Greetings again from the darkness. Whether it's navigating the stairs on all fours, getting a boost up to the saddle of her beloved horse, or showing off her glittery turbans and walking canes, the showmanship of actress Selma Blair seems ever-present despite the severe effects of her Multiple Sclerosis (MS). Documentarian Rachel Fleit films the daily challenges faced by Ms. Blair as she comes to grips with the disease and its impact on her career, her life, and her ability to raise her son.
You likely recognize Selma Blair from her most popular movies, CRUEL INTENTIONS (1999) and LEGALLY BLONDE (2001). She admits to viewing herself as a supporting actor, rather than a star, but with 80 screen credits over 25 years, she's certainly worked consistently. But here we see her daily physical and emotional struggles, though her sense of humor is present except for the darkest moments. Cracking wise about Kim Kardashian or Norma Desmond (SUNSET BLVD), and never hesitating to ensure her cane serves the dual purpose of fashion accessory, Ms. Blair keeps us constantly guessing as to whether she is serving up raw emotions or her best performance in the moment.
We can easily forgive her if a bit of her good humor is an act. It seems clear the film is designed to be a "gift" to her young son Arthur, should her life be cut short. Early on, we witness an MS episode when the stimulus gets to be too much. Her physical contortions and impaired speech are difficult to watch, but necessary for us to fully understand the brutality of the disease.
Half of the film is dedicated to her decision to seek stem cell treatment. The process is long and arduous, and we are spared much of the worst that she experiences. Still, it's a weeks-long cycle followed by a two year recovery, with no guarantee of improvement. In fact, no miracle cure or recovery occurs, and Ms. Blair initially seems shocked that she has two years of recovery ahead. It's difficult to believe she had not previously been informed.
Selma Blair's slogan, "We have so much time to be dead", is a terrific message and she's to be commended and respected for opening up her challenges to the camera. It's hopeful that her willingness to do so will help others, while also educating those unfamiliar with this disease. Mommy issues and extra drama aside, this film is quite something to experience.
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