As Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, he is sued by the twins who claimed he stole their idea, and by the co-founder who was later squeezed out of the business.
On a fall night in 2003, Harvard undergrad and computer programming genius Mark Zuckerberg sits down at his computer and heatedly begins working on a new idea. In a fury of blogging and programming, what begins in his dorm room soon becomes a global social network and a revolution in communication. A mere six years and 500 million friends later, Mark Zuckerberg is the youngest billionaire in history... but for this entrepreneur, success leads to both personal and legal complications.Written by
Columbia Pictures
During the Valentine's Day acapella performance the girl checking her email remarks that she hopes the links she's being sent are more "cats that look like Hitler." The scene takes place in early 2004, while the website didn't launch until 2006. However, she seems to just be referring to general pictures of cats that look like Adolf Hitler, not the formal website. See more »
Quotes
[first lines]
Mark Zuckerberg:
Did you know there are more people with genius IQs living in China than there are people of any kind living in the United States?
Erica Albright:
That can't possibly be true.
Mark Zuckerberg:
It is.
Erica Albright:
What would account for that?
Mark Zuckerberg:
Well first, an awful lot of people live in China. But, here's my question: how do you distinguish yourself in a population of people who all got 1600 on their SATs?
Erica Albright:
I didn't know they take SATs in China.
Mark Zuckerberg:
They don't. I wasn't talking about China anymore, I was talking about me.
See more »
When I first heard that David Fincher was making a film about the networking site Facebook, I was definitely very skeptical. Well, there was no need to be. Fincher took Aaron Sorkin's brilliantly clever screenplay and turned it into a film that highlights the best and worst moments of out technology-based life.
The Social Network's first scene is brilliantly written and acted, and it sets the mood that both Fincher and Sorkin want to set for the rest of the film. The film is seen as the advancement of how Mark Zuckerberg got his world-famous website started. Now, I know that a lot of the film was exaggerated or fictional, but it does not matter. Sorkin and Fincher have brought us this really interesting character, who is brilliantly played by Jesse Eisenberg. Eisenberg is one of the best young actors in this time, and while he has mostly done comedy until now, his role demands much more attention to subtlety and character nuances to move along. Last year Eisenberg showed us that he could create some of the most likable characters in films like Zombieland and Adventureland, and this year he proves to us that he can actually create a very flawed and condescending, but still sympathetic character that we may or may not end up hating. This was credit to his real talent. Andrew Garfield was also pretty much equal in terms of performance, and he was a true star next to Eisenberg's character. The rest of the cast are all fine, including Justin Timberlake that has proved over the years that he can actually act pretty impressively.
On another note, the film might seem very different than Fincher's other films, which include pretty much all crime/thrillers and a fantasy (Benjamin Button), but I thought that he was able to leave his mark on the film. It certainly took itself seriously, which for a film like this is fortunate. The cinematography was also very impressive, but not showy, and very keen on the real focus of the film.
Ultimately, The Social Network is a very hard film to dislike. However, I also know that it is not the type of easy-going, fun but forgettable film that many (including me) expected months ago. It is more profound, more meaningful, but it might not hit a nerve with all viewers, including the young that will only want to see the 'Facebook Movie!'. I think The Social Network has a lot of similarity to last year's Up In The Air. Both represent a dilemma about people's communications in the modern world, and both can be seen as perfect examples of what life in the 21st' century was like. The Social Network is about the many connections that we have with others, and it makes you feel the longing and loneliness that might come with it. It is David Fincher's best to date.
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When I first heard that David Fincher was making a film about the networking site Facebook, I was definitely very skeptical. Well, there was no need to be. Fincher took Aaron Sorkin's brilliantly clever screenplay and turned it into a film that highlights the best and worst moments of out technology-based life.
The Social Network's first scene is brilliantly written and acted, and it sets the mood that both Fincher and Sorkin want to set for the rest of the film. The film is seen as the advancement of how Mark Zuckerberg got his world-famous website started. Now, I know that a lot of the film was exaggerated or fictional, but it does not matter. Sorkin and Fincher have brought us this really interesting character, who is brilliantly played by Jesse Eisenberg. Eisenberg is one of the best young actors in this time, and while he has mostly done comedy until now, his role demands much more attention to subtlety and character nuances to move along. Last year Eisenberg showed us that he could create some of the most likable characters in films like Zombieland and Adventureland, and this year he proves to us that he can actually create a very flawed and condescending, but still sympathetic character that we may or may not end up hating. This was credit to his real talent. Andrew Garfield was also pretty much equal in terms of performance, and he was a true star next to Eisenberg's character. The rest of the cast are all fine, including Justin Timberlake that has proved over the years that he can actually act pretty impressively.
On another note, the film might seem very different than Fincher's other films, which include pretty much all crime/thrillers and a fantasy (Benjamin Button), but I thought that he was able to leave his mark on the film. It certainly took itself seriously, which for a film like this is fortunate. The cinematography was also very impressive, but not showy, and very keen on the real focus of the film.
Ultimately, The Social Network is a very hard film to dislike. However, I also know that it is not the type of easy-going, fun but forgettable film that many (including me) expected months ago. It is more profound, more meaningful, but it might not hit a nerve with all viewers, including the young that will only want to see the 'Facebook Movie!'. I think The Social Network has a lot of similarity to last year's Up In The Air. Both represent a dilemma about people's communications in the modern world, and both can be seen as perfect examples of what life in the 21st' century was like. The Social Network is about the many connections that we have with others, and it makes you feel the longing and loneliness that might come with it. It is David Fincher's best to date.