I saw Coyote Cage at its world premier, so this is a very early review. It's a micro-budget horror/thriller/drama that punches well above its budget. The writing and directing are good-to-excellent, and the acting is far above what you expect to see in a film with a budget this low. When all I can nitpick is little things like the lighting and color correction of one shot here and there, it's a pretty great indie movie.
The film follows a diverse group of illegal immigrants crossing the U. S. border from Mexico who end up in the very real and all-too-common situation of being tormented in a stash house so the cartel behind their "coyote" (the term for a guide who helps illegals cross the border for a fee) can extort their families. While there is plenty of torture and death, the movie avoids depicting the sexual violence that often happens in these stash houses in real life, though it does make note of it in the introduction. There are some decent action scenes as well as gore, torture, and suspense, making this a movie that's hard to fit into a single genre.
The three actors with the most lines are all top-notch, especially the villain, played by Carlos Enrique Almirante, a veteran Spanish-language actor in his first English-language lead role. The whole movie hinges on his performance and he delivers. The only sub-par acting is from a couple of very minor characters who are only in one or two scenes each.
The film is far from flawless, but the flaws all come from the tiny budget and are still very few. The lighting in one of the outdoor night scenes is overly harsh, as such scenes usually are in micro-budget films because the lighting setup and cameras required for shooting a dark-looking nighttime scene outdoors, where you can still see what's happening, can cost more than this entire film. This is a flaw you see in many films with the much greater budget required to qualify as a B-movie, so it's hard to fault a micro-budget film for it. There are a few moments of "just okay" acting, and the gunshots and gunshot wounds are plug-ins, though they're well-done plug-ins. Using realistic guns and squibs with proper safety procedures for even one shot would probably cost more than this entire movie. Despite the budget, there are decent practical effects, including a couple of very nice gore shots that wouldn't be out of place in a Hollywood horror film.
The sound system and/or acoustics in the theater where I saw this was pretty poor, so I can't speak to the sound design if seen with a good system. The movie was shot digitally and the color correction necessary for that is mostly quite good, without the washed-out, too-much-brown you see in some movies that want to appear "gritty." Since the movie takes place almost entirely in the desert, there is more than enough brown already, so this is a very good thing. It does lead to one unnatural-looking gore shot early on where the fake blood didn't take to the color correction very well and appears far too bright, but the rest of the movie looks fine.
My rating of 8 is sort of an average. For a micro-budget indie film, it's more like a 9; for a drama or horror film in general, it's more like a 6.5-7. It's hard to say who I'd recommend this movie to because it fills so many niches. It has elements of torture-horror (like the Saw movies,) thrillers, action, drama, and even a dash of documentary because it's based on a real but not well-known situation that affects thousands of people each year. If some of those are things you like, or if you just want some entertainment while learning a bit about the border-crossing experience, see it when it hits the festivals or streaming services.
The film follows a diverse group of illegal immigrants crossing the U. S. border from Mexico who end up in the very real and all-too-common situation of being tormented in a stash house so the cartel behind their "coyote" (the term for a guide who helps illegals cross the border for a fee) can extort their families. While there is plenty of torture and death, the movie avoids depicting the sexual violence that often happens in these stash houses in real life, though it does make note of it in the introduction. There are some decent action scenes as well as gore, torture, and suspense, making this a movie that's hard to fit into a single genre.
The three actors with the most lines are all top-notch, especially the villain, played by Carlos Enrique Almirante, a veteran Spanish-language actor in his first English-language lead role. The whole movie hinges on his performance and he delivers. The only sub-par acting is from a couple of very minor characters who are only in one or two scenes each.
The film is far from flawless, but the flaws all come from the tiny budget and are still very few. The lighting in one of the outdoor night scenes is overly harsh, as such scenes usually are in micro-budget films because the lighting setup and cameras required for shooting a dark-looking nighttime scene outdoors, where you can still see what's happening, can cost more than this entire film. This is a flaw you see in many films with the much greater budget required to qualify as a B-movie, so it's hard to fault a micro-budget film for it. There are a few moments of "just okay" acting, and the gunshots and gunshot wounds are plug-ins, though they're well-done plug-ins. Using realistic guns and squibs with proper safety procedures for even one shot would probably cost more than this entire movie. Despite the budget, there are decent practical effects, including a couple of very nice gore shots that wouldn't be out of place in a Hollywood horror film.
The sound system and/or acoustics in the theater where I saw this was pretty poor, so I can't speak to the sound design if seen with a good system. The movie was shot digitally and the color correction necessary for that is mostly quite good, without the washed-out, too-much-brown you see in some movies that want to appear "gritty." Since the movie takes place almost entirely in the desert, there is more than enough brown already, so this is a very good thing. It does lead to one unnatural-looking gore shot early on where the fake blood didn't take to the color correction very well and appears far too bright, but the rest of the movie looks fine.
My rating of 8 is sort of an average. For a micro-budget indie film, it's more like a 9; for a drama or horror film in general, it's more like a 6.5-7. It's hard to say who I'd recommend this movie to because it fills so many niches. It has elements of torture-horror (like the Saw movies,) thrillers, action, drama, and even a dash of documentary because it's based on a real but not well-known situation that affects thousands of people each year. If some of those are things you like, or if you just want some entertainment while learning a bit about the border-crossing experience, see it when it hits the festivals or streaming services.
