Ip Man

This is Donnie Yen's best acting piece for awhile now, and he still delivers the action sequences brilliantly. At 44 years of age, he looks so energetic, confident and charismatic. I believe the combination of Yen, Sammo Hung and Wilson Yip is the right choice for this particular film and fighting style. Wing Chun is best depicted without the flamboyant ballet of acrobatics often seen in other wushu films.

The movie doesn't dwell on historical accuracy, but rather use that settings to set the mood, deliver the message and simply tells you the life journey of a Grandmaster in an fun and entertaining way.

I remember that Richard Attenborough said (regarding Gandhi) that there was no way a director/movie maker could encompass and depict a person's life journey in only a 2 or 3-hour movie. But rather one should aim to emulate the spirit of that person, and the message/lesson of his story. I think this movie does that, with a quality production that raised the bar for period drama.

My rating is missing 1 point because I feel that there were plot devices that had been done-to-death before in other movies like: Fists of Fury, Fearless, Kill Bill, etc. However, Yip Man simply turns the notch to a higher sound-beating level.

Don't miss this on the big screen!

Excellent direction, photography and set design enliven this account of Wing Chun instructor Yip Man's life before he moved to Hong Kong. Every Wing Chun instructor today tries to make a lineage connection to Yip Man to legitimize their teaching so he is a very important figure in Kung Fu. Donnie Yen portrays the master with intense reserve and is possibly the best acting in his career. It surprised me for sure.

The story line of this film is invented as historical accounts show Yip Man to have been a police officer in the time frame this film covers, not staying at home and only practicing kung fu as depicted here. Also the film claims that he refused to teach anybody but that is also not true. He left for Hong Kong a few years after WW2 not in the middle of it as this film presents. The plot with the Japanese army seems invented although they did ask him to teach the troops which he refused.

However the film muddies up the historical record, that is not to say it isn't a great film. Sammo Hung's choreography is exceptional and a throwback to his great kung fu films of the early 1980's. The martial arts are done with great respect to traditional styles although some wire work is used to assist the actors with the difficult acrobatic moves. No flying across the room in this film.

Although the ending is a little abrupt, this is one kung fu film that can be recommended to people who don't like these films. Highly recommended.

Oh man what a great movie, Just seen it and im stunned. This moves up to my number 5 top list of greatest Martial Arts movies ever. Ip Man was a great man in Chinese history and i can see why. This movie is so well directed and Donnie Yen suits great as a young Ip Man. Its so dramatic at times, you start sniffing your nose and gets sad and angry at the same time. Awesome movie which will be a true classic instantly. I Bought the two disc HK Special Edition and i will see the extras later today cause i will go to sleep now, if i can sleep. Cant wait for part 2. See this film in theaters or on DVD as soon as you can, you will not be disappointed. Kung Fu cinema is back and what a comeback. WOW!!

I shall now proclaim unabashedly that I absolutely love this movie! It's been some time since we last saw a biopic on one of the Chinese's martial arts folk heroes, with Jet Li's Fearless being the last memorable one to hit the big screen. While Li lays claim to three of such roles in the iconic Wong Fei Hung (in the Tsui Hark movies), Fong Sai Yuk and Huo Yuan Jia in Fearless, after which he felt he had to hang up his martial arts roles because he thought that he had communicated all that he wanted about martial arts through these films. And thank goodness for Donnie Yen still being around to pick up from where the genre left off, and presenting a memorable role which he truly owned, with Ip Man being the first cinematic rendition of the Wing Chun martial arts grandmaster.

In this bio-pic, Ip Man, one of the earliest Wing Chun martial arts exponents credited to have propagated its popularity, gets portrayed as the best of the best in 1930s Fo Shan, China, where the bustling city has its own Martial Arts Street where countless of martial arts schools have set up shop to fuel the craze of kung fu training. With each new school, the master will pay their respects to Ip Man and to challenge him to a duel. Ip Man, an aristocrat who spends most of his quality time developing and perfecting his brand of martial arts, will take them on behind closed doors, so as not to damage his opponents' reputation nor embarrass them in public. His humility is his virtue, and his style is never violent or aggressive, which often gets assumed and mistaken for being effeminate, since Wing Chun after all was founded by a woman.

The bulk of the story gets set in the outbreak of the Sino-Japanese war, and it's not all fight and no story. Witth this historical setting, at times it does seem that there is an air of familiarity with the type of stories told, with how the Japanese Imperial Army had made life really miserable for the Chinese, and how the Chinese being fragmented in spirit, fail to unite during dire straits. More often than note, martial arts become a unifying force, and this aspect of the narrative might seem to be a walk in the usual territory.

But with its array of charismatic supporting cast with the likes of Simon Yam as Ip Man's best friend and industrialist Quan, and Lam Ka Tung as a cop turned translator, there are little nicely put sub plots which seek to expand the air of respect that Ip Man commands amongst his community. The story by Edmond Wong did not demonize all the villains, often adding a dash of empathy and sympathy to the likes of the Japanese General Miura (Hiroyuki Ikeuchi), a highly skilled exponent from the North called Zhao (Fan Siu Wong) as well as Lam's translator character who is deemed as a traitor for being in the service of the Japanese. Ip Man the family man also gets put under the spotlight, where his passion could sometimes leave him neglecting his wife and kid, and through the course of the story this focus often leaves one quite exasperated for his family's safety as he puts his countrymen above self and family when going up against the oppressive Japanese forces.

So what's the verdict on the action? Action junkies won't have to wait too long before watching Ip Man in action, and to Sammo Hung and Tony Leung Siu Hung's credit, they have intricately designed some of the most varied martial arts sequences in the movie, such as private fights in his home, a factory mêlée, a Japanese dojo battle as seen in the trailer, (which I know has actually sent some positive vibes amongst moviegoers, mouth agape at that incredible scene of Yen continuously beating down a karateka) being somewhat of a throwback and reminiscent of Bruce Lee in Fists of Fury, and a ringside duel amongst others. And it's not just Ip Man who gets in on the action, but specialized martial arts moves designed for the various practitioners as well. It's so difficult to name any particular one as a personal favorite, though I must add that you definitely won't feel short changed by the time the inevitable final battle comes rolling along and gets delivered with aplomb.

I'm no Wing Chun practitioner, but Donnie Yen has this marvelous calm and zen like approach with his Ip Man taking out his opponents quite effectively with the minimal of moves. Like Huo Yuan Jia, he doesn't deliver the killing blows to friendly opponents, but rather simulates the various hit points, which actually calls for some astonishing control of strength and precision. This approach will change of course as the opponents become anything but friendly. And unlike the usual martial arts stance of crouching low, here we see him standing tall and striking with such precision and efficiency, it's like poetry in motion with some astounding closed quarter combat utilizing plenty of upper limb strength.

With Wong Kar-wai at one point also declaring interest in making a Ip Man movie, I thought that this effort will be hard to beat, just like how Tsui Hark has crafted some of the more definitive movies in modern times about Wong Fei Hung and Jet Li benefiting from a major career boost, I'd say Ip Man just about cements Yen's reputation as a martial arts leading man, which I guess the cinematic world these days severely lacks. This has to go down in my books as one of my favorite movies of the year, and I'm already setting some money aside to get the best available edition of the DVD when it gets released. Highly recommended, so make a beeline for the box office now!

Ip Man has quenched our thirst of a real good martial art movie where we don't just watch man kicking asses but where we can appreciate the man's moral and virtues.

The movie flows well, from the view of the kungfu street of Fo Shan, to the introduction of Ip Man, and so on. Scene by scene are there in a well done play, and when someone had to display martial art act, they don't just throw bunch of minions out from nowhere to have him beating them all over. I think the scenario is well written.

Fight choreography is great. Different approach from what we usually see, people doing flashy flying kicks and sorts; since it is about wing chun, feet hardly ever leave the ground but it doesn't decrease the beauty and flashiness of the fights.

People may complain about bits that might not fit the real condition of those era. Well, I think producers have to make sure they made entertaining movies, not documentaries.

Last words, Donnie Yuen has always been a good martial art actor, he just never get the spotlight. And finally as Ip Man he gets to stand on where he deserves.