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The Man Who Killed Don Quixote (2018)

Not Rated | | Adventure, Comedy, Drama | 19 May 2018 (France)
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1:55 | Trailer
Toby, a disillusioned film director, becomes pulled into a world of time-jumping fantasy when a Spanish cobbler believes him to be Sancho Panza. He gradually becomes unable to tell dreams from reality.

Director:

Terry Gilliam
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Popularity
611 ( 167)
3 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
José Luis Ferrer José Luis Ferrer ... Don Quixote (commercial)
Ismael Fritschi Ismael Fritschi ... Sancho Panza (commercial) (as Ismael Fritzi)
Juan López-Tagle ... Spanish Propman (as Juan López Tagle)
Adam Driver ... Toby
William Miller ... 1st AD - Bill
Will Keen ... Producer
Jason Watkins ... Rupert
Paloma Bloyd ... Melissa
Óscar Jaenada ... Gypsy
Sonia Franco Sonia Franco ... Flamenco Dancer
José Aser Giménez José Aser Giménez ... Flamenco Guitarist
José Antonio Fernández José Antonio Fernández ... Flamenco Percussionist
Viveka Rytzner ... Junior Creative
Alberto Jo Lee ... Chinese Translator / Creative Creep
Bruno Sevilla ... Client Rep
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Storyline

Toby, a cynical but supposedly genius film director finds himself trapped in the outrageous delusions of an old Spanish shoe-maker who believes himself to be Don Quixote. In the course of their comic and increasingly surreal adventures, Toby is forced to confront the tragic repercussions of a film he made in his idealistic youth - a film that changed the hopes and dreams of a small Spanish village forever. Can Toby make amends and regain his humanity? Can Don Quixote survive his madness and imminent death? Or will love conquer all?

Plot Summary | Add Synopsis

Taglines:

Today's a marvelous day for adventures!


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Spain | Belgium | France | UK | Portugal

Language:

English | Spanish

Release Date:

19 May 2018 (France) See more »

Also Known As:

The Man Who Killed Don Quixote See more »

Filming Locations:

Canary Islands, Spain See more »

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Box Office

Budget:

EUR17,000,000 (estimated)

Gross USA:

$391,963

Cumulative Worldwide Gross:

$2,301,430
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | SDDS

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

After their film Lost in La Mancha (2002), chronicling the failed first attempt to produce "The Man Who Killed Don Quixote" in 2000, the directors Keith Fulton and Louis Pepe came back to shoot a new making of for the new version of Terry Gilliam's legendary project. Their film will be called "He Dreams of Giants" and will favor a different approach than "Lost in La Mancha" by focusing more on Gilliam himself and the "internal struggle in an artist's mind". See more »

Quotes

Rupert: We become what we hold on to.
See more »

Crazy Credits

Terry Gilliam's "a Terry Gilliam film" credit is preceded by "and now... after more than 25 years in the making... and unmaking..." at the start of the film. See more »

Connections

Referenced in Na plovárne: Na plovárne s Terry Gilliamem (2006) See more »

Soundtracks

Celebration Camp
Written by Dave Howman & André Jacquemin (as Andre Jacquemin)
Published by Long Lunch Music
See more »

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User Reviews

 
Again, Gilliam Takes Us on a Thought-Provoking Wild Ride
23 May 2018 | by SkinsharkSee all my reviews

Maybe it helps to be familiar with Terry Gilliam's canon of work. But as a whole The Man Who Killed Don Quixote is a multi-layered story of the Ages of Man. The Dreamer and the Raconteur living in parallel lives.

What's fascinating is how the meanings of each of the characters and their story arcs fold into each other from the director, Terry Gilliam's own life to Adam Driver, playing a Gilliam figure all the way to Jonathan Pryce's man who's seemingly lost his mind. Part of me wonders how much of this is a farcical documentary or auto-biography.

Still as heady as it can be it still entertains. The acting is great, the characters are fully realized and the settings, cinematography and production design are signature styles of Gilliam: hand-crafted to bend to the will of his vision...as mad as it may be.

This is not a run-of-the-mill linear movie. It's not a popcorn flick. There's a lot to interpret and involve the audience so, don't expect instant gratification. To a lot of reviewers it seems they were overwhelmed by an unclear story. Which that may be true for those who don't want to be involved in the story. It asks a bit of self-reflection, it asks a bit of trust that the characters, working on several levels of psychosis, dreams, hallucinations and madness will all come to a natural conclusion in their story arcs and bring the global story of the film into one single point of focus:

We all had dreams once and we got lost. We may remember those dreams in our middle-age and yet in our old age we may become consumed by the dream to point of dreaming of our own existence.

If you like BRAZIL or THE IMAGINARIUM OF DOCTOR PARNASSUS you will like this film.


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