Events leading up to the 1996 Port Arthur massacre on Tasmania in an attempt to understand why and how the atrocity occurred.
Director:
Writer:
Awards:
- 24 wins & 27 nominations.
- See more »
Reviews:
Photos and Videos
Complete, Cast awaiting verification
Caleb Landry Jones | ... |
Nitram
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Judy Davis | ... |
Mum
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Sean Keenan | ... |
Jamie
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Essie Davis | ... |
Helen
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Anthony LaPaglia | ... |
Dad
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Conrad Brandt | ... |
Doctor
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Jessie Ward | ... |
Mother
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Zaidee Ward | ... |
Young Child
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Ethan Cook | ... |
Teacher
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Kyan Hugh Mana Walters | ... |
Schoolboy
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Phoebe Taylor | ... |
Riley
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Lucas Friend | ... |
Salesman
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Charlotte Friels | ... |
Waitress
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Annabel Marshall-Roth | ... |
Real Estate Agent
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Christiana Plitzco | ... |
Nurse
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Nick Batzias | ... |
Barman
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Lucy-Rose Leonard | ... |
Woman Outside Bar
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Ian Hume | ... |
Husband
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Carolyn Hume | ... |
Wife
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Trelawney Dewe | ... |
Officer
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Anita Jenkins | ... |
Travel Agent
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Rick James | ... |
Gun Shop Owner
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Fergus O'Luanaigh | ... |
Gun Salesman
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Josh Johansson | ... |
Surfer Friend
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Simon Gilbertson | ... |
Farmer
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George Batzias | ... |
Son
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Directed by
Justin Kurzel |
Written by
Shaun Grant | ... | (writer) |
Produced by
Nick Batzias | ... | producer |
Nick Forward | ... | executive producer |
Shaun Grant | ... | producer |
James Hewison | ... | associate producer |
Justin Kurzel | ... | producer |
Jenny Lalor | ... | executive producer |
Anthony LaPaglia | ... | executive producer |
John Sandow | ... | line producer |
Virginia Whitwell | ... | producer |
Paul Wiegard | ... | executive producer |
Mark Woods | ... | executive producer: MIFF Premiere Fund |
Music by
Jed Kurzel |
Cinematography by
Germain McMicking |
Editing by
Nick Fenton |
Editorial Department
John Kerron | ... | on-line editor |
Veronica Lynch | ... | conform editor |
Ross Mitchell | ... | Operations Manager |
Daniel Newfield | ... | first assistant editor |
Edel Rafferty | ... | colorist |
Casting By
Nikki Barrett | ||
Kate Leonard | ||
Alison Telford |
Production Design by
Alice Babidge |
Art Direction by
Joel Foffani | ||
Marni Kornhauser |
Set Decoration by
Quinn Delany-Veldhuis |
Costume Design by
Alice Babidge |
Makeup Department
Troy Follington | ... | makeup artist |
Brooke Pearson | ... | additional makeup |
Fiona Rees-Jones | ... | makeup department head |
Mia Kate Russell | ... | additional makeup |
Production Management
Maryjeanne Watt | ... | post-production supervisor |
Second Unit Director or Assistant Director
Matty Barker | ... | additional assistant director |
Nathan Croft | ... | first assistant director |
Sam Hewison | ... | third assistant director |
Oliver Tummel | ... | second assistant director |
Art Department
Vidar Tevasvold Aune | ... | artwork: Scandinavia |
Stephanie D'Alessi | ... | property master |
Sam Desmond | ... | set builder/dresser |
Jaime Gillespie | ... | art department coordinator |
Grace Goodwin | ... | art runner |
Anna McEwan | ... | Graphic designer / graphic designer |
Ara Nuri Steel | ... | onset dresser |
Sound Department
James Ashton | ... | sound designer |
Ryan Burrows | ... | foley recordist |
Will Carroll | ... | adr recordist |
Alex Francis | ... | foley recordist |
Owen Grieve | ... | technical assistant |
Skye Hollingsworth | ... | sound post producer |
Megan Howieson | ... | foley editor |
Mark Lavery | ... | boom operator |
Veronica Lynch | ... | technical assistant |
Michael Miller | ... | adr mixer |
Dean Ryan | ... | sound recordist |
Steve Single | ... | re-recording mixer / supervising sound editor |
Special Effects by
Allan Spiegel | ... | special effects supervisor |
Visual Effects by
Kkye Hall | ... | visual effects artist |
John Kerron | ... | visual effects artist |
Rui Li | ... | VFX artist / visual effects artist |
Leath Mattner | ... | Lead Visual Effects Artist / visual effects artist |
Stunts
Philli Anderson | ... | Assistant Stunt Coordinator |
Matthew Campbell | ... | stunt rigger |
Clint Dodd | ... | stunt rigger |
Jayden 'Mozzie' Irving | ... | stunt double: Caleb Landry Jones |
Hayden Stewart | ... | stunt driver |
Camera and Electrical Department
Dan Coates | ... | lighting technician |
Jensen Cope | ... | second assistant camera |
Tony Driver | ... | drone cinematographer: aerial footage |
Darcy Gooding | ... | Data Wrangler/Video Split |
Simon Hawkins | ... | key grip |
Crispian Hayler | ... | gaffer |
Tony Iaria | ... | lighting technician (creditOnly) |
Casting Department
Brooke Howden | ... | background casting |
Costume and Wardrobe Department
Fiona MacKinnon | ... | costume buyer |
Oriana Merullo | ... | costume buyer |
Christiana Plitzco | ... | costume supervisor |
Phoebe Taylor | ... | costume assistant |
Aleisha Whitson | ... | costume assistant |
Location Management
Nicci Dillon | ... | location manager |
Andrew Perry | ... | location scout |
Music Department
Robert Ames | ... | additional arrangements |
Jemma Burns | ... | music supervisor |
Ben Corrigan | ... | additional arrangements |
Script and Continuity Department
Conor Castles-Lynch | ... | script supervisor |
Additional Crew
Conor Castles-Lynch | ... | director's assistant |
Poppy Dowle | ... | Completion Guarantor |
Rebecca Girard | ... | production secretary |
Jason Hura | ... | Animal handler / Cat handler / Dog trainer / Pawsonfilm |
Jenny Kent | ... | dialect coach |
Felicity Parker-Hill | ... | production runner |
Lauren Sellwood | ... | animal trainer/wrangler |
Stuart Talman | ... | foreign currency hedging: Xe Money / foreign currency hedging: Xe |
Thanks
Kathryn Fleming | ... | special thanks |
Production Companies
- GoodThing Productions
- Melbourne International Film Festival (co-production)
Distributors
- Madman Entertainment (2021) (Australia) (theatrical)
- Picturehouse Entertainment (2021) (United Kingdom) (theatrical)
- Stan (2021) (Australia) (video) (VOD)
- Spentzos Films (2021) (Greece) (theatrical)
- Ad Vitam Distribution (2022) (France) (theatrical)
- Arthaus (2022) (Russia) (theatrical)
- IFC Films (2022) (United States) (theatrical)
- AMC+ (2022) (United States) (video)
- Alambique Filmes (2022) (Portugal)
- Russian World Vision (2022) (Russia) (video)
Special Effects
Other Companies
- Film Finances (Completion Guarantor)
- Katrina Wan PR (film publicist)
Storyline
Plot Summary |
Nitram lives with his mother and father in suburban Australia in the Mid 1990s. He lives a life of isolation and frustration at never being able to fit in. That is until he unexpectedly finds a close friend in a reclusive heiress, Helen. However when that relationship meets a tragic end, and Nitram's loneliness and anger grow, he begins a slow descent that leads to disaster. |
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Parents Guide | View content advisory » |
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Did You Know?
Trivia | According to director Justin Kurzel, Texan actor Caleb Landry Jones worked on his Australian accent while in quarantine after arriving in the country, by watching re-runs of 1990s episodes of Hey Hey It's Saturday (1971), Neighbours (1985) and Home and Away (1988). See more » |
Goofs | Early in the film when Martin and his mother browse at the Surfboard shop a passenger train is visible passing in the background. There are no passenger trains in Tasmania unlike in Geelong, VIC where the movie was shot. See more » |
Movie Connections | Referenced in Lezruk (2021). See more » |
Soundtracks | Three Little Maids See more » |
Crazy Credits | End credits read "On April 28th 1996, thirty-five people were killed and another twenty-three wounded in Port Arthur, Tasmania. The lone gunman was sentenced to thirty-five life sentences. The events of that day resulted in an overhaul of Australia's gun laws and the introduction of a National Firearms Agreement. The reforms were agreed to in twelve days. Over 640,000 firearms were bought back by the government and destroyed. No State or Territory has been fully compliant with the National Firearms Agreement. There are now more firearms owned in Australia than in 1996." See more » |
Quotes |
Mum:
[from the trailer]
He [Nitram] Mum: was laughing at my pain... laughing like it was the funniest thing in the world See more » |