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Guillotine


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The Guillotine, born from Enlightenment ideals, brought efficiency to execution. Five stories trace its impact from the French Revolution through Hussein's era, exploring justice, morality, and power.

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Production Notes from IMDbPro

Status: post production
Status Updated: 18 Mar 2022

Cast

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Other cast:
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Self - Narrator (voice)
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Lt. Jäeger
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Agent Bilal Austin
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Cecilia
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Bianca
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Yasmine Alhaqiqa
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Antoine Wiertz
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Lt. Fitzpatrik
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Father Jean
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Ahmad Oubeidi
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Fernand
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Dr. Antoine Louis
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Marat
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Leni Riefenstahl
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Missy
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King Louis XVI
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Pelletier
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Hermann Wehrle
Monty Cox ...
Gaspar
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Charlotte's Father
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Tobias Schmidt
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Qusay Hussein
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Dr. Guillotin
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LaGrange
Alexa Zachary ...
Charlotte Corday
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Ali Fairouz
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Meyer
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Madam LaLaurie
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Chef Jean Luc
Paola Luelmo ...
Marie-Anne
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Viktor Francois
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Duvivier
Archie Holton ...
Town Crier (voice)
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Preist
Owen Benito ...
Uday Hussein
Ella Williams ...
Emily
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Madam LaFayatte
Paul Van Berkom ...
Duckat
Durrell Thomas ...
Young Father Jean
Krystian Amon ...
Johann Reichhart
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Jean-Jaques Hauer
Elio Lorenzo ...
Antoine Lavoisier
Ginger Dog ...
Little Louis
Ever Lorenzo ...
Antoine Lavoisier
Griffin Downs ...
Young Fernand

Directed by

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Ray Izad-Mehr

Written by

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Nabor Cabanillas ... ()
 
Ray Izad-Mehr ... (story)
 
Lisa Molenda ... ()
 
Melinda Molenda ... ()
 
Sara Vahabi ... ()

Produced by

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Tamas Birinyi ... producer
Nabor Cabanillas ... associate producer
Peter Donner ... co-executive producer
Uriah Herr ... producer
Archie Holton ... executive producer
Ray Izad-Mehr ... producer
Jen Malone ... executive producer
Mindy Mann ... executive producer
Lisa Molenda ... associate producer
Melinda Molenda ... associate producer
Nobu Nagatsuma ... executive producer
Sylvia J. Stankowski ... associate producer (as Sylvia J. Stanikowski)
Yuki Takafumi ... executive producer
Sara Vahabi ... producer

Cinematography by

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Morvarid Reyes Talebzadeh ... (cinematography)

Editing by

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Christopher Adam Hruby

Editorial Department

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Aaron Kuder ... technical supervisor imaging
Katharina Novak ... conforming engineer
Ion Petru Tanase ... on-line editor
Jeff Yaworski ... colorist

Production Design by

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John Marshall

Art Direction by

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Vika Teplinskaya

Costume Design by

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Matthew Adkins

Makeup Department

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Ricky Flores ... makeup artist
Sylvia J. Stankowski ... hair stylist

Production Management

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Tamas Birinyi ... production manager

Second Unit Director or Assistant Director

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Mitchka Saberi ... first assistant director

Sound Department

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Dachi Abesalashvili ... foley editor
Tina Babakishvili ... audio post-production supervisor / post sound services
Mariam Dieser ... dialogue editor
Beso Kacharava ... supervising sound editor
Salome Maisuradze ... foley mixer
Noel Molenda ... boom operator
George Murgulia ... re-recording mixer
P.J. Riley ... sound mixer
Alexander Sanikidze ... sound effects editor
Saba Shonia ... Assistant Dialogue Editor
Ani Tsintsadze ... post sound services
Beqa Turashvili ... foley artist
Sam Vlahovich ... sound mixer

Special Effects by

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Nelson Cooper ... special effects

Camera and Electrical Department

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Kraig Bryant ... second assistant camera
Dillan Elias Farmer ... grip
David Eric Rubalcava ... second assistant camera
Morvarid Reyes Talebzadeh ... camera operator
Jose Vides ... key grip

Music Department

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Giuseppe Patane ... composer/additional music
Fanny Risberg ... music
Shawn Rivera ... music

Script and Continuity Department

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Christopher Adam Hruby ... script supervisor

Additional Crew

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Rita Gyenes-Jonas ... Catering

Thanks

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Mike Chamasmani ... special thanks

Production Companies

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Distributors

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Special Effects

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Other Companies

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Storyline

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Plot Summary

THE GUILLOTINE was built on the ideals of The Enlightenment, an attempt to instill grace to an otherwise brutal expression of justice. Organized within 5 factual tales, we examine the Guillotine's role in history, from The French Revolution to the Fall of Saddam Hussein. At times humorous and ironic, poignant and thoughtful, these stories also reflect the morality of their times, tracing the philosophical attitudes about capital punishment, and the power structure that allows it to be. From a necessary evil to cold-blooded amusement, the blade falls with no less detachment.

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