After retrieving the philosopher's stone at an auction but losing his girlfriend, The Librarian Flynn Carsen has a breakdown. Charlene and Judson ask him to spend some time on vacation. ...
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Flynn, an over 30 "professional student," is banned from more classes, since he already has 22 degrees. Unexpectedly hired by a mysterious library, he's soon pursuing a stolen artifact from... See full summary »
The seemingly random killings of an assassin puzzle her former lover, a wealthy Greek crime boss whose organization is jeopardized by his love for her, and the detective following her rising body count.
After retrieving the philosopher's stone at an auction but losing his girlfriend, The Librarian Flynn Carsen has a breakdown. Charlene and Judson ask him to spend some time on vacation. Flynn travels to New Orleans and he has a crush on a French singer (Simone Renoir). However he discloses that she is the guardian of a key to access the Judas Chalice that is capable to resurrect vampires. Meanwhile the former Russian Minister of Defense Sergei Kubichek is seeking the chalice to revive Vlad the vampire with the support of Professor Lazlo. Also to raise an army of undead to bring Russia back to the top of the world. When Simone reveals that she is a vampire, Flynn question whether she is not using him to reach the chalice and increase her power.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Though Simone, a 17th century Frenchwoman, speaks English with an adopted French accent, Stana Katic actually can speak French, and it is one of five foreign languages in which she's fluent. See more »
When Flynn and Simone are trapped on Jean Lafitte's ship much is made of the fact that they are sealed inside a room with solid walls and that their only hope of escape is by breaking down the door with a cannon. Yet, when they are setting up the cannon the stern windows of the ship are clearly visible behind them. All they would have to do is smash the glass and crawl out. See more »
In bygone days people used to read cheap magazines printed on cheap pulp paper. These were full of stories which, if not particularly literary, were full of action, color and plot. Later these moved to the movie serials and B movies, whence they were lifted, in the 1970s and 1980s, as the inspiration for movies like RAIDERS OF THE LOST ARK, ROMANCING THE STONE and STAR WARS. This TV movie, third in the series, is in that vein.
CURSE OF THE OF JUDAS CHALICE is no ground-breaking movie, but it is enormous fun, with a script full of hip, self-aware humor -- Noah Wyle explains the key plot points as he goes along, and is twitted for always speaking in complete paragraphs -- action and a sexy vampiress. There is nothing in this that is original -- I could do a little digging and produce a list of where the key plot points and shots were lifted from -- but it is done with such good humor, that the viewer will have few, if any complaints about the result.
My sole complaint is that Bob Newhart is not on screen long enough with his deadpan delivery. You can't do much better for a dull afternoon's time-waster.
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