An expansion of the universe from Robert Ludlum's novels, centered on a new hero whose stakes have been triggered by the events of the previous three films.
Jason Bourne dodges a ruthless C.I.A. official and his Agents from a new assassination program while searching for the origins of his life as a trained killer.
Bond's loyalty to M is tested when her past comes back to haunt her. When MI6 comes under attack, 007 must track down and destroy the threat, no matter how personal the cost.
A cryptic message from 007's past sends him pitted against a mysterious terrorist organization called Spectre, and learns of its involvement in previous events of his most dangerous missions.
Armed with a license to kill, Secret Agent James Bond sets out on his first mission as 007, and must defeat a private banker to terrorists in a high stakes game of poker at Casino Royale, Montenegro, but things are not what they seem.
The events in this movie take place around the same time as the events in The Bourne Ultimatum (2007). When a British reporter was writing an expose about Black Ops operations Treadstone and Black Briar, and the ones responsible for them are concerned. And when Jason Bourne, former Treadstone operative got the file on Treadstone and Black Briar and gave it to Pamela Landy who then passed it to the media. When the men behind Treadstone and Black Briar learn of this, they're concerned how this will affect other ops they have. They decide it's best to shut down all ops and make sure make everyone involved disappears. They try to take out Aaron Cross who is part of another op called Outcome, but he manages to survive. He then seeks out Dr. Marta Shearing who worked on him when he began. It seems part of the program is for all subjects to take medications but he has run out, which is why he seeks her. But someone tries to kill her. He saves her and she tells him, he should have stopped ...Written by
rcs0411@yahoo.com
Buyer tells Cross that they are "sin eaters," doing the "morally indefensible" but absolutely necessary thing, "so that the rest of our cause can stay pure." This is a reference to a short story by Margaret Atwood, "The Sin-Eater." The story is that a village has one person who is treated extremely well and whose job is to eat food symbolic of people's sins, so that he assumes all their sins so that they can die in a state of grace. The sin eater is extremely old and weighed down by the sins of hundreds of people. A young man is being groomed to be a sin-eater. The old sin-eater dies and the first task the pure and innocent young man must do is eat the sins of the sin-eater including the lifetime of sins he has consumed which, by extension, includes the sins of all the thousands that have been absorbed by endless generations of sin-eaters. In other words, lured by the comforts to be provided by the adoring villagers, the young man becomes the most damnable person in history. His only hope is that one day, many years later, another young man will be similarly lured into eating all the sins that this young man will have to bear. See more »
Goofs
While the characters were arguing outside the car after the house fire, a car can be seen in the distance beyond the bridge they are under, but no car ever passes. See more »
Much better than it had any right to be thanks in part to its two lead actors (Jeremy Renner and Rachel Weisz), who work acting miracles with a poor script.
Questionable follow up to the Bourne trilogy that has the right pieces in place but lacks the conviction to justify its existence. Taking place almost at the same time of the climax of the third Bourne film (Ultimatum), this film deals with the fall out of the exposure of "Operation Blackbriar" and how an another agency with in the government is trying to cover up their program in order not to be caught up with the coming scandal create by Jason Bourne. "Outcome", the program in question is an offshoot of both "Treadstone" and "Blackbriar" but with a huge difference, they are tabbing into science to create super agents that are faster and stronger than any other agent before them.
In order for me to tell you what is good about this movie, I have to explain what is wrong with it and that is the fact that you get the feeling fifteen minutes into the film that there is no reason for it to exist. The last film (Bourne Ultimatum) pretty much closed the book on the series, with little to no wiggle room for an encore. This movie feels like a studio trying to milk dried what was good from the original trilogy in order to make more sequels. The bad part is that they did it in the most unbelievable way, so much so that you really need to forget what you saw in the last three films in order to believe what was going on in this movie. Tony Gilroy (Who wrote the first three movies) directs and writes this one but falls flat on his face with halfhearted explanations that try to justify this movie's existence. Not to mention the fact that the villain of the movie is a lightweight compared to what came before him plus the glaring fact that Edward Norton's performance as the heavy is pretty much phoned in. He does not have the confidant arrogant swagger that Chris Cooper's character had in the first film nor the desperate menace of that Brain Cox's character brought to the second. Norton's character is more in line with the villain of the third, who was played by David Strathaim (who has a cameo in this film). However, Strathaim's character had a sense of justifiable menace that drove him, while Norton's character just seems like a man trying to justify his actions for the greater good, making him more of a government shill than a villain. The science fiction angle that comes up is insulting to what the last three films were, not to mention the fact that the direction here lacks the kinetic energy that Paul Greengrass brought to the last two movies of the series. Say what you may about the shaky camera work but he knew how to stage a thrilling action piece of pop art. Gilroy's motorcycle chase towards the climax is decent but lacks kinetic spark. He is however very good in staging small intimate moments within this movie but that is more a compliment to the A + cast (Mainly his two lead actors) than the terrible script that they are forced to working with.
Jeremy Renner is a talented actor with serious range and complexity. However, the character he plays is not much of a character and the script that he has to work with is riddled with cliché after cliché. He can do anything a secret agent can do but better but the character is not very compelling or interesting to say the least. Jason Bourne was a compelling character that needed to find himself and through that journey in the original trilogy, we saw complexities that were compelling and thoughtful. He was a conflicted man whose drive was dictated by an inner sense of redemption. The character of Aaron Cross is a cartoon character compared to Jason and that is the main problem of the script for this movie. It is though Renner's efforts as an actor that we care about the character of Aaron Cross and that is one of the few bright spots this film has. Renner injects likability and vulnerability to this character and because of it, we want him to succeed in beating the bad guy and save the girl but Renner is working with a script that goes against itself and we are left with a half fast story that deals with supermen than a human story about survival. It is through Renner's efforts as an actor that we see humanity and conflict in this character while the script itself does not give that sort of detail and Renner is working overtime to accomplish that. Renner would have done wonders with a compelling character like Jason Bourne, unfortunately that is not found with the character of Aaron Cross.
Rachel Weisz is one of the most versatile, gifted and complex actors working today. An actor's actor in every sense of word but like Renner, she does not have much of a character thanks to the cliché script they both have to work with. Her character is on the run with Cross through out the film and acts as his doctor and object of protection. It is through Weisz's amazing strength and range as an actor that we are able to witness levels of complexity and humanity in the character of Dr Marta Shearing that we really do not get from the script. Because of that, we are not only able to care and identify with her but Weisz actually makes her character more complex and interesting than Aaron Cross himself. You can tell that Weisz was working overtime in achieving that and her efforts pay off ten fold, which is a blessing considering that most of the characters outside of her and Renner come across as cardboard cutouts.
It is a shame because Renner and Weisz try their best and for the most part succeed despite all odds but they like the fans deserved better.
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Questionable follow up to the Bourne trilogy that has the right pieces in place but lacks the conviction to justify its existence. Taking place almost at the same time of the climax of the third Bourne film (Ultimatum), this film deals with the fall out of the exposure of "Operation Blackbriar" and how an another agency with in the government is trying to cover up their program in order not to be caught up with the coming scandal create by Jason Bourne. "Outcome", the program in question is an offshoot of both "Treadstone" and "Blackbriar" but with a huge difference, they are tabbing into science to create super agents that are faster and stronger than any other agent before them.
In order for me to tell you what is good about this movie, I have to explain what is wrong with it and that is the fact that you get the feeling fifteen minutes into the film that there is no reason for it to exist. The last film (Bourne Ultimatum) pretty much closed the book on the series, with little to no wiggle room for an encore. This movie feels like a studio trying to milk dried what was good from the original trilogy in order to make more sequels. The bad part is that they did it in the most unbelievable way, so much so that you really need to forget what you saw in the last three films in order to believe what was going on in this movie. Tony Gilroy (Who wrote the first three movies) directs and writes this one but falls flat on his face with halfhearted explanations that try to justify this movie's existence. Not to mention the fact that the villain of the movie is a lightweight compared to what came before him plus the glaring fact that Edward Norton's performance as the heavy is pretty much phoned in. He does not have the confidant arrogant swagger that Chris Cooper's character had in the first film nor the desperate menace of that Brain Cox's character brought to the second. Norton's character is more in line with the villain of the third, who was played by David Strathaim (who has a cameo in this film). However, Strathaim's character had a sense of justifiable menace that drove him, while Norton's character just seems like a man trying to justify his actions for the greater good, making him more of a government shill than a villain. The science fiction angle that comes up is insulting to what the last three films were, not to mention the fact that the direction here lacks the kinetic energy that Paul Greengrass brought to the last two movies of the series. Say what you may about the shaky camera work but he knew how to stage a thrilling action piece of pop art. Gilroy's motorcycle chase towards the climax is decent but lacks kinetic spark. He is however very good in staging small intimate moments within this movie but that is more a compliment to the A + cast (Mainly his two lead actors) than the terrible script that they are forced to working with.
Jeremy Renner is a talented actor with serious range and complexity. However, the character he plays is not much of a character and the script that he has to work with is riddled with cliché after cliché. He can do anything a secret agent can do but better but the character is not very compelling or interesting to say the least. Jason Bourne was a compelling character that needed to find himself and through that journey in the original trilogy, we saw complexities that were compelling and thoughtful. He was a conflicted man whose drive was dictated by an inner sense of redemption. The character of Aaron Cross is a cartoon character compared to Jason and that is the main problem of the script for this movie. It is though Renner's efforts as an actor that we care about the character of Aaron Cross and that is one of the few bright spots this film has. Renner injects likability and vulnerability to this character and because of it, we want him to succeed in beating the bad guy and save the girl but Renner is working with a script that goes against itself and we are left with a half fast story that deals with supermen than a human story about survival. It is through Renner's efforts as an actor that we see humanity and conflict in this character while the script itself does not give that sort of detail and Renner is working overtime to accomplish that. Renner would have done wonders with a compelling character like Jason Bourne, unfortunately that is not found with the character of Aaron Cross.
Rachel Weisz is one of the most versatile, gifted and complex actors working today. An actor's actor in every sense of word but like Renner, she does not have much of a character thanks to the cliché script they both have to work with. Her character is on the run with Cross through out the film and acts as his doctor and object of protection. It is through Weisz's amazing strength and range as an actor that we are able to witness levels of complexity and humanity in the character of Dr Marta Shearing that we really do not get from the script. Because of that, we are not only able to care and identify with her but Weisz actually makes her character more complex and interesting than Aaron Cross himself. You can tell that Weisz was working overtime in achieving that and her efforts pay off ten fold, which is a blessing considering that most of the characters outside of her and Renner come across as cardboard cutouts.
It is a shame because Renner and Weisz try their best and for the most part succeed despite all odds but they like the fans deserved better.