Diogo lives among angelic children and failed gown ups. Desire makes him grow up, despite all the childhood delights that still sing him lullabies. David (Pinheiro Vicente) also films between delicacy and dirt, i.e., between haunting sensations and the smell of blood. Then, everything gets stirred, elliptically and metaphorically, in a web tangled with fragments of what may be dreams, memories or visions (like the web of sexual innuendos connecting all the adult characters). At the center of the film a tension between death and guilt (which end up complementing each other in ritualistic sacrifice).
—Ricardo Vieira Lisboa