R for language and some disturbing violent content/bloody images | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

USA | UK | France

Language:

English | Italian

Release Date:

28 January 2011 (USA) See more »

Also Known As:

127 Hours See more »

Filming Locations:

USA See more »

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Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend USA:

$264,851, 7 November 2010, Limited Release

Gross USA:

$18,335,230

Cumulative Worldwide Gross:

$60,738,797
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

SDDS | Dolby Digital | DTS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The cave paintings shown in the opening credits sequence are taken from The Great Gallery, a large rock panel of such paintings, at least 1500 years old, in Horseshoe Canyon, Utah. Blue John Canyon where Aron was trapped is a tributary to Horseshoe Canyon. See more »

Goofs

When Aron is watching the film of Kristi and Megan in the pool on his camera, it moves too far to the left, so a hand is seen pushing the camera back into shot. This can't be Aron's hand as he's holding the camera. See more »

Quotes

[first lines]
Aron Ralston: Hey. Aron here. Leave a message.
Sonja Ralston: Hey Aron. Sonja here, again. I know that you're probably gonna be away this weekend. But listen, just think about we we're gonna play. Please. 'Cause we have to decide, and we really... We need to practice, okay? Anyway, it will be fun. I promise. And oh, please call mom. Please. 'Cause she worries, which you know already. Okay. Later, A., goodbye.
See more »

Crazy Credits

Captions appear just before the end credits: "Aron's premonition came true. He met his wife Jessica three years later. Their son, Leo, was born in February 2010. Aron continues to be a climber and canyoneer. He always leaves a note to say where he has gone." During these captions, the cinematographer shows us the real Aron and Jessica, who are sitting silently on a couch outdoors, on green grass near a stand of green trees. The couch has colors suggesting the hues of the canyon Aron was trapped in. Aron slowly smiles, and then breaks into a grin. See more »


Soundtracks

If I Rise
Music by A.R. Rahman
Lyrics by Dido (as Dido Armstrong) and Roland 'Rollo' Armstrong (as Rollo Armstrong)
Published by Fox Film Music Corp. (BMI), K M Musiq Admin by Universal Music Publishing (BMI), Warner/Chappell Music Limited (PRS)
Performed by Dido & A.R. Rahman
A.R. Rahman performs courtesy of K M MUSIQ
Dido performs courtesy of Sony Music Entertainment
See more »

Frequently Asked Questions

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User Reviews

 
Boyle and Franco turn a true survival story into a powerful statement about living
29 November 2010 | by Movie_Muse_ReviewsSee all my reviews

As demonstrated by his ability to earn acclaim in everything from zombie films ("28 Days Later") to foreign coming-of-age love stories ("Slumdog Millionaire"), Danny Boyle has an extraordinary gift as a filmmaker and in "127 Hours," he channels it into an extraordinary story of human willpower. This could have easily been a compelling but plain and ordinary documentary on the Discovery Channel or National Geographic about a man pinned under a boulder who miraculously survives. Boyle, however, transforms it into a powerful statement about the will to live and where that motivation truly comes from.

"127 Hours" does not simply prove the point that humans will do whatever it takes to survive in dire circumstances. In fact, I might argue 9 of 10 people wouldn't do what Aron Ralston (James Franco) does in this film. Anyway, Boyle makes it his mission to use Ralston's incredible true story -- one that told at face value would probably just elicit gasps -- to alter our perspective on living.

What's obvious is that none of the impact of "127 Hours" is possible without Franco. A film about a man trapped in a crevice for more than five days needs a heck of a lead actor and Franco, despite few dramatic credits to this point, proves beyond capable. Although boredom might set in for some during this film given its plot, the believability of Franco's performance remains constant and irrefutable. He possesses the fun-loving and care-free charisma of Ralston then slowly breaks that shell and shows his human fragility.

Yet remarkably, Boyle leaves a substantial thumbprint on the film, much of which he shares with co-writer Simon Beaufoy, also of "Slumdog." Because the story is so straightforward, Boyle recognizes imagery and perception provide his only means of creativity. He shows us inside the tube of Ralston's water backpack, water bottle and other close-ups, all of which seem unnecessary, but they establish images which we will come to think about with a different perspective as the film wears on, such as when Aron drinks his own settled urine out of the water pouch. Boyle uses the same process shot, but suddenly we don't see it the way we did earlier and they become more meaningful than tedious.

This subtly effective technique can also be found in the beginning and ending shots of the film. It seems completely random that Boyle would open with crowded streets of people as if he's tricked us and really made "Slumdog 2," but the image gains significance after experiencing Ralston's journey.

"127 Hours" will not be kind to people who don't take lightly to seeing blood outside of the "shoot 'em up" genre. Many of these people will leave the film thinking all they got was shock value, but of course there's much more to it. Despite the "how will he survive?" plot, a substantial amount of time is placed on flashes to memories Aron thinks of regarding his family, fantasies and of course, regrets. Boyle beautifully shows us that although survival seems an inherently selfish thing, much of that motivation and will to live comes from other people, even total strangers. Aron thinks a lot of the girls (Kata Mara and Amber Tamblyn) he hiked with just hours before the accident though otherwise he'd have likely forgotten them.

The build-up and catharsis of Aron's story might not be the most powerful and uplifting based-on-true-story you've witnessed, but "127 Hours" clearly surpasses expectation in terms of the message it sends and the impact it leaves. With it, Boyle solidifies his place as one of those filmmakers you must always have an eye on and Franco emerges as a relatable everyman with above-everyman-grade talent.

~Steven C

Visit my site http://moviemusereviews.com


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