A gang initiation goes wrong when a group of four recruits break into a house of horror, as they're all forced to play deadly games for their lives. Win and you live - lose and you die.A gang initiation goes wrong when a group of four recruits break into a house of horror, as they're all forced to play deadly games for their lives. Win and you live - lose and you die.A gang initiation goes wrong when a group of four recruits break into a house of horror, as they're all forced to play deadly games for their lives. Win and you live - lose and you die.
- Awards
- 1 win total
Me'Lisa Sellers
- Marsia
- (as Me'lisa Sellers)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I liked this one quite a bit. It has "Boyz in da Hood/People Under the Stairs" vibes mixed with one of those movies where people are forced to play death games. It's low budget but nice looking, and the director played around with changing aspect ratios and split screen shots to add to the mood. Some funny stuff like score cards flashing on the screen and text popping up that only the audience can see. Some might not like those gimmicks but I do.
The games themselves were all based on beloved childhood games, except with a lot of blades, nooses and electric shocks. The gore was nice and explicit, if not a little cartoony. I like cartoons so whatever.
It really explained the killer's backstory, which I enjoyed, but it had a little bit too much of that backstory than necessary. They could have added in another death game and cut out some of that stuff.
The acting was hit and miss, but what do you expect from these kind of movies?
Can't remember much about the score, which means it wasn't bad but it wasn't great. I loved the track on the end credits though.
Here's what you get with this movie. Just a fun throwback to the times when everything wasn't ghosts popping up making boo faces and loud pitch-shifter noises. If you yearn for those times, you might enjoy this one.
The games themselves were all based on beloved childhood games, except with a lot of blades, nooses and electric shocks. The gore was nice and explicit, if not a little cartoony. I like cartoons so whatever.
It really explained the killer's backstory, which I enjoyed, but it had a little bit too much of that backstory than necessary. They could have added in another death game and cut out some of that stuff.
The acting was hit and miss, but what do you expect from these kind of movies?
Can't remember much about the score, which means it wasn't bad but it wasn't great. I loved the track on the end credits though.
Here's what you get with this movie. Just a fun throwback to the times when everything wasn't ghosts popping up making boo faces and loud pitch-shifter noises. If you yearn for those times, you might enjoy this one.
I went into this movie with an open mind to a lower budget movie with a unique story and an intriguing new lead killer entering into the horror slasher genre, and went out of it confused how it dropped the ball. I wasn't expecting powerful acting or writing, but I also wasn't expecting seemingly rushed performances and cliche after cliche that fell flat and felt like it was written by people with nothing in common with the characters. The best actor was surprisingly A-F-R-O, who looked like a veteran amongst rookies, and has a bright future as an actor, while the rest of the ensemble seemed inexperienced and out of place. The gang initiation premise seemed forced and out of place as there are plenty of ways to place 4 friends in the house. Bitch Ass himself had promise, but the voice, the mask and outfit were all a miss as he wasn't scary or creepy, just awkward and nerdy. The games weren't compelling or exciting, and I didn't need the edge of my seat at any point. I was also confused by the flashback scenes as there was nothing but costume changes involved with them, nothing was added to them to create a mood or feelings. This movie is right on the border of being really bad and cult classic bad.
I was stuck for something to watch and I found this on one of many many streaming platforms here in the UK.
I checked the reviews on here and I can assure you this is a real review from a real person lol this is NO way as bad as people on here have made out.
I'm not gonna spoil it but if The People Under The Stairs is a 10 and Bones is a 1 this is easily a 6. With the late great Tony Todd playing the role as the "Crypt Keeper" I knew it couldn't be all bad.
The actual story is quite good. The acting is as really not that bad. It's cheesy like any anthology show of that era was.
The villain wasn't all that bad. He had a good backstory.
All in all was pretty good. Wouldn't watch it again, but definitely worth one watch.
I checked the reviews on here and I can assure you this is a real review from a real person lol this is NO way as bad as people on here have made out.
I'm not gonna spoil it but if The People Under The Stairs is a 10 and Bones is a 1 this is easily a 6. With the late great Tony Todd playing the role as the "Crypt Keeper" I knew it couldn't be all bad.
The actual story is quite good. The acting is as really not that bad. It's cheesy like any anthology show of that era was.
The villain wasn't all that bad. He had a good backstory.
All in all was pretty good. Wouldn't watch it again, but definitely worth one watch.
Three young guys and a young woman are attempting to join a local gang and for their initiation they must break into a house and rob a stash of cash for the gang leader.
One of them, Q, is a good kid with a mother with high expectations for him.
Against her wishws, he joins up witht he group to earn their respect and make some much needed cash in the process.
Of course, the plan goes from bad to worse as Badass, the title character has other ideas and, one by one, will amke the intruders play a series of games against him fr their very lives.
The cast, especially Q's mother, are all very good and some laughs are provided along the way.
Tony Todd does the intro in the style of the Crypt Keeper from the old HBO series from the eighties.
Bitch Ass is a short and passable diversion.
One of them, Q, is a good kid with a mother with high expectations for him.
Against her wishws, he joins up witht he group to earn their respect and make some much needed cash in the process.
Of course, the plan goes from bad to worse as Badass, the title character has other ideas and, one by one, will amke the intruders play a series of games against him fr their very lives.
The cast, especially Q's mother, are all very good and some laughs are provided along the way.
Tony Todd does the intro in the style of the Crypt Keeper from the old HBO series from the eighties.
Bitch Ass is a short and passable diversion.
This film manages to carve out a niche for itself with a story that showcases some inventive ideas despite its limited budget. While it's commendable how the film attempts to make the most of its resources, there are several areas where it falls short, leaving it more of a mixed bag than a standout feature.
One of the film's strengths is its approach to storytelling. The premise is intriguing, and it's clear that the filmmakers put thought into crafting a narrative that stands apart from more conventional fare. The story, while not without its merits, does offer a refreshing change of pace and keeps you engaged with its unique plot twists. It's evident that the filmmakers tried to make the best out of what they had, and for that, they deserve some credit.
However, the positives are overshadowed by several notable shortcomings. The performances, unfortunately, leave much to be desired. While the cast tries to bring their characters to life, the acting often feels wooden and unconvincing, detracting from the film's overall impact. This lack of strong performances means that emotional moments fall flat, and it becomes difficult to fully invest in the characters or their fates.
The cinematography is another area where the film struggles. The film suffers from inconsistent visual quality, with some scenes poorly lit or awkwardly framed. This uneven cinematography takes away from the immersion and can make the viewing experience feel jarring at times. Instead of enhancing the atmosphere, it often feels like a missed opportunity to elevate the film's impact.
Moreover, the plot contains a number of implausibilities that can be hard to overlook. The story takes several leaps in logic that stretch credibility, making it difficult to stay fully engaged. These implausibilities, combined with some clumsy storytelling choices, result in a narrative that, while ambitious, ultimately feels strained and unconvincing.
In conclusion, this is a film that showcases some creativity and makes an admirable effort with its limited budget. However, its shortcomings in performance, cinematography, and plausibility hinder its overall effectiveness. It's a mixed bag that might appeal to those who appreciate unique stories despite their execution flaws, but for many, it might be a case of good intentions falling short of a fully realized execution.
One of the film's strengths is its approach to storytelling. The premise is intriguing, and it's clear that the filmmakers put thought into crafting a narrative that stands apart from more conventional fare. The story, while not without its merits, does offer a refreshing change of pace and keeps you engaged with its unique plot twists. It's evident that the filmmakers tried to make the best out of what they had, and for that, they deserve some credit.
However, the positives are overshadowed by several notable shortcomings. The performances, unfortunately, leave much to be desired. While the cast tries to bring their characters to life, the acting often feels wooden and unconvincing, detracting from the film's overall impact. This lack of strong performances means that emotional moments fall flat, and it becomes difficult to fully invest in the characters or their fates.
The cinematography is another area where the film struggles. The film suffers from inconsistent visual quality, with some scenes poorly lit or awkwardly framed. This uneven cinematography takes away from the immersion and can make the viewing experience feel jarring at times. Instead of enhancing the atmosphere, it often feels like a missed opportunity to elevate the film's impact.
Moreover, the plot contains a number of implausibilities that can be hard to overlook. The story takes several leaps in logic that stretch credibility, making it difficult to stay fully engaged. These implausibilities, combined with some clumsy storytelling choices, result in a narrative that, while ambitious, ultimately feels strained and unconvincing.
In conclusion, this is a film that showcases some creativity and makes an admirable effort with its limited budget. However, its shortcomings in performance, cinematography, and plausibility hinder its overall effectiveness. It's a mixed bag that might appeal to those who appreciate unique stories despite their execution flaws, but for many, it might be a case of good intentions falling short of a fully realized execution.
Storyline
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- TriviaFilmed with a shoe-string budget of less than $30,000.
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- Country of origin
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- Also known as
- Ссыкло
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- Runtime1 hour 25 minutes
- Color
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