The parents of both the shooter and one of the victims of a school shooting tragedy agree to meet and talk in an attempt to move forward.
Director:
Writer:
Awards:
- Nominated for 1 BAFTA Film Award. Another 47 wins & 87 nominations.
- See more »
Reviews:
Photos and Videos
Complete, Cast awaiting verification
| Breeda Wool | ... |
Judy
|
|
| Kagen Albright | ... |
Anthony
|
|
| Michelle N. Carter | ... |
Kendra
|
|
| Martha Plimpton | ... |
Gail
|
|
| Jason Isaacs | ... |
Jay
|
|
| Reed Birney | ... |
Richard
|
|
| Ann Dowd | ... |
Linda
|
|
 |
Michael White | ... |
Piano Teacher
|
|
|
Campbell Spoor | ... |
Piano Student
|
Directed by
| Fran Kranz | ||
Written by
| Fran Kranz | ... | (written by) |
Produced by
| Joe Abrams | ... | executive producer |
| Tony Becerra | ... | associate producer |
| Henry Russell Bergstein | ... | executive producer |
| William Thomas Andrew Davies | ... | co-producer |
| J. Davis | ... | consulting producer |
| Allison Estrin | ... | executive producer |
| Nico Falls | ... | executive producer |
| Marissa Ghavami | ... | co-producer |
| Michael Lee Jackson | ... | executive producer |
| Fran Kranz | ... | producer (produced by) |
| Douglas Matejka | ... | executive producer |
| Dylan Matlock | ... | producer (produced by) |
| Casey Wilder Mott | ... | producer (produced by) |
| J.P. Ouellette | ... | producer (produced by) (as JP Ouellette) |
| Marshall Rawlings | ... | executive producer |
Music by
| Darren Morze | ||
Cinematography by
| Ryan Jackson-Healy | ||
Editing by
| Yang Hua Hu | ||
Editorial Department
| Casey Blevins | ... | post-production coordinator |
| J. Davis | ... | additional editor |
| Sky Helwig | ... | dcp mastering & quality assurance |
| Christopher Ma | ... | assistant editor |
| Andrew Napier | ... | editing consultant |
| Erik Karsen Puhm | ... | post-production coordinator |
Casting By
| Henry Russell Bergstein | ||
| Allison Estrin | ||
Production Design by
| Mia Lyon Cherp | ||
| Lindsey Moran | ||
Art Direction by
| Mia Lyon Cherp | ||
Costume Design by
| Michelle Minailo | ||
Makeup Department
| Daniele Baker | ... | make up & hair department head |
| Noelle Willets | ... | make up & hair artist (as Noelle Hodge Willett) |
Production Management
| William Thomas Andrew Davies | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Tony Becerra | ... | first assistant director |
| Ben Figueiredo | ... | second assistant director |
| Jessica Winfree | ... | first assistant director |
Sound Department
| Greg Picard | ... | sound mixer |
| Kevin Seaton | ... | sound designer |
| Drex Aaron Shira | ... | boom operator (as Drex Shira) |
| Alexander Verbitskiy | ... | dialogue editor / re-recording mixer |
Camera and Electrical Department
| Jordan Lee Baker | ... | best boy grip |
| William Thomas Andrew Davies | ... | DIT |
| Bree Heard | ... | first assistant camera (as Breanna Heard) |
| Matt Herriger | ... | best boy electric (as Matty 'Moo' Herriger) |
| Frances Kroon | ... | gaffer |
| Oliver Mark | ... | b camera first assistant camera / drone operator |
| Sean C. Mehen | ... | b camera operator |
| Leo Purman | ... | key grip |
| Meredith Richardson | ... | second assistant camera |
Music Department
| Kevin Seaton | ... | music supervisor |
Script and Continuity Department
| Sparkman Clark | ... | script supervisor |
| Carol A. Compton | ... | script clearance: IndieClear (as Carol Compton) |
Additional Crew
| James 'Bingo' Horner | ... | production assistant |
| Koii Lauritsen | ... | production assistant |
| Morgan Patterson | ... | key set production assistant |
| Ann Price | ... | dialect coach |
| William Michael Redman | ... | audio description narrator |
| Melodie Taylor-Mauldin | ... | stand-in |
Thanks
| Satya Bhabha | ... | special thanks |
| Yancy Caldwell | ... | special thanks |
| Frank Cutler | ... | special thanks |
| Gillian Greene | ... | special thanks |
| Becca Kovacik | ... | special thanks |
| Mia Livas | ... | special thanks |
| Joe Lomba | ... | special thanks |
| Claudia McCain | ... | special thanks |
| Olivia Nagel | ... | special thanks |
Production Companies
- 7 Eccles Street
- Circa 1888 (in association with)
- 5B Productions (in association with)
Distributors
- Exponenta (2022) (Russia) (theatrical)
- Angel Films (2022) (Denmark)
- Bleecker Street Media (2021) (United States)
- Exponenta (2022) (Russia) (video)
- Kinology (2021) (Non-US)
- KlikFilm (2022) (Indonesia) (video)
- La Aventura (2022) (Spain)
- Madman Entertainment (2021) (Australia)
- Madman Films (2022) (New Zealand)
- Sky (2022) (Ireland)
- Sky (2022) (United Kingdom)
Special Effects
Other Companies
- ABS Payroll & Production Accounting Services (payroll services)
- Alternative Rentals (camera equipment provided by)
- Alturas Films (production services: Idaho)
- Fintage CAM (collection account management)
- IndieClear (script clearance)
- Simple DCP (digital cinema package)
Storyline
| Plot Keywords | |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
|
Additional Details
| Also Known As |
|
| Runtime |
|
| Official Sites | |
| Country | |
| Language | |
| Color | |
| Aspect Ratio |
|
| Sound Mix | |
| Filming Locations |
Did You Know?
| Trivia | Filmed in 14 days, 4 of which were for exterior shots. See more » |
| Movie Connections | Featured in Top 10 Best Movies of 2021 (2021). See more » |
| Soundtracks | Blest Be the Tie That Binds See more » |
| Quotes |
Kendra:
Well, I'm grateful to see you all together finally. May I say that. And I'm hopeful that we all think that this was a good thing to do by the time we leave here today. See more » |