As Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, he is sued by the twins who claimed he stole their idea, and by the co-founder who was later squeezed out of the business.
In the late 1960s/early 1970s, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.
Robert Downey Jr.,
On a fall night in 2003, Harvard undergrad and computer programming genius Mark Zuckerberg sits down at his computer and heatedly begins working on a new idea. In a fury of blogging and programming, what begins in his dorm room soon becomes a global social network and a revolution in communication. A mere six years and 500 million friends later, Mark Zuckerberg is the youngest billionaire in history... but for this entrepreneur, success leads to both personal and legal complications.Written by
At the D8 conference hosted by D: All Things Digital on June 2, 2010, host Kara Swisher told Mark Zuckerberg she knew he was not happy with the film being based on him, to which he replied, "I just wished that nobody made a movie of me while I was still alive." Zuckerberg stated to Oprah Winfrey that the drama and partying of the film is mostly fiction, explaining "this is my life, so I know it's not so dramatic," and that he spent most of the past six years focusing, working hard, and coding Facebook. Speaking to an audience at Stanford University, Zuckerberg stated that the film portrayed his motivations for creating Facebook inaccurately; instead of an effort to "get girls", he says he created the site because he enjoys "building things". However, he added that the film accurately depicted his real-life wardrobe, saying, "It's interesting the stuff that they focused on getting right - like every single shirt and fleece they had in that movie is actually a shirt or fleece that I own." See more »
When Eduardo meets the lawyer about his shares getting diluted Eduardo is carrying a black bag on his shoulder. Shortly after the bag disappears and when Eduardo is escorted out by security he still does not have his bag or is he concerned about it. See more »
Did you know there are more people with genius IQs living in China than there are people of any kind living in the United States?
That can't possibly be true.
What would account for that?
Well first, an awful lot of people live in China. But, here's my question: how do you distinguish yourself in a population of people who all got 1600 on their SATs?
I didn't know they take SATs in China.
They don't. I wasn't talking about China anymore, I was talking about me.
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Just as Fincher gave us the definitive Generation X film with "Fight Club", he and Aaron Sorkin give us a definitive Generation Y film...
...and that's "The Social Network".
It joins the ranks of his best, and just like many of his his previous works, has been reviled before it was properly understood.
For months before it came out, it was the laughing stock of people who were off-put by the idea of a "movie about Facebook" (even though it's easy to look and see that it's about the founding of Facebook and the people behind it), just like "Fight Club" is dismissed as a violent film about people fighting, or that "Se7en" is just a serial killer movie.
Not to get sidetracked, though.
"The Social Network" is filmmaking and storytelling of a high order, that shows the grand irony of a socially inept Harvard student named Mark Zuckerberg who ended up creating one of the largest social phenomena of the twenty-first century (and love Facebook or hate it, it most certainly is that). The story works as an engaging, fascinating character study; at the beginning of the story, Mark is a socially maladjusted reject, and even after several million 'friends' and a few billion dollars later, he remains pretty much the same.
The outstanding acting, style and direction, as well as the great script armed to the teeth with sharp dialogue is what people are likely to miss by dismissing it as a mere 'Facebook movie'.
Even if it were just a "movie about Facebook", why is such subject matter off-limits? Things that have become a large part of our culture shouldn't be reflected in our art? Or, is it because of that? That technology is such a scary thing and needs to be dismissed? The indisputable fact is that everything that's going on with social networking and the world of the Internet is incorporated into the ideas of a certain corner of history, this one, which will be remembered as such, and "The Social Network" may very well be remembered as a film to define that era.
So please, this is one of the films to see this year. Don't get hung up on the idea that it's just a silly "Facebook movie", or else you'll be missing out on an excellent picture.
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