A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire and to assert herself as a woman and as an adult. In front of others, Adèle grows, seeks herself, loses herself, and ultimately finds herself through love and loss.
Dean Pereira and Cindy Heller Pereira are a young, working class married couple - Dean currently working as a painter, and Cindy working as a nurse in a medical clinic - with a young daughter named Frankie. Despite their relatively tender ages, they are both ravaged by the life they've eked out together and by the experiences they've had leading into their marriage. Dean, a high school drop out, comes from a broken home, where he never really had a mother figure. He never saw himself getting married or having a family despite falling in love at first sight with Cindy. He doesn't have any professional ambition beyond his current work - which he enjoys since he feels he can knock off a beer at 8 o'clock in the morning without it affecting his work - although Cindy believes he has so much more potential in life. Cindy also comes from a dysfunctional family, with her own mother and father not setting an example of a harmonious married or family life. One of her previous serious ...Written by
The older appearance of Dean is based on director Derek Cianfrance, who is bearded and has pattern baldness. The clothing of the younger Dean is also based on Cianfrance's style of clothing. See more »
All the cars driven by the actors had Pennsylvania license plates on the front. That is inaccurate, since in Pennsylvania you only get one license plate, which goes on the back. See more »
Tell me a joke.
So there's a child molester and a little boy walking into the woods. The child molester and the little boy keep walking further and further. And it's getting darker and darker. And they're going deeper and deeper into the woods. And the child molester... The little boy looks at the child molester and he says, "Gee, mister! I'm getting scared." And the child molester looks down at him and says, "You think you're scared, kid? I gotta walk outta here alone."
[Dean shakes his head]
[...] See more »
The initial credits, showing major cast and crew, play over a montage of stills from the film and clips of fireworks. See more »
"Blue Valentine" is a realistic and somewhat depressing film about falling in and out of love.
"Blue Valentine" is truly an independent film. Everything from the way it is shot, to the acting, to the storyline, to the realness screamed indie! "Blue Valentine" has a simple storyline. It's a movie about two people, Cindy (Williams) and Dean (Gosling) who fall in love. I will warn you now that this is not your typical love story. This film shows everything from how a relationship forms to how it can turn into a utter nightmare. "Blue Valentine" is realistic, full of raw emotions, and showcases two great performances but does that mean it's a great film? Well I will break that down for you in the next few paragraphs.
Just think of "Blue Valentine" as a independent or poor man's version of "Revolutionary Road" with Leonardo DiCaprio and Kate Winslet. "Blue Valentine," as I stated in the above, is a very independent film. Cindy and Dean portray the average blue collar American couple. From the trailer, you don't really know what the film is about besides the fact that there will be a random and somewhat humorous song and dance number by Michelle Williams and Ryan Gosling in the film. The movie is about falling in and out of love. It shows you how once you begin to live life, work, and have a child how life changes and not always for the better. It's a very raw and in your face kind of film. Why this film got slapped with an NC-17 rating is beyond me? There are some realistic love scenes in the film, however, nothing to raw that warrants that harsh of a rating. I don't get why MPAA got so tough on this film.
I always enjoy Ryan Gosling in his independent projects and this one is no different. He was a really good hipster in this film. Without giving too much away from the film, there is one scene where him and Williams are arguing and the emotion is so real and powerful. Gosling hasn't been this solid in a film since "The Believer." As for Michelle Williams, well she is another great actress. I always enjoyed her work but like Gosling, she hasn't really had many mainstream hits. I think Williams is a talented independent actress but I don't know if she will ever be a huge scarlet. It's OK though because a lot of the best actors and actresses never make their way to being huge leads. Williams will hopefully be noticed this year for her performance in this film.
This film was written by three different people and when there are normally more than two writers attached to a project, I tend to worry. Why it took three people to write such a simple screenplay seems odd but maybe Derek Cianfrance, Joey Curtis, and Cami Delavigne put a little bit of their relationship experience in the screenplay. I don't know for sure but this looked and felt like a realistic story at times like the writers had a similar experience. Gosling's character seemed a bit out there and was never really explained that well in the film. I didn't quite get why they didn't do a better background on his character. Also, there was no middle of the relationship. It seemed to jump from good to bad and that hurt the chemistry of the two leads. Cianfrance also directed the film. He had some really good scenes where he captured the emotions of the characters perfectly but than others where he didn't do so well. Also, it should be stated that most of the scenes in the film were written and then shot flashback to the present. It fit the film well and helped overlook some of the relationship potholes in the film.
Overall, "Blue Valentine" was a depressing, heart wrenching, and well acted piece of cinema. It didn't blow my mind as much as I would have liked it too but than again maybe I was expecting too much from a film with an 8 million dollar budget. As previously stated, "Blue Valentine" can simply be summed up as a poor man's version of "Revolutionary Road." With no disrespect to Williams or Gosling, Kate and Leo pulled the trouble relationship off better. While Gosling and Williams were both extremely believable at times and showcased some raw emotion, their chemistry wasn't as strong as the I would have liked I think as the characters got older, they just seemed so different from one another. Gosling got so weird as he got older and since it wasn't truly explained why, the film lost points for that. I think the big missing element was the storyline in the middle of the relationship, which was there but not detailed. The story seemed to go from bad to good with no middle. This was the film's weakness and why the two leads didn't have has good of chemistry at times. If you can ignore a few missing plot holes and try not to focus on the inconsistency of the two leads chemistry with one another than I would say you should really be able to appreciate the film. I am trying not to be too harsh because I did enjoy the film a lot and it featured some terrific scenes even if they were extremely depressing.
MovieManMenzel's final rating for "Blue Valentine" is a 7 out of 10. Not the best film of the year but definitely a realistic and raw look at relationships.
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