In England, retired Royal Marine Harry Brown spends his lonely life between the hospital, where his beloved wife Kath is terminally ill, and playing chess with his only friend Leonard Attwell in the Barge pub owned by Sid Rourke. After the death of Kath, Len tells his grieving friend the local gang is harassing him and he is carrying an old bayonet for self-defence. Harry suggests he to go to the police. When Len is beaten, and stabbed to deatry detective Inspector Alice Frampton and her partner Sergeant Terry Hicock are sent to investigate. They pay Harry a visit but don't have good news; the police have not found any other evidence, other than the bayonet, in order to arrest the hoodlums. This mean that should the case go to trial the gang would claim self-defence. Harry Brown sees that justice will not be granted and decides to take matters into his own hands.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Theatrical movie debut of Director Daniel Barber. See more »
During the riot scene, a Volvo hatchback is torched using a petrol bomb. Later in the sequence the car is seen again, and the fire has gone out. It is possible, although unlikely, that the petrol did not ignite the interior (accelerants in isolation do not burn for long), but the car body shows no oxidation or paint damage, even around the roof. See more »
Do you want it, fella, huh?
Because you wanted this yesterday, brother. You wanna do this shit?
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Death Wish set in London, exciting but too predictable
Watched this at a London preview screening
This is an enjoyable, and often tense vigilante film. But don't look for a radical plot line or unpredictable twists because this is simply a straight forward and predictable Death Wish style vigilante story. I'll give absolutely no credit to the screenplay writer for that.
But full marks to the director for turning up the high tensions to make this still an exciting film. Having lived in a council estate myself, I know how frightening some youngsters are and can be more terrifying than the recent flurry of zombie films.
However, this is Michael Caine's show and is a fine addition to the recent surge of old tough guys fighting back movies such as Gran Torino. Caine was brilliant as usual. He makes the most of a pitifully typical script. That is of a widower seeking violent vengeance on the youths who killed his friend. He played it subtle and his vigilante transition was done just right. He isn't turned into some unrealistic slick killing machine or a Rambo. He has typical elderly obstacles such as breathing problems, slow reflexes and old bones but some of his military skills give him a chance. There is a also a sub plot involving a female detective on his trail but it so underwritten, I just didn't care.
The actors playing the youths were very very convincing and help to root for our pensioner hero even more. So it is satisfying to see our legendary cockney actor clean up some really nasty bad guys.
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