Directed by
| Melanie Andrews | ||
Writing Credits (in alphabetical order)
| Melanie Andrews | ||
Cast
Produced by
| Alissa Allen | ... | executive producer |
| Melanie Andrews | ... | producer |
| Amit Bhalla | ... | executive producer |
| Matthew Binns | ... | executive producer |
| Val Kilmer | ... | executive producer |
Cinematography by
| Michael Nie | ||
Editing by
| Andy McGraw | ||
Casting By
| Leslie Brown | ||
Production Design by
| Sarah Larsen | ||
Makeup Department
| Tarrence Chearis | ... | key makeup/hair |
Production Management
| Christina Harris | ... | unit production manager |
Second Unit Director or Assistant Director
| Jesse Richmond | ... | first assistant director |
Sound Department
| Erik D. Jones | ... | sound recordist |
| Venus Leone | ... | re-recording mixer / sound designer |
Camera and Electrical Department
| Nathan Eric Alexander | ... | best boy grip (as Nathan Alexander) |
| Mateo Arturo | ... | dolly grip |
| Reid Bean | ... | still photographer |
| Koryun Cholakyan | ... | best boy electric |
| Allan de Leon | ... | second assistant camera |
| Simon Gulergun | ... | first assistant camera |
| Ranen W. Lawe | ... | gaffer |
| Sergio G. Nava | ... | key grip |
| Tarik Smith | ... | dit |
Costume and Wardrobe Department
| Neiman Tate | ... | wardrobe supervisor |
Editorial Department
| Jose Roberto Pena | ... | assistant editor |
Additional Crew
| Tyler Haberman | ... | production coordinator |
| Kipp Tribble | ... | sag coordinator |
| Meredith Vivian | ... | production assistant |
| Kathy Zebrowski-Heller | ... | production legal services |
Thanks
| Brittany Andres | ... | special thanks |
| Natalie Antemate | ... | special thanks |
| Julio Cortes | ... | special thanks |
| Carly English | ... | special thanks |
| Jessica Gibson | ... | special thanks |
| Natalie Morales | ... | special thanks |
| Sarah Oglesby | ... | special thanks |
| Shannon Peirce | ... | special thanks |
| Erika Saldana | ... | special thanks |
| James Theodosopoulos | ... | special thanks |