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Ajouter une intrigue dans votre langueAn exploration of the appeal of horror films, with interviews of many legendary directors in the genre.An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.
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Le saviez-vous
- GaffesDespite being a documentary on US horror, it features Frissons (1975) and Vidéodrome (1983), two Canadian films by David Cronenberg.
- Citations
Darren Lynn Bousman: [speaking of horror] Most of the power that it has relates to the time that it is made.
- ConnexionsFeatures Frankenstein (1910)
- Bandes originales3 Blue
Composer/Publisher: Steven Paul Glotzer (BMI)
Commentaire à la une
The Only Thing To Fear Is Fear Itself
Can you believe that even today (56 years later) Alfred Hitchcock's "Psycho" still continues to have a substantial impact on the general direction of contemporary, American, horror movies? Well, it does!
And, with that in mind - Is it any wonder that this particular genre of film has become the stalest and most predictably trite movie category of them all?
According to all of the horror-movie directors, story-writers and historians who offered up their opinions in their fright-flick documentary - It was completely unanimous by all that Psycho was, indeed, the turning point. In the decades to follow, Psycho single-handedly set the inevitable direction that horror movies would head.
And, of course, in order to continue to compete with such a significant milestone as Psycho, horror-movie scenarios quickly accelerated into fast-pace mode and became a helluva lot messier and horrendously more sadistic in those years that followed Hitchcock's unforgettable slasher classic.
Yet, as is clearly evident today, it has been proved virtually impossible to fully satisfy and quench America's seemingly insatiable thirst for buckets of blood, and geysers of gore, and horrific stories that escalate into a non-stop barrage of pure, x-rated ultra-violence.
2 things that quickly lost this documentary some serious points were -
(1) All of those who offered up their opinions on the subject of horror movies placed a ludicrous amount of emphasis on directly connecting up these films with the socio-political mood (especially since 1950) that was clearly present in American society (at any given time in their nation's turbulent history).
(2) Way too much screen-time was given over to focusing in on director John Carpenter's half-baked opinions. As well, far too many film clips from his movies were spotlighted in this documentary. Also movies adapted from Stephen King novels were given too much attention, too.
P.S. - In order to make a point, I thought it was really pushing things a little too far when a particular scene from Disney's animated, 1940, classic Pinocchio was included in this film as yet another example of a horrific movie-moment worth discussing..... Spare me!
And, with that in mind - Is it any wonder that this particular genre of film has become the stalest and most predictably trite movie category of them all?
According to all of the horror-movie directors, story-writers and historians who offered up their opinions in their fright-flick documentary - It was completely unanimous by all that Psycho was, indeed, the turning point. In the decades to follow, Psycho single-handedly set the inevitable direction that horror movies would head.
And, of course, in order to continue to compete with such a significant milestone as Psycho, horror-movie scenarios quickly accelerated into fast-pace mode and became a helluva lot messier and horrendously more sadistic in those years that followed Hitchcock's unforgettable slasher classic.
Yet, as is clearly evident today, it has been proved virtually impossible to fully satisfy and quench America's seemingly insatiable thirst for buckets of blood, and geysers of gore, and horrific stories that escalate into a non-stop barrage of pure, x-rated ultra-violence.
2 things that quickly lost this documentary some serious points were -
(1) All of those who offered up their opinions on the subject of horror movies placed a ludicrous amount of emphasis on directly connecting up these films with the socio-political mood (especially since 1950) that was clearly present in American society (at any given time in their nation's turbulent history).
(2) Way too much screen-time was given over to focusing in on director John Carpenter's half-baked opinions. As well, far too many film clips from his movies were spotlighted in this documentary. Also movies adapted from Stephen King novels were given too much attention, too.
P.S. - In order to make a point, I thought it was really pushing things a little too far when a particular scene from Disney's animated, 1940, classic Pinocchio was included in this film as yet another example of a horrific movie-moment worth discussing..... Spare me!
utile•63
- strong-122-478885
- 26 mars 2015
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Американские кошмары
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 36 minutes
- Couleur
- Rapport de forme
- 1.78 : 1
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By what name was Nightmares in Red, White and Blue: The Evolution of the American Horror Film (2009) officially released in Canada in English?
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