Harvard student Mark Zuckerberg creates the social networking site. That would become known as Facebook but is later sued by two brothers who claimed he stole their idea, and the co-founder who was later squeezed out of the business.
From cool color palettes to shocking reveals in movies such as Se7en and Fight Club, take a closer look at the trademarks of David Fincher's directorial style.
Oakland A's general manager Billy Beane's successful attempt to assemble a baseball team on a lean budget by employing computer-generated analysis to acquire new players.
In the late 1960s/early 1970s, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.
Director:
David Fincher
Stars:
Jake Gyllenhaal,
Robert Downey Jr.,
Mark Ruffalo
With his wife's disappearance having become the focus of an intense media circus, a man sees the spotlight turned on him when it's suspected that he may not be innocent.
Director:
David Fincher
Stars:
Ben Affleck,
Rosamund Pike,
Neil Patrick Harris
A wealthy New York City investment banking executive, Patrick Bateman, hides his alternate psychopathic ego from his co-workers and friends as he delves deeper into his violent, hedonistic fantasies.
In 1985 Dallas, electrician and hustler Ron Woodroof works around the system to help AIDS patients get the medication they need after he is diagnosed with the disease.
Director:
Jean-Marc Vallée
Stars:
Matthew McConaughey,
Jennifer Garner,
Jared Leto
Based on the story of Micky Ward, a fledgling boxer who tries to escape the shadow of his more famous but troubled older boxing brother and get his own shot at greatness.
The story of King George VI, his impromptu ascension to the throne of the British Empire in 1936, and the speech therapist who helped the unsure monarch overcome his stammer.
Director:
Tom Hooper
Stars:
Colin Firth,
Geoffrey Rush,
Helena Bonham Carter
When Louis Bloom, a con man desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story.
On a fall night in 2003, Harvard undergrad and computer programming genius Mark Zuckerberg sits down at his computer and heatedly begins working on a new idea. In a fury of blogging and programming, what begins in his dorm room soon becomes a global social network and a revolution in communication. A mere six years and 500 million friends later, Mark Zuckerberg is the youngest billionaire in history... but for this entrepreneur, success leads to both personal and legal complications.Written by
Columbia Pictures
The Winklevoss twins were both played by actor Armie Hammer. However, Ralph Lauren model Josh Pence played one of them strictly from the neck down. His face was digitally replaced with Hammer's to make them appear identical, as the two men are unrelated and look nothing alike. The two spent 10 months in twin boot camp to match one another's subtle movements and rapport. See more »
Goofs
During several scenes at Facebook HQ in Palo Alto, an original "The Facebook" banner can be seen on the site on Zuckerberg's laptop. By this point in time, the word "the" had been dropped and the new logo/banner added. See more »
Quotes
[first lines]
Mark Zuckerberg:
Did you know there are more people with genius IQs living in China than there are people of any kind living in the United States?
Erica Albright:
That can't possibly be true.
Mark Zuckerberg:
It is.
Erica Albright:
What would account for that?
Mark Zuckerberg:
Well first, an awful lot of people live in China. But, here's my question: how do you distinguish yourself in a population of people who all got 1600 on their SATs?
Erica Albright:
I didn't know they take SATs in China.
Mark Zuckerberg:
They don't. I wasn't talking about China anymore, I was talking about me.
See more »
"You're not an asshole, Mark. You're just trying so hard to be one." This statement, uttered by a lawyer, played by Rashida Jones, describes David Fincher's The Social Network quite well. It is not a great film, but it is trying very hard to be one. That being said, it is certainly a good one. When it was announced, people reacted to the idea of a film about Facebook similarly to a Transformers film being made. For the most part , all the write-ups about the film were filled with cynicism and negativity. To people's surprise Aaron Sorkin would write and David Fincher would direct. Following its premiere, mountains of praise were heaped on the film, which for the most part was deserved.
To me, this film is hard to review. On the surface, there is much to praise. Fantastic performances, great cinematography and direction, with some great writing, yet, I come out of feeling nothing. There was an emotional disconnect between the film and me - something was lacking. The film is exceptionally well made, it has great style, and Fincher deserves a lot of credit for what he has done. However, the problem I had was I didn't care about the characters. Mark Zuckerberg, played by Jesse Eisenberg, is not meant to be a hero, in fact he is portrayed as a prick. Someone constantly condescending due to his insecurity and superior intellect. We are not given any characters that we can attach ourselves to, which isn't always a problem but the story was told in such a way that it didn't suck me in either.
The performances are great across the board, and most surprisingly, the stand out for me is Justin Timberlake, who disappears into his role. He plays Napster creator Shawn Fanning as a slightly delusional, paranoid entrepreneur.
Aaron Sorkin, like David Mamet or Quentin Tarantino, has a very stylized way of writing dialogue. It either works for you, or doesn't. Fortunately, it did work and some very enjoyable exchanges are present in this film. The problem isn't with the dialogue, but with the way the story is told, constantly cutting forward in time to his meetings with his lawyers and the people suing him. This gives the film an almost procedural feel, and leaves me cold.
Fincher has made some very good films, but never has he made a truly great one. They never emotionally connect, and I blame this on his style. The film is beautifully shot, but it is the way it is shot that I had the most problem with. It is too clean, too composed. It is style versus emotion, and style wins out. It is quite obvious he started his career as a commercial and music video director in this film. This is certainly not always a bad thing, but on this film, which needs us to connect with at least one of the characters, the lack of emotion keeps me from really loving this film.
I will say that the final scene almost made up for it, it is humorous yet strangely disturbing. Unfortunately, the ending came out of nowhere. There was no build up, it appears as if several scenes were cut leading up to the ending. It, instead, uses text during the final shot to clear up all of the loose ends, which there are many. The film doesn't care about its characters, and this proves it.
It may come off strange that I will still recommend the film, but I do. It is very good, and interesting. Certainly better than most of the films released in the last couple of months. That being said, it has flaws, significant ones, and for that it fails as a great film, but succeeds as a good one.
For more reviews and articles about film check out my blog: The Deleted Scene http://thedeletedscene.wordpress.com
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"You're not an asshole, Mark. You're just trying so hard to be one." This statement, uttered by a lawyer, played by Rashida Jones, describes David Fincher's The Social Network quite well. It is not a great film, but it is trying very hard to be one. That being said, it is certainly a good one. When it was announced, people reacted to the idea of a film about Facebook similarly to a Transformers film being made. For the most part , all the write-ups about the film were filled with cynicism and negativity. To people's surprise Aaron Sorkin would write and David Fincher would direct. Following its premiere, mountains of praise were heaped on the film, which for the most part was deserved.
To me, this film is hard to review. On the surface, there is much to praise. Fantastic performances, great cinematography and direction, with some great writing, yet, I come out of feeling nothing. There was an emotional disconnect between the film and me - something was lacking. The film is exceptionally well made, it has great style, and Fincher deserves a lot of credit for what he has done. However, the problem I had was I didn't care about the characters. Mark Zuckerberg, played by Jesse Eisenberg, is not meant to be a hero, in fact he is portrayed as a prick. Someone constantly condescending due to his insecurity and superior intellect. We are not given any characters that we can attach ourselves to, which isn't always a problem but the story was told in such a way that it didn't suck me in either.
The performances are great across the board, and most surprisingly, the stand out for me is Justin Timberlake, who disappears into his role. He plays Napster creator Shawn Fanning as a slightly delusional, paranoid entrepreneur.
Aaron Sorkin, like David Mamet or Quentin Tarantino, has a very stylized way of writing dialogue. It either works for you, or doesn't. Fortunately, it did work and some very enjoyable exchanges are present in this film. The problem isn't with the dialogue, but with the way the story is told, constantly cutting forward in time to his meetings with his lawyers and the people suing him. This gives the film an almost procedural feel, and leaves me cold.
Fincher has made some very good films, but never has he made a truly great one. They never emotionally connect, and I blame this on his style. The film is beautifully shot, but it is the way it is shot that I had the most problem with. It is too clean, too composed. It is style versus emotion, and style wins out. It is quite obvious he started his career as a commercial and music video director in this film. This is certainly not always a bad thing, but on this film, which needs us to connect with at least one of the characters, the lack of emotion keeps me from really loving this film.
I will say that the final scene almost made up for it, it is humorous yet strangely disturbing. Unfortunately, the ending came out of nowhere. There was no build up, it appears as if several scenes were cut leading up to the ending. It, instead, uses text during the final shot to clear up all of the loose ends, which there are many. The film doesn't care about its characters, and this proves it.
It may come off strange that I will still recommend the film, but I do. It is very good, and interesting. Certainly better than most of the films released in the last couple of months. That being said, it has flaws, significant ones, and for that it fails as a great film, but succeeds as a good one.
For more reviews and articles about film check out my blog: The Deleted Scene http://thedeletedscene.wordpress.com