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Production Notes from IMDbPro
Status: | completed |
Status Updated: | 14 Dec 2024 |
Cast
Egor Koreshkov | ... |
D-503
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Elena Podkaminskaya | ... |
I-330
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Yuri Kolokolnikov | ... |
Panda
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Dmitriy Chebotaryov | ... |
P-13
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Other cast: | |||
Maryana Spivak | ... |
A-2248
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Konstantin Lavronenko | ... |
Blagodetel
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Filipp Yankovskiy | ... |
S-4711
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Vasiliy Kopeikin | ... |
Muzykant
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Sofia Doniants | ... |
O-90
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Sergey Ivanyuk |
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Ivan Dobrich | ... |
Povstanets-pulemyotchik
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Dzhan Badmayev |
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Anastasiya Kozyreva |
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Aleksandr Prismotrov-Belov | ... |
Pukhlyy malchik
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Andrey Rebenkov | ... |
Doktor
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Svetlana Korchagina | ... |
Piketchitsa
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Karim Pakachakov | ... |
K-850
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Nadezhda Astapova |
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Yuliya Nazarova | ... |
Devushka iz budushchego
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Kseniya Bormina | ... |
Neposeda
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Nataliya Kutanina | ... |
Prostolyudinka
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Directed by
Hamlet Dulyan |
Written by
Hamlet Dulyan | ... | () |
Alexander Talal | ... | () |
Yevgeni Zamyatin | ... | (novel) |
Produced by
Sergey Aleksanyan | ... | producer |
Armen Ananikyan | ... | producer |
Gevond Andreasyan | ... | producer |
Sarik Andreasyan | ... | producer |
Hamlet Dulyan | ... | producer |
Dmitriy Litvinov | ... | co-producer |
Semyon Shcherbovich-Vecher | ... | executive producer |
Dmitriy Shirokov | ... | co-producer |
Music by
Michael Afanasyev | ... | (as Mikhail Afanasiev) |
Cinematography by
Karen Manaseryan |
Editing by
Irina Bychkova | ||
Tatyana Moreva |
Production Design by
David Dadunashvili |
Art Direction by
Alina Morozova |
Set Decoration by
Michael Volchek |
Costume Design by
Oksana Shevchenko |
Sound Department
Dmitriy Kliminov | ... | supervising sound editor/re-recording mixer |
Charles Maynes | ... | sound designer |
Garik Navasardyan | ... | dialogue editor |
Aleksey Sinitsyn | ... | supervising sound editor/sound designer |
Visual Effects by
Yuriy Bodolanov | ... | visual effects artist |
Nikita Evgenievich Chumichev | ... | visual effects artist |
Ishchenko Dmitry | ... | visual effects artist |
Anastasia Isupova | ... | digital compositor |
Yan Kalnitsky | ... | visual effects artist |
Nikolay Kirienko | ... | digital compositor |
Anna Lebedeva | ... | visual effects artist |
Sergey Likhachev | ... | digital compositor |
Yaroslav Makarov | ... | visual effects artist |
Andrey Merkushov | ... | visual effects artist |
Igor Ogibin | ... | visual effects artist |
Vladislav Parfentev | ... | visual effects artist |
Yuriy Ryabushko | ... | visual effects supervisor |
Oleg Rytov | ... | visual effects supervisor |
Ildar Shirgazin | ... | visual effects artist |
Mikhail Udodov | ... | digital compositor |
Vika Vdovina | ... | digital compositor |
Sudeykin Vladimir | ... | digital compositor |
Anna Wergun | ... | visual effects producer |
Thanks
Artashes Andreasyan | ... | the producers wish to thank |
Vladislav Pasternak | ... | the producers wish to thank |
Andrey Yazydzhi | ... | the producers wish to thank |
Nina Zamyatina | ... | the producers wish to thank |
Production Companies
Distributors
- Central Partnership (Russia) (theatrical)
Special Effects
Other Companies
Storyline
Plot Summary |
200 years have passed after The Great War. Almost the entire population of the Earth has been wiped out. The remnants of humanity live in the perfect One State. Despite an authoritarian system of serial numbers, uniforms, glass houses, and scheduled sex, happiness and harmony reign in the society. An engineer named D-503 considers such a life ideal. He celebrates it by putting all his knowledge and talent into the construction of a super-powered spaceship. A chance meeting with a woman named I-330 completely reverses D-503's self-image. He discovers in himself the uncontrollable "ancient" impulses, feelings and passions. And he is yet to find out that there are those who do not like the existing world order and seek to destroy the last bastion of humanity on Earth - the One State. |
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Parents Guide | Add content advisory for parents » |
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Additional Details
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Box Office
Budget | RUR230,000,000 (estimated) |
Did You Know?
Trivia | In the novel Yevgeni Zamyatin used houses with glass walls to observe the masses, when written during 1920 - 1921 television was not yet invented and with this concept of mass observation is where, after reading WE, George Orwell used television to monitor the people in his book "1984". See more » |