A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
Dean Pereira and Cindy Heller Pereira are a young, working class married couple - Dean currently working as a painter, and Cindy working as a nurse in a medical clinic - with a young daughter named Frankie. Despite their relatively tender ages, they are both ravaged by the life they've eked out together and by the experiences they've had leading into their marriage. Dean, a high school drop out, comes from a broken home, where he never really had a mother figure. He never saw himself getting married or having a family despite falling in love at first sight with Cindy. He doesn't have any professional ambition beyond his current work - which he enjoys since he feels he can knock off a beer at 8 o'clock in the morning without it affecting his work - although Cindy believes he has so much more potential in life. Cindy also comes from a dysfunctional family, with her own mother and father not setting an example of a harmonious married or family life. One of her previous serious ...Written by
The past scenes were shot entirely with a hand-held camera and often in just one take, director Derek Cianfrance said, to create space around the characters and allow them to come together to fill the frame. See more »
All the cars driven by the actors had Pennsylvania license plates on the front. That is inaccurate, since in Pennsylvania you only get one license plate, which goes on the back. See more »
I'm so out of love with you. I've got nothing left for you, nothing, nothing. Nothing, there is nothing here for you.
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The initial credits, showing major cast and crew, play over a montage of stills from the film and clips of fireworks. See more »
Surprisingly well done. I was a bit skeptical at first . . .
Surprisingly well done. I was a bit skeptical at first, but as I traveled my way through this story, it made more sense than many other attempts to capture this concept and present it well. Michelle Williams really shines here, it may be her best role yet, at least that I'm aware of.
The key point here is that is an anatomy of a marriage that has dissolved over time, becoming increasingly irrelevant to the wife, and evermore difficult for the husband to comprehend or connect with what's going on with his wife.
I've seen this before, in real life. Sometimes, marriages just come apart over time, even if they started out with the best of intentions and all the chemistry that can be imagined. It just happens . . . people change over time, and often, not in sync with each other. There's no real "bad guy" in the scenario portrayed . . . just the realities of how people drift apart, to the point of no return. Trust me on this one, this does happen.
This film may not be for everyone, but for those who can relate with this type of story, this is probably one of the best attempts yet which delivers a reasonably realistic depiction of what this can be like.
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