Screamers: The Hunting (2009)
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- R
- 1h 35min
- Action, Horror
- Jan 2009 (USA)
- Video
A group of humans arrive on Sirius 6-B to investigate an SOS signal sent out from the planet, which has been supposedly deserted since the destruction of the man-made weapons known as "screamers." Once the squad arrives, they find a group...
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Director:
Writers:
Photos and Videos
Cast
| Gina Holden | ... |
Lt. Victoria Bronte
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| Jana Pallaske | ... |
Schwartz
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| Lance Henriksen | ... |
Orsow
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| Greg Bryk | ... |
Cmdr. Andy Sexton
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| Christopher Redman | ... |
Rafe Danielli
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| Tim Rozon | ... |
Madden
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| Dave Lapommeray | ... |
Sgt. Romulo
(as Dave La Pommeray)
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Jody Richardson | ... |
Soderquist
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| Stephen Amell | ... |
Guy
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| Holly Uloth | ... |
Hannah
(as Holly O'Brien)
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Darryl Hopkins | ... |
Dwight
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Stephen Lush | ... |
Bryce
(as Steve Lush)
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| Stephen Dunn | ... |
Teenage Screamer Boy 1
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Justin Madol | ... |
Teenage Screamer Boy 2
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Sarah Small | ... |
Teenage Screamer Girl
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Lynley Hall | ... |
Jessie
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| Shaun Johnston | ... |
Haggard Man
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Ruth Lawrence | ... |
Cave Woman
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Edward Quinlan | ... |
Short Man
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Directed by
| Sheldon Wilson | ||
Written by
| Philip K. Dick | ... | (inspired by the short story "Second Variety" by) |
| Tom Berry | ... | (story) |
| Miguel Tejada-Flores | ... | (screenplay) |
| Miguel Tejada-Flores | ... | (story) |
Produced by
| Josée Bernard | ... | co-executive producer |
| Tom Berry | ... | executive producer |
| Charles W. Fries | ... | executive producer (as Chuck Fries) |
| Antony I. Ginnane | ... | executive producer |
| Paul Pope | ... | producer |
| Stefan Wodoslawsky | ... | producer |
| Gordon Yang | ... | supervising producer |
Music by
| Benoit Grey | ||
Cinematography by
| John P. Tarver | ... | (as John Tarver) |
Editing by
| Isabelle Levesque | ||
Editorial Department
| Mark Arcieri | ... | post-production consultant |
| Marie Lou Gingras | ... | assistant editor / on-line editor |
| Michel Leroux | ... | colorist / hd colorist |
| Philippe Marineau | ... | assistant editor |
Casting By
| Fern Champion | ||
| Baptiste Neis | ||
| Lisa Parasyn | ||
Production Design by
| James McAteer | ||
Art Direction by
| Shelley Cornick | ||
Makeup Department
| Dorothy Martin | ... | key makeup artist |
| Kathy Tse | ... | prosthetics coordinator |
| Julie Wiktowy | ... | hair stylist |
Second Unit Director or Assistant Director
| David Forsyth | ... | second assistant director |
| Craig Wallace | ... | first assistant director |
| Gordon Yang | ... | second unit director |
Art Department
| Jeff Baggs | ... | head carpenter assistant |
| Lori Ann Benson | ... | set buyer |
| Duane Chard | ... | set dresser |
| Jason Clarke | ... | assistant art director |
| Mark Dubeau | ... | creature designer |
| Gord Hammond | ... | head painter |
| Jose Holder | ... | storyboard artist |
| Derek Holmes | ... | key scenic |
| Murray Keith | ... | construction coordinator |
| Sam Paterson | ... | carpenter |
| Paul Wade | ... | head scenic carpenter |
Sound Department
| Jo Caron | ... | adr and foley recordist (as Jocelyn Caron) |
| Valéry Dufort-Boucher | ... | dialogue editor |
| Denys Dufresne | ... | additional sound effects editor |
| Dave Fritz | ... | adr mixer |
| David Ho | ... | adr mixer |
| Larry Hopkins | ... | layback sound mixer |
| Benoit Leduc | ... | adr and foley recordist |
| Mark Neary | ... | boom operator |
| Jacques Plante | ... | adr editor |
| Christian Rivest | ... | re-recording mixer / sound designer |
| Paul Steffler | ... | sound recordist |
Special Effects by
| Mike Friesen | ... | special effects assistant |
| Lisa Godwin | ... | special effects assistant |
| Wade Maurer | ... | special effects coordinator |
| Collin Oglestone | ... | special effects assistant |
| Leo Wieser | ... | special effects supervisor |
Visual Effects by
| Marcus Alqueres | ... | animation supervisor |
| Nestor Benito | ... | compositor: Modus Fx |
| Patrick Bissonnette | ... | visual effects financial controller: Modus Fx |
| Pierre Bonnette | ... | visual effects artist |
| Marc Bourbonnais | ... | visual effects producer: Modus FX / visual effects supervisor: on-set |
| Eloi Brunelle | ... | digital compositor |
| Eric Clement | ... | lead visual effects: Modus Fx |
| Jacinthe Côté | ... | visual effects coordinator (as Jacynthe Côté) |
| Andreane Dodier-Villeneuve | ... | visual effects assistant: Modus Fx |
| Nicolas Fillion | ... | texture and lighting: Modus Fx |
| George Fronimadis | ... | animator: Modus Fx |
| Charles Gauvreau | ... | animator: Modus Fx |
| Andrei Gheorghiu | ... | digital compositor |
| Marie Lou Gingras | ... | visual effects coordinator |
| Gael Hollard | ... | digital compositor |
| Luc Julien | ... | digital compositor |
| Pascal Laflamme | ... | motion tracker |
| Jeremy Lambolez | ... | animator |
| Simon Lehembre | ... | digital compositor: Modus Fx |
| Jacques Levesque | ... | digital compositor: Modus Fx |
| Sylvain Lorgeou | ... | concept artist: Modus Fx |
| Philip Melancon | ... | animator: Modus Fx |
| Alexandre Paillon | ... | digital artist |
| Martin Pelletier | ... | lead texture & lighting: Modus FX |
| Mathieu Phaneuf | ... | lead modeler: Modus Fx |
| Daniel Rhein | ... | texture and lighting: Modus FX |
| Stéphane Rioux | ... | digital compositor: Modus Fx |
| Vincent Toussaint | ... | technical support lead: Modus Fx |
| Yanick Wilisky | ... | visual effects producer: Modus Fx / visual effects supervisor: Modus Fx |
Stunts
| Mike Chute | ... | stunt coordinator |
Camera and Electrical Department
| Jason Andrews | ... | grip |
| Andrew Best | ... | grip |
| David Cox | ... | digital media technician |
| Chris Large | ... | still photographer |
| Tim Milligan | ... | dolly grip |
| Tim Murphy | ... | genny op |
| Mark O'Neill | ... | second assistant camera: "a" camera |
| Robert J. Petrie | ... | gaffer |
| Flora Planchat | ... | best boy lighting |
| John Roche | ... | grip (as John Roche) |
| Karl Simmons | ... | key grip |
Casting Department
| Brent Waffle | ... | casting assistant |
Music Department
| Derek Poulsen | ... | assistant to composer |
Script and Continuity Department
| Marianne Girard | ... | script supervisor |
Additional Crew
| Salma Ayache | ... | dialogue transcription |
| Gary Allen Ferguson | ... | gun wrangler |
| Erin French | ... | production coordinator |
| Ian Melvin Kam | ... | set paramedic |
| Serge Lavigueur | ... | sculptor |
| Joe Sisto | ... | legal services |
| Kim Yu | ... | unit publicist |
Thanks
| John Dunn | ... | the producers wish to thank |
| Clayton King | ... | the producers wish to thank |
| Desmond McCarthy | ... | the producers wish to thank |
| Brian Smart | ... | the producers wish to thank |
| Jojo Wei | ... | the producers wish to thank (as JoJo Wei) |
| Craig Young | ... | the producers wish to thank |
Production Companies
Distributors
- Imagination Worldwide (2009) (World-wide)
- LK-TEL (2009) (Argentina) (DVD)
- RTL Entertainment (2012) (Netherlands) (tv) (RTL7)
- Sony Pictures Home Entertainment (2009) (Finland) (DVD)
- Sony Pictures Home Entertainment (2009) (Australia) (DVD)
- Sony Pictures Home Entertainment (2009) (Germany) (DVD)
- Sony Pictures Home Entertainment (2009) (Netherlands) (DVD)
- Sony Pictures Home Entertainment (2009) (United States) (DVD)
- Sony Pictures Releasing (2009) (Argentina)
Special Effects
- Bleeding Art Industries
- Modus Fx (visual effects)
Other Companies
- Alliance of Canadian Cinema, Television and Radio Artists (ACTRA) (acknowledgement) (ACTRA)
- Directors Guild of Canada (DGC) (acknowledgement) (Directors Guild Of Canada - Atlantic Regional Council)
- IATSE Local 212 (acknowledgement) (I.A.T.S.E. 212 Calgary)
- IATSE Local 667 (acknowledgement) (I.A.T.S.E. 667 - International Cinematographers Guild)
- IATSE Local 669 (acknowledgement) (I.A.T.S.E. 669 - International Photographers - Canada)
- IATSE Local 849 (acknowledgement) (I.A.T.S.E. 849 - Motion Picture Studio Production Technicians)
- Modus Fx (post-production facilities)
- SAG-AFTRA (acknowledgement) (SAG-AFTRA)
- Teamsters Local 362 (acknowledgement) (Teamsters ALTA 362)
- William F. White International (grip and lighting equipment)
Storyline
| Plot Summary |
A group of humans arrive on Sirius 6-B to investigate an SOS signal sent out from the planet, which has been supposedly deserted since the destruction of the man-made weapons known as "screamers." Once the squad arrives, they find a group of human survivors eking out an existence in an old military outpost, but more important, they discover that the threat of the screamers has become even more insidious, now that they're able to morph into human form. Written by Anonymous |
| Plot Keywords | |
| Taglines | The Perfect Weapon Is Now The Ultimate Killing Machine See more » |
| Genres | |
| Parents Guide | View content advisory » |
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Additional Details
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Box Office
| Budget | $6,000,000 (estimated) |
Did You Know?
| Trivia | The line "The newest variety" voiced by Guy is a reference to the original title of the short story, Second Variety, of which this movie is based. See more » |
| Goofs | The inside of the space ship has a stairwell with an exit sign and a hand railing. See more » |
| Movie Connections | Follows Screamers (1995). See more » |
| Crazy Credits | [credits end] The characters, screamers and events depicted in this motion picture are fictitious. Any similarity to actual persons or screamers, living or dead is purely coincidental and not intended. No screamers were harmed in the making of this motion picture. See more » |
| Quotes |
Guy:
They're prototypes. The newest variety. See more » |