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Mother (2009)

Madeo (original title)
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2:10 | Trailer
A mother desperately searches for the killer who framed her son for a girl's horrific murder.

Director:

Bong Joon Ho

Writers:

Bong Joon Ho (story), Eun-kyo Park (screenplay) | 1 more credit »
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Popularity
2,464 ( 527)
40 wins & 44 nominations. See more awards »

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Cast

Cast overview, first billed only:
Hye-ja Kim ... Mother
Won Bin ... Yoon Do-joon
Goo Jin ... Jin-tae
Je-mun Yun ... Je-moon (as Jae-moon Yoon)
Mi-seon Jeon ... Mi-sun
Sae-byeok Song ... Sepaktakraw Detective (as Sae-beauk Song)
Byoung-Soon Kim Byoung-Soon Kim ... Group Leader
Woo-hee Chun ... Mi-na
Gin-goo Kim Gin-goo Kim ... Ah-jeong's Grandma
Moo-yeong Yeo Moo-yeong Yeo ... Lawyer Kong Seok-ho (as Ou-hyung Yum)
Young-Suck Lee Young-Suck Lee ... Elder at Junk Shop
Hee-ra Mun Hee-ra Mun ... Moon Ah-jeong (as Hee-ra Moon)
Mi-do Lee Mi-do Lee ... Hyung-teo
Young-ki Jung Young-ki Jung ... Kkang-ma
Gyu-pil Go Gyu-pil Go ... Ddung-ddung (as Kyu-phill Ko)
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Storyline

A mother lives quietly with her twenty-eight-year-old son, Do-joon, providing herbs and acupuncture to neighbors. One day, a girl is brutally murdered, and Do-joon is charged with the killing. Now, it's his mother's call whether to prove him innocent or to leave him imprisoned. Written by Pusan International Film Festival

Plot Summary | Plot Synopsis

Taglines:

She'll stop at nothing.

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for language, some sexual content, violence and drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

South Korea

Language:

Korean

Release Date:

28 May 2009 (South Korea) See more »

Also Known As:

Mother See more »

Filming Locations:

Busan, South Korea See more »

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Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend USA:

$35,858, 14 March 2010

Gross USA:

$551,509

Cumulative Worldwide Gross:

$17,112,713
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

South Korea's official submission to 82nd Academy Award's Foreign Language in 2010. See more »

Alternate Versions

A black and white version (overseen by Joon-ho Bong) premiered at the Sydney Film Festival in 2015. The cut (and duration) remain that same, with colour altered. See more »

Connections

Referenced in Stockholms 20th International Film Festival (2009) See more »

Soundtracks

Song of Joy
Written by Ludwig van Beethoven
Heard on the lawyer's phone
See more »

Frequently Asked Questions

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User Reviews

 
An extra-loyal mom
1 October 2009 | by Chris KnippSee all my reviews

Bong Joon-ho's new film is built around actors. The starting point of it is Kim Hye-ja, 'grande dame' of Korean acting (around whom the screenplay by Bong and Park Eun-kyo is built), who gets a chance to break away from the long-suffering, boundlessly loving mother image she maintains in the long-running "Rustic Diary" TV series to embrace a juicier, darker, richer role. Likewise Won Bin, whose pretty-boy looks have gotten him gangster and perfect son casting, here becomes the slack-jawed, unpredictable Do-joon, a "retard," not taken seriously by most of the town, but zealously protected by his apothecary mom (Kim), who even sleeps in the same bed with him, though he's 27. Both the mother's and son's roles are challenging. Kim Hye-ja shows an incredible emotional range within a de-glamorized exterior, and Won Bin subtly side-steps dumb-guy shtick, managing to keep Do-joon lastingly unpredictable and mysterious.

Do-joon has a run-in with the police after he and his friend Jin-tae (Jin Gu) hassle some fat cats at the golf club after one of them hits Do-joon with his Mercedes and doesn't stop. Simple Do-joon brags about being at the police station, but then gets drunk, brooding about the way Jin-tae ribs him for being a virgin and wanting to get laid. Then that same night Ah-jong, a schoolgirl, is found with her head bashed in and Do-joon becomes the prime suspect. His case seems hopeless, but his aging mother, convinced that Do-joon would never hurt a fly, takes it upon herself to conduct her own investigation of the case, which neither the cops nor the fancy lawyer she has engaged are interested in. This story carries its mother-son relationship well beyond the usual. There is no extent to which this mom won't go to protect and exonerate her son, and some of the memories that are dredged up are troubling indeed.

In some aspects 'Mother' reaches back to Bong's 2003 '80's-set police procedural 'Memories of Murder,' particularly to its sensitive development of a small-town milieu. But this film is also full of comic aspects like the director's later international success 'The Host' (2006, also a NYFf selection). The focus on mysterious, isolated people relates to the main character in Bong's top-drawer segment of the 2008 'Tokyo!' trilogy, "Shaking Tokyo." Cell phone cameras, autographed golf balls, and acupuncture also play key roles in the story, which is full of interesting twists and turns. A major turnaround comes from Do-joon's bad-boy friend Jin-tae, whose true role we have no idea of at first.

Bong explodes the image of the ideal mother and as usual, bends genres in this new effort. At times this might seem a twisted psychological thriller with links to Douglas Sirk and Sam Fuller, and the occasionally old-fashioned movie music by Lee Byeong-woo, traditionally surging at key points, reinforces that impression. Ryu Seong-hie, the production designer, has worked extensively with Park Chan-wook, and d.p. Hong Gyeong-pyo does a superb job in integrating the looks of a wide variety of locations. This is highly sophisticated Korean cinema at its technical best.

We can't possibly reveal the outcome: the essence of 'Mother' is that its plot is packed with surprises. Perhaps indeed there are a few too many: the last ten minutes introduce further twists after the surprise climax that might better have been omitted. For all the great look, terrific acting, and explosive plot twists, I'm not sure this is up to the best of Bong Joon-ho's previous work. It's fun and entertaining especially at the outset and watchable throughout, but Bong and Park's screenplay meanders a bit. The film's inclusion in the 2009 New York Film Festival may owe more to timing, to the bloom that's still upon Korean cinema, and to Bong's status as an alumnus of the festival, than to the film's intrinsic merit. (Hong Sang-soo, a NYFF favorite, despite a new film that's received raves, is omitted this year. His 2008 NYFF Paris-based entry was somewhat lackluster. . .)

Bong's 'Mother'/'Madeo' was included in the "Un Certain Regard" series at Cannes, and shown as part of the New York Film Festival at Lincoln Center 2009.

_________________


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