Boyd opens up a twelve year old case, a crime of rape and murder, a real tragedy, the survivor is a girl who's nagged Boyd to reopen the case.
It's an incredibly macabre story, writer Ed Whitmore doesn't hold back at all, it's very bleak, and the content is pretty upsetting. Whitmore has written some very good stuff over the years.
I'm sorry, but I have zero idea what the other reviewer is talking about, I thoroughly enjoyed the production style, it helps add to the tone of the story.
This is the first time the unit itself has felt under threat, Boyd and Spencer have been solid since the start, but finally Spencer has had enough of Boyd's antics. I like Kat, but I don't half miss Spencer
Boyd is pretty much back to how be was in Towers of Silence, Mel's death made him irrational and impossible to deal with, he's back to that. The term transference applies here, as Boyd's guilt over Luke is pushing him to help Gemma.
Always great to see both Michelle Dockery, and Kate Fleetwood, End if the Night boasts a strong cast.
Excellent, 9/10.
It's an incredibly macabre story, writer Ed Whitmore doesn't hold back at all, it's very bleak, and the content is pretty upsetting. Whitmore has written some very good stuff over the years.
I'm sorry, but I have zero idea what the other reviewer is talking about, I thoroughly enjoyed the production style, it helps add to the tone of the story.
This is the first time the unit itself has felt under threat, Boyd and Spencer have been solid since the start, but finally Spencer has had enough of Boyd's antics. I like Kat, but I don't half miss Spencer
Boyd is pretty much back to how be was in Towers of Silence, Mel's death made him irrational and impossible to deal with, he's back to that. The term transference applies here, as Boyd's guilt over Luke is pushing him to help Gemma.
Always great to see both Michelle Dockery, and Kate Fleetwood, End if the Night boasts a strong cast.
Excellent, 9/10.
