The host of this episode, former Conservative MP, Michael Portillo, takes us through a (though it may sound a little morbid to some) fascinating tour through the methods used in the US-American death penalty. He remains rather neutral on the pro- & contra-stance, though not necessarily opposed to capital punishment, but questioning the methods that are currently in use. In essence, his question isn't so much whether it's morally right or wrong to have another person killed under a penal-code (considering the potential for miscarriages of justice), but rather "How to kill a human being" humanly. If you're not familiar with the issue or methods, some of Portillo's research might be rather shocking – no pun intended.
Portillo's first stop is at a prison where the final sentence is carried out by lethal injection, still the most common form of execution in the US. A sympathetic, though obviously hardened by his work, warden takes him through the procedure and ensures him that the sentence is carried out as humanly as possible, despite the actual killing being done by technicians, rather than medical professionals (obviously due to the Hippocratic oath). Which sounds reasonable on first glance: the culprit receives a lethal cocktail and drifts off into eternal sleep. But numerous "glitches" prior (and since; mind you, this was filmed in 2008), mainly due to the lack of medical experts and the testimony of a patient, who suffered through being injected with one of the three chemicals in question (namely Pancuronium bromide) suggest otherwise. Though being paralyzed, she describes the feeling as "being injected with ignited jet fuel". Portillo than interviews Jay Chapman, who had invented the concept 40 years prior, who concurs that he could never have "imagined idiots carrying out this procedure", but insists that the method is basically humane ("so, they suffer a little bit, but who cares?", is Chapman's assessment).
The documentary moves on to one of the oldest and most common form of capital punishment: death by hanging. We learn that, although ideally quick and almost painless, the executioners still rely on a science (weight to body-height, height of drop, etc.) which has not been modified since around 1886. A miscalculation could result in death through strangulation or decapitation, as is demonstrated on a crash-test-dummy – and, so a scientist informs us, not even an advanced computer could calculate the exact measurements for a painless execution.
Death by electric chair is simulated on a pig-carcass, which proves why it's called "being roasted on the chair", reminding that this form of death is one step above being burned alive on a stake. Five states in America still utilize the gas-chamber (adopting the concept from Nazi-Germany), another form of death that seem painless in theory only – the flaw being that the convicted is basically "asked" to assist in his demise, by taking deep and regular breath of the gas that will kill him, for example. Naturally by instinct most will hold their breath to the point of almost suffocating. This time Portillo offers himself as a test-subject, subjecting himself to noxious, but non-lethal gas, very similar to cyanide. The experience is anything but easy or painless.
The second half of the documentary is dedicated to finding a painless, humane method of execution, which seems to be hypoxia, depriving the brain of oxygen without the body "noticing" it. Again Portillo plays the guinea pig and with the help of the Dutch Airforce undergoes a rapid-pressure-scenario in a pressure chamber, simulating the low oxygen concentration in high altitudes. The results are quiet amazing: within minutes, Portillo begins to lose basic functioning skills without noticing it, slipping into a state of euphoric stupor. When watched over by a physician and told to put his oxygen-mask on, least he'd black out in a few seconds, the former politician merely gives his guardian a puzzled, but quiet happy smile. Still befuddled after the experiment, when inquiring what would have happened after that, the officer in charge only gives him a puzzled look. The answer to that would have been as definite as it would have been final.
The most shocking part of the documentary is yet to come: Portillo presents his findings, the "perfect method to kill a person humanly" in the form of nitrogen hypoxia, to one of the leading pro-death-penalty advocates in America, Professor Robert Blecker. To Portillo's bewilderment, Blecker outright dismisses this method as outright "terrible", citing the lack of justice when the perpetrator of a crime suffers less than the victim. Understandably this kind of response from an otherwise educated man – a virtual call for "an eye for an eye" – leaves the host both perplexed and disillusioned.
Being a sober, objective documentary and answering many questions about the methods, it still raises more questions about the purpose and deeper intent of capital punishment, beyond merely ending the life of a criminal. Is it merely about the state removing an obstacle humanely, without sinking to the level of the culprit? Or is it only about punishment and if so, where does the punishment-factor turn into revenge? Questions that this documentary doesn't answer but raises, leaving them open for discussions to come, at least in counties where capital punishment is still practiced yet who strive on basic human morals and humanity. Today, same as almost ten years ago, when this documentary was recorded. 8/10
Portillo's first stop is at a prison where the final sentence is carried out by lethal injection, still the most common form of execution in the US. A sympathetic, though obviously hardened by his work, warden takes him through the procedure and ensures him that the sentence is carried out as humanly as possible, despite the actual killing being done by technicians, rather than medical professionals (obviously due to the Hippocratic oath). Which sounds reasonable on first glance: the culprit receives a lethal cocktail and drifts off into eternal sleep. But numerous "glitches" prior (and since; mind you, this was filmed in 2008), mainly due to the lack of medical experts and the testimony of a patient, who suffered through being injected with one of the three chemicals in question (namely Pancuronium bromide) suggest otherwise. Though being paralyzed, she describes the feeling as "being injected with ignited jet fuel". Portillo than interviews Jay Chapman, who had invented the concept 40 years prior, who concurs that he could never have "imagined idiots carrying out this procedure", but insists that the method is basically humane ("so, they suffer a little bit, but who cares?", is Chapman's assessment).
The documentary moves on to one of the oldest and most common form of capital punishment: death by hanging. We learn that, although ideally quick and almost painless, the executioners still rely on a science (weight to body-height, height of drop, etc.) which has not been modified since around 1886. A miscalculation could result in death through strangulation or decapitation, as is demonstrated on a crash-test-dummy – and, so a scientist informs us, not even an advanced computer could calculate the exact measurements for a painless execution.
Death by electric chair is simulated on a pig-carcass, which proves why it's called "being roasted on the chair", reminding that this form of death is one step above being burned alive on a stake. Five states in America still utilize the gas-chamber (adopting the concept from Nazi-Germany), another form of death that seem painless in theory only – the flaw being that the convicted is basically "asked" to assist in his demise, by taking deep and regular breath of the gas that will kill him, for example. Naturally by instinct most will hold their breath to the point of almost suffocating. This time Portillo offers himself as a test-subject, subjecting himself to noxious, but non-lethal gas, very similar to cyanide. The experience is anything but easy or painless.
The second half of the documentary is dedicated to finding a painless, humane method of execution, which seems to be hypoxia, depriving the brain of oxygen without the body "noticing" it. Again Portillo plays the guinea pig and with the help of the Dutch Airforce undergoes a rapid-pressure-scenario in a pressure chamber, simulating the low oxygen concentration in high altitudes. The results are quiet amazing: within minutes, Portillo begins to lose basic functioning skills without noticing it, slipping into a state of euphoric stupor. When watched over by a physician and told to put his oxygen-mask on, least he'd black out in a few seconds, the former politician merely gives his guardian a puzzled, but quiet happy smile. Still befuddled after the experiment, when inquiring what would have happened after that, the officer in charge only gives him a puzzled look. The answer to that would have been as definite as it would have been final.
The most shocking part of the documentary is yet to come: Portillo presents his findings, the "perfect method to kill a person humanly" in the form of nitrogen hypoxia, to one of the leading pro-death-penalty advocates in America, Professor Robert Blecker. To Portillo's bewilderment, Blecker outright dismisses this method as outright "terrible", citing the lack of justice when the perpetrator of a crime suffers less than the victim. Understandably this kind of response from an otherwise educated man – a virtual call for "an eye for an eye" – leaves the host both perplexed and disillusioned.
Being a sober, objective documentary and answering many questions about the methods, it still raises more questions about the purpose and deeper intent of capital punishment, beyond merely ending the life of a criminal. Is it merely about the state removing an obstacle humanely, without sinking to the level of the culprit? Or is it only about punishment and if so, where does the punishment-factor turn into revenge? Questions that this documentary doesn't answer but raises, leaving them open for discussions to come, at least in counties where capital punishment is still practiced yet who strive on basic human morals and humanity. Today, same as almost ten years ago, when this documentary was recorded. 8/10