The Duke (2020)
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- R
- 1h 35min
- Biography, Comedy
- 17 Sep 2021 (Canada)
- Movie
In 1961, Kempton Bunton, a 60 year old taxi driver, steals Goya's portrait of the Duke of Wellington from the National Gallery in London.
Director:
Writers:
Awards:
- 6 nominations.
- See more »
Reviews:
Photos and Videos
Complete, Cast awaiting verification
Jim Broadbent | ... |
Kempton Bunton
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Heather Craney | ... |
Debbie - Clerk of the Court
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Stephen Rashbrook | ... |
Foreman
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James Wilby | ... |
Judge Aarvold
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Matthew Goode | ... |
Jeremy Hutchinson QC
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John Heffernan | ... |
Neddie Cussen
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Alice Stokoe | ... |
Woman with Babe
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Sarah Annett | ... |
Post Office Clerk
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Charlie Richmond | ... |
PO Official 1
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Matt Sutton | ... |
PO Official 2
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Helen Mirren | ... |
Dorothy Bunton
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Anna Maxwell Martin | ... |
Mrs Gowling
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Fionn Whitehead | ... |
Jackie Bunton
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Michael Hodgson | ... |
Barry Spence
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Richard McCabe | ... |
Rab Butler
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Andrew Havill | ... |
Sir Philip Hendy
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Sarah Beck Mather | ... |
Press Woman
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Cliff Burnett | ... |
Wilf
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Jack Bandeira | ... |
Kenny Bunton
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Val McLane | ... |
Freda
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Will Graham | ... |
Office Worker
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Aimée Kelly | ... |
Irene Boslover
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Claire Lams | ... |
BBC Receptionist
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Matthew Steer | ... |
Passing BBC Manager
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Sarah Cotton | ... |
Express Receptionist
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Michael Gould | ... |
Express Editor
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Charles Edwards | ... |
Sir Joseph Simpson
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Sparrow Michell | ... |
Agnes Gowling
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Sian Clifford | ... |
Dr Unsworth
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Sam Swainsbury | ... |
DI Brompton
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Dorian Lough | ... |
DI Macpherson
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Joseph Bowler | ... |
Factory Worker
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Ashley Kumar | ... |
Javid Akram
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Craig Conway | ... |
Mr Walker
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Austin Haynes | ... |
Scruffy Little Boy
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Michael Mather | ... |
Eddie
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Sammy T. Dobson | ... |
Bakery Assistant
(as Sammy T Dobson)
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Charlotte Spencer | ... |
Pammy
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Michael Adams | ... |
PC Inverdale
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Simon Hubbard | ... |
PC Myton
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Andrew Parker | ... |
Goya
(as Andy Parker)
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Darren Charman | ... |
Duke of Wellington
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Sharon Facinelli | ... |
Bar Lady
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Neal Barry | ... |
Gallery Security Guard
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Joshua McGuire | ... |
Eric Crowther
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Steve Giles | ... |
Mr Edbury
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Rest of cast listed alphabetically: | |||
Alan Bentley | ... |
Press Photographer (uncredited)
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Nigel Black | ... |
Gallery Policeman (uncredited)
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Ray Burnet | ... |
Courtroom Heckler (uncredited)
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Mark Fisher | ... |
Parliamentary Doorman / Cyclist (uncredited)
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Philip Gascoyne | ... |
Press Photographer (uncredited)
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Robert Godley-Harrod | ... |
Photographer (uncredited)
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Robert Jarvis | ... |
Defence Barrister (uncredited)
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John F. Kennedy | ... |
Self (uncredited) (archiveFootage)
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Craig Thomas Lambert | ... |
Museum Patron (uncredited)
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Nig Richards | ... |
Reporter (uncredited)
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Jacob Smyth | ... |
Pubgoer / Cyclist (uncredited)
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David Stokes | ... |
Jury Member (uncredited)
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Alfredo Tavares | ... |
Legal Team Member (uncredited)
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Michelle Thomas | ... |
Juror (uncredited)
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Carl Upshell | ... |
Prison Guard (uncredited)
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Richard Varley | ... |
Journalist / Reporter (uncredited)
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Steven Waters | ... |
Juror (uncredited)
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Directed by
Roger Michell | ... | (directed by) |
Written by
Richard Bean | ... | (screenplay by) and |
Clive Coleman | ... | (screenplay by) |
Produced by
Nicky Bentham | ... | producer (produced by) |
Jenny Borgars | ... | executive producer |
Christopher Bunton | ... | executive producer |
Michael S. Constable | ... | co-producer (as Michael Constable) |
Hugo Heppell | ... | executive producer |
Cameron McCracken | ... | executive producer |
Peter Scarf | ... | executive producer |
Andrea Scarso | ... | executive producer |
Albert Sharpe | ... | epk producer |
Keta Wilson | ... | line producer |
Music by
George Fenton | ... | (music by) |
Cinematography by
Mike Eley | ... | director of photography |
Editing by
Kristina Hetherington |
Editorial Department
Rob Farris | ... | digital intermediate head of production |
Lawrence Hook | ... | digital intermediate technical supervisor: Goldcrest Post Production |
Andrew Jadavji | ... | first assistant editor (as Andy Jadavji) |
Emma Liu | ... | digital intermediate assistant producer: Goldcrest Post Production |
Suhaila Mahmoud | ... | digital intermediate producer: Goldcrest Post Production |
Robert Platt-Higgins | ... | post production coordinator |
Finlay Reid | ... | digital intermediate assistant colourist: Goldcrest Post Production |
Laurent Treherne | ... | digital intermediate technologist: Goldcrest Post Production |
Russell White | ... | digital on-line editor: Goldcrest Post Production |
Evangeline White | ... | digital film bureau (uncredited) |
Casting By
Fiona Weir | ... | (casting by) |
Production Design by
Kristian Milsted |
Art Direction by
Liz Simpson | ||
Adam Tomlinson | ... | supervising art director |
Set Decoration by
Libby Uppington |
Costume Design by
Dinah Collin |
Makeup Department
Karen Hartley | ... | hair & make up designer (as Karen Hartley-Thomas) |
Emma Rigby | ... | hair & make-up artist |
Amy Riley | ... | hair & make-up artist |
Natalie Young | ... | hair & make-up artist |
Ashleigh Jacques | ... | makeup work experience (uncredited) |
Chris Lyons | ... | dental prosthetics (uncredited) |
Helen Masters | ... | makeup artist daily (uncredited) |
Production Management
Filiz-Theres Erel | ... | production manager |
Rob Farris | ... | head of production: Goldcrest Post Production |
David Gales | ... | unit manager: Yorkshire |
Dave Seward | ... | unit manager: London (as David D Seward) |
Louise Seymour | ... | post production supervisor |
Second Unit Director or Assistant Director
Lucy Andrews | ... | third assistant director |
Simon Hedges | ... | first assistant director |
Malinda Kaur | ... | crowd 2nd assistant director |
Michael King | ... | Crowd 3rd |
Alexandra Nicol | ... | trainee assistant director |
Gemma Nunn | ... | second assistant director |
Art Department
Andrew Balcon | ... | props |
Vanessa Bamford | ... | art department assistant |
Thomas Barratt | ... | prop hand / set dresser |
Amelia Bennett | ... | standby props |
Thomas Bryan | ... | standby props (as Tom Bryan) |
Gary Bustard | ... | storeman |
Bob Charlton | ... | construction manager (as Robert Charlton) |
Dan Chester | ... | action vehicle co-ordinator |
James Darnbrough | ... | dressing props |
Joshua Douglas-Bagley | ... | graphics art director |
Paul Driver | ... | artist/painter of The Duke portrait |
James Fennessy | ... | scenic painter |
Adam Fortune | ... | standby carpenter |
Rachel Garlick | ... | storyboard artist |
Edward Grayson | ... | dressing props |
Callum Haden | ... | dressing props |
Adam Hart | ... | scenic painter |
Robert Haynes | ... | standby art director |
Paul House | ... | standby carpenter |
Mark Jones | ... | dressing props: dailies |
Kaye Kent | ... | assistant set decorator |
Ashleen Lavender | ... | petty cash buyer |
Candice Marchlewski | ... | assistant set decorator |
Kirsty Newman | ... | assistant graphic designer |
Warren Ormondroyd | ... | standby props: dailies |
Frances Pulford | ... | art department assistant |
Donncha Rahill | ... | props |
P.R. Smith | ... | prop master |
John Thorpe | ... | construction |
Ian Tomlinson | ... | draughtsman (as Ian Tominson) |
George W Turner | ... | assistant art director |
Daisy Wormell | ... | production buyer |
Ian Davies | ... | dressing props (uncredited) |
Andrew Fielding | ... | carpenter (uncredited) |
Matt Reed | ... | set dresser (uncredited) |
Sound Department
Julian Bale | ... | second assistant sound |
Martin Beresford | ... | production sound mixer |
Paul Carter | ... | re-recording mixer |
Matt Davies | ... | dialogue editor: Phaze UK |
Rob Huckle | ... | sound consultant: Dolby |
Andrew Illingworth | ... | sound trainee |
Lee James | ... | first assistant sound |
Tom Melling | ... | re-recording mixer assistant: Goldcrest Post Production |
Keith Partridge | ... | foley engineer: First Feet Sound |
Rob Prynne | ... | sound effects editor: Phaze UK |
Jamie Roden | ... | re-recording mixer |
Robbie Scott | ... | mix technician: Goldcrest Post Production |
Danny Sheehan | ... | sound supervisor |
Barnaby Smyth | ... | foley artist: First Feet Sound |
Alex Stylianou | ... | adr recordist |
Mike Tehrani | ... | adr mixer |
Rob Turner | ... | sound effects editor: Phaze UK |
Jessica Watkins | ... | mix technician: Goldcrest Post Production (as Jess Watkins) |
Robert Weatherall | ... | foley editor: Phaze UK |
Special Effects by
Alistair Anderson | ... | special effects: London |
Steve Breheney | ... | special effects technician |
Matt Dawson | ... | special effects technician |
John Rafique | ... | SFX: London (as Johnny Rafique) |
Ian Rowley | ... | SFX workshop |
Rob Rowley | ... | special effects supervisor |
Roger Rowley | ... | special effects technician |
Chris Watson | ... | SFX: London |
Chris Welsh | ... | special effects technician |
Visual Effects by
Simon Allix | ... | coordinator: Automatik VFX |
Sebastian Barker | ... | VFX supervisor: Automatik VFX |
Keith Barton | ... | IT: Automatik VFX |
Thomas Castagna | ... | 2D artist: Automatik VFX |
Vikram Chadha | ... | VFX producer: Automatik VFX |
Darren Coffey | ... | 2D artist: Automatik VFX |
Lewis Coombes | ... | 3d artist: Automatik VFX |
Sean Danischevsky | ... | 2D artist: Automatik VFX |
Lou Datchens | ... | coordinator: Automatik VFX |
James Devlin | ... | additional visual effects: Invisible Arts Collective |
Leanne Dua | ... | 2D artist: Automatik VFX |
Jack Dunn | ... | 2D artist: Automatik VFX |
Deniz Erel | ... | studio manager: Automatik VFX |
Adam Glasman | ... | digital colourist |
Filippo Golin | ... | 2D artist: Automatik VFX |
Takahn Hunter | ... | digital compositor |
Ben Johnston | ... | 2D artist: Automatik VFX |
George Myer | ... | VFX editor: Automatik VFX |
Csaba Novak | ... | 3D artist: Automatik VFX |
Pablo Otero | ... | 3D artist: Automatik VFX |
Will Ould | ... | 2D artist: Automatik VFX |
Francisco Paim | ... | 3D artist: Automatik VFX |
Luke Panayiotou | ... | 2D artist: Automatik VFX |
Chiara Piseddu | ... | 2D artist: Automatik VFX |
Ingo Putze | ... | art designer: Automatik VFX |
Paul Robinson | ... | 3D artist: Automatik VFX |
David Shere | ... | 2D artist: Automatik VFX |
Rupert Thorpe | ... | 3D artist: Automatik VFX |
Craig Travis | ... | 3D artist: Automatik VFX |
Keta Wilson | ... | line producer: Automatik VFX |
John Hardwick | ... | visual effects supervisor: Invisible Arts Collective (uncredited) |
Will Hardwick | ... | lead compositor: Invisible Arts Collective (uncredited) |
Joe Pavlo | ... | titles and credits (uncredited) |
Stephanie Jean Staunton | ... | senior compositor: Invisible Arts Collective (uncredited) |
Joseph Stenning | ... | visual effects (uncredited) |
Giovanni Ermes Vincenti | ... | senior compositor: Automatik VFX (uncredited) |
Stunts
Julian Spencer | ... | stunt co-ordinator |
Camera and Electrical Department
Sergio Bernuzzi | ... | key grip |
John Bevans | ... | standby rigger |
Owen Cant | ... | B camera second assistant: dailies |
Tony Cardenas | ... | chargehand electrical rigger |
Bruce Carmichael | ... | b camera second assistant |
Robert Clark | ... | practical electrician |
Garry Clemo | ... | grip trainee |
Sean Davis | ... | chargehand rigging electrician |
Oliver Driscoll | ... | first assistant camera (as Olly Driscoll) |
David Farmer | ... | desk operator (as Dave Farmer) |
Rosamund Freeman | ... | camera trainee |
Julian Guest | ... | electrical rigger |
Tom Hyde | ... | electrician (as Thomas Hyde) |
Ben Jones | ... | second assistant camera |
Mark Jones | ... | b camera grip |
Will Kendal | ... | best boy |
Gary Lambert | ... | standby rigger |
Ross Lancaster | ... | EPK camera |
Ben Lowe | ... | b camera grip |
Paul McGeachan | ... | gaffer |
Joe McGee | ... | HOD practical electrician |
Arron Monkman | ... | first assistant camera: "b" camera |
Gino Moodley | ... | tower cam operator |
Andrew O'Driscoll | ... | electrician (as Andy O'Driscoll) |
Iain Ovenden | ... | EPK camera |
Chris Parker | ... | rigging electrician |
Luke Pochetty | ... | electrician |
Matthew Poynter | ... | b camera operator (as Matt Poynter) |
Núria Pérez | ... | digital imaging technician |
Kevin Roberts | ... | electrician / lighting technician |
Steve Roberts | ... | generator operator |
Luke Selway | ... | b camera first assistant |
Matthew Stanley | ... | video assist: pix operator |
Julie Steyaert | ... | camera trainee: dailies |
Del Strachan | ... | b camera grip |
Thomas Tann | ... | electrician |
Peter Tarran | ... | camera & grip equipment: ARRI Rental |
Laura Thompson | ... | lighting equipment: Panalux |
Nick Wall | ... | unit stills photographer |
Tony Paul West | ... | rigging electrician |
Jack Wheatley | ... | electrical rigger |
Steed Barrett | ... | lighting technician (uncredited) |
Mike Eley | ... | a camera operator (uncredited) |
Animation Department
Stig Coldham | ... | animation by: SuperGrizzly |
Casting Department
Arron Cuthbertson | ... | extras casting |
Nikita Vyas | ... | casting assistant |
Sarah Wilson | ... | casting associate |
Camilla Fox | ... | casting agent (uncredited) |
Paula McKie | ... | extras casting (uncredited) |
Costume and Wardrobe Department
Milly Barter | ... | principal costume standby |
Lois Connell | ... | costume junior |
Richard Cooke | ... | assistant costume designer |
Filipa Fabrica | ... | costume supervisor |
Yannick Gondran | ... | crowd costume supervisor |
Natasha Kutrovacz | ... | costume standby |
Alison Lewis | ... | costume buyer |
Simon Lewis | ... | assistant costume designer |
Charlie Mclelland | ... | costume assistant |
Paul Yeowell | ... | assistant costume designer |
Hilary Hughes | ... | crowd daily (uncredited) / crowd standby (uncredited) |
Carla Lynas | ... | costume assistant: crowd (uncredited) |
Sophie MacDonald | ... | crowd standby (uncredited) |
Cat Moore | ... | stand-by costumer (uncredited) |
Anna Tennant | ... | crowd standby (uncredited) |
Location Management
Matthew Bowden | ... | location manager: Yorkshire (as Matt Bowden) |
Rachael Colley | ... | location marshal: Yorkshire |
Grace Dubruel | ... | assistant location manager: Yorkshire |
Sjors Fiege | ... | location assistant: London |
Ben Frost | ... | assistant location manager: London |
Lian Furness | ... | location assistant: Yorkshire |
James Player | ... | location manager: London |
David Seaton | ... | location scout: Yorkshire |
Cory Townsend | ... | location assistant: Yorkshire |
Mike Krause | ... | location assistant (uncredited) |
Music Department
Mat Bartram | ... | recorded and mixed by: AIR Studios |
Thomas Bowes | ... | orchestra leader |
George Fenton | ... | orchestrator |
Susie Gillis | ... | musician contractor: Isobel Griffiths Ltd |
Julian Kershaw | ... | orchestrator |
Mike Lovatt | ... | musician: trumpet |
Jack Mills | ... | assistant engineer |
Graham Sutton | ... | music editor: AIR Studios |
Jamie Talbot | ... | tenor saxophone |
Giles Thornton | ... | music preparation |
Rachel Bolt | ... | musician: viola (uncredited) |
Alex Ferguson | ... | recordist (uncredited) |
Transportation Department
Tony Bailey | ... | unit driver/minibus driver |
Shaun Brundle | ... | Twizy driver |
Gerry Bryson | ... | standby props truck driver |
Howard Cawthorne | ... | unit driver/minibus driver |
Dan Chester | ... | action vehicle coordinator |
Erkan Cogalan | ... | unit driver/minibus driver (as Ekran Cogalan) |
Lee Edwards | ... | unit driver: Helen Mirren |
Milan Godla | ... | unit driver |
Duncan Greener | ... | unit driver/minibus driver |
Shaun Heap | ... | unit driver/minibus driver |
Gary Hooley | ... | unit driver/minibus driver |
Keith Hutchinson | ... | unit driver/minibus driver |
Tony Jones | ... | unit driver/minibus driver |
Dave MacDonald | ... | unit driver/minibus driver |
Bob Mann | ... | unit driver/minibus driver |
Hughie Mann | ... | unit driver: Jim Broadbent |
Joe McManus | ... | unit driver/minibus driver |
Andy McNamara | ... | unit driver/minibus driver |
Andy Mellor | ... | unit driver/minibus driver |
Mark Moore | ... | unit driver/minibus driver |
Nigel Moore | ... | unit driver/minibus driver |
Tomas Piekus | ... | unit driver/minibus driver |
Saulius Remeskevicius | ... | unit driver |
Kenny Riley | ... | unit driver/minibus driver |
Joe Walsh | ... | unit driver/minibus driver |
Mike Watkinson | ... | unit driver/minibus driver |
Tony White | ... | unit driver/minibus driver |
Additional Crew
Nuala Alen-Buckley | ... | financial controller |
Tian Boyce | ... | production secretary |
Lee Bye | ... | head of theatrical distribution: Pathé |
Nelson Calderón | ... | french adaptation |
Sandy Campbell | ... | cast assistant: Helen Mirren |
John Carbine | ... | unit medic |
Isobel Carter | ... | senior creative executive: Pathé |
Kate Cavendish | ... | publicist |
Sue Clark | ... | animals: Timbertops |
James Clarke | ... | finance director: Pathé |
Tonia Cohen | ... | clearances: Reviewed & Cleared |
Cecily Colahan | ... | production coordinator |
Mayalen de Croisoeuil | ... | international sales: Pathé International |
Helen Doran | ... | unit medic |
Pierre Du Plessis | ... | director of business affairs: Pathé |
Agar Forjan | ... | for Golden Arrow Entertainment |
Lucy Foweraker | ... | insurance: Integro Media Insurance |
Jessica Hammett | ... | dialect coach: prep |
Paul Hillier | ... | insurance: Integro Media Insurance |
Chris Hordley | ... | production liason: Screen Yorkshire |
Mick Hurrell | ... | health & safety advisor: JHA Safe T |
Richard Jay | ... | unit medic |
Steve Joberns | ... | audit: Shipleys LLP |
Sally Joynson | ... | chief executive: Screen Yorkshire |
Michael King | ... | floor runner |
Richard Knight | ... | production liason: Screen Yorkshire |
Ashton Lloyd | ... | rushes runner |
Nadine Luque | ... | for Golden Arrow Entertainment |
Jitka Matakova | ... | accounts: Automatik VFX |
Blue McCrae-Buchanan | ... | publicity team |
Jill McCullough | ... | dialect coach |
Ross McGowan | ... | stand in: Jim Broadbent |
Fiona McGuire | ... | head of physical production: Pathé |
Rachel McWatt | ... | communications manager: Screen Yorkshire |
Will Menzies | ... | head of finance: Screen Yorkshire |
Christos Michaels | ... | Legal Services for Screen Yorkshire |
Warda Mohamed | ... | assistant to the director & producer |
Marie-Laure Montironi | ... | international sales: Pathé International |
Lyndsay Myles | ... | travel & accommodation secretary |
Bryan Newell | ... | rushes runner |
Emily Orlik | ... | assistant accountant |
Oliver Orlik | ... | assistant accountant |
Katharine Otway | ... | production legal: Kenren Media |
Phil Pease | ... | unit medic |
Anu Pekkarinen | ... | stand in: Helen Mirren |
Jean Pendle-Ash | ... | finance assistant: Screen Yorkshire |
Nathalie Pierrat | ... | floor runner |
Tim Powell | ... | first assistant accountant / post accountant |
Rebecca Robb | ... | production trainee |
Jonathan Rutter | ... | production publicity |
Albert Sharpe | ... | epk producer |
Helen Jane Simmons | ... | Dialect Coach for Jim Broadbent / dialect coach for Helen Mirren |
Ellen Steers | ... | production publicity |
Pascal Strippoli | ... | french adaptation |
Mark Sykes | ... | lead security: Yorkshire |
Olivia Thomas | ... | production liason: Screen Yorkshire |
Agathe Théodore | ... | international sales: Pathé International |
Katharine Tidy | ... | home economics |
Lloyd Vanson | ... | for Pathé |
Lauren Whiterod | ... | audit: Shipleys LLP |
Andy Winspear | ... | unit medic |
Andrew Wright | ... | archivist |
Willem Evans | ... | crowd runner (uncredited) |
Maya Jagger | ... | stand-in/runner (uncredited) |
Harry James Martin | ... | stand-in: Jim Broadbent/runner (uncredited) |
Daniel Rogers | ... | health and safety advisor (uncredited) |
Laura Shackleton | ... | floor runner: dailies (uncredited) |
Jess Simmonds | ... | crowd runner (uncredited) |
Ahseem Yousuf | ... | location marshall: dailies (uncredited) |
Thanks
Christine Bentham | ... | special thanks to |
Dan Bentham | ... | special thanks to |
Marlo Bentham | ... | special thanks to |
Tippi Bentham | ... | special thanks to |
Barbara Broccoli | ... | special thanks to |
James Brown | ... | special thanks to |
Julia Crane | ... | special thanks to |
Jackie Bunton and the Bunton Family | ... | special thanks to |
Nicholas Hilliard | ... | special thanks to (as The Honourable Mr Justice Hilliard) |
Lindsey Hunt | ... | thanks |
Andy Merckel | ... | thanks to: Leeds City Council |
Libby Moss | ... | special thanks to |
Ron Moss | ... | special thanks to |
Len Rowles | ... | special thanks to |
David Wilson | ... | thanks to: Bradford City of Film |
Production Companies
- Pathe UK (present)
- Ingenious Media (present)
- Screen Yorkshire (present)
- Kempton Productions (has been supported by the)
- Yorkshire Content Fund
- Neon Films (production)
- Great Bison Productions (for)
Distributors
- Pathé (2022) (France) (theatrical)
- Pathe UK (2022) (United Kingdom) (theatrical)
- Paradiso Entertainment (2022) (Netherlands) (theatrical)
- Pathe UK (2022) (Ireland) (theatrical)
- Sony Pictures Classics (2022) (United States) (theatrical)
- Front Row Filmed Entertainment (2022) (United Arab Emirates) (Middle East, North Africa and Iran - in association with Empire International)
- Remain In Light (2022) (Netherlands) (DVD)
- Vertigo Média Kft. (2023) (Hungary)
Special Effects
- Automatik VFX (visual effects)
- Elements Special Effects
- Invisible Arts Collective (additional visual effects)
Other Companies
- Phaze UK (sound editing by)
- Feet First Sound (foley recorded at)
- Goldcrest Post Production London (sound re-recorded at)
- Supergrizzly (titles and multiple screens by)
- AP Archive British Movietone (stock footage)
- Baim Collection (stock footage)
- Footage Farm (stock footage)
- Footage File (stock footage)
- Framepool (stock footage)
- Getty Images BBC Motion Gallery (stock footage)
- History of Advertising Trust (stock footage)
- iStock (stock footage)
- ITV Archive (stock footage)
- Kinolibrary (stock footage)
- MGM Media Licensing (footage courtesy of: Dr. No)
- Multicom Entertainment Group (stock footage)
- North East Film Archive (stock footage)
- Yorkshire Film Archive (stock footage)
- National Savings & Investments (NS&I) (stock footage)
- PA Photos (stock footage)
- AIR Studios (recorded and mixed at)
- ARRI Rental (camera & grip equipment)
- Above the Line Set Assistance & Security (security)
- Alamy (images licensed courtesy of: 'Cupid Chastised (Disdain)', 'Kitsch/Souvenir Wall Painting of Love Couple, Germany', 'The Duke of Wellington', 'The Scream')
- Angels Costumes (costumes)
- Audiolink Radio Communications (on set radios & mobile phones)
- Bickers Action (action vehicles)
- Block-Korenbrot Public Relations (Publicist)
- Bradford City of Film (thanks to)
- Carlo Manzi (costumes)
- Clarksons (catering)
- Cosprop (costumes)
- Dan's Action Vehicles (action vehicles)
- Daru TV & Film (catering)
- ESI Media (reproduced with permission from: Evening Standard)
- Fatts (post-production script)
- Film Finances (completion bond services by)
- Freeway CAM B.V. (world revenues collected and distributed by)
- Golden Arrow Entertainment (production monitoring)
- Hiventy (french subtitling: original version with subtitles)
- Integro Media Insurance (insurance)
- Isobel Griffiths Limited (musician contractor)
- JHA safe T (health & safety advisor)
- Kenren Media (production legals)
- Leeds City Council (thanks to)
- Luna Remote Systems (camera & grip equipment)
- Mirrorpix (reproduced with permission from: Newcastle Evening Chronicle, The Daily Mirror, People Magazine)
- MovieScore Media (soundtrack)
- Moving Picture Logistics (swing drivers supplied by)
- On Set Location Services (facilities)
- Panalux (lighting equipment)
- Penguin Random House UK (used with the permission of: cover of ' Coming Up for Air' by George Orwell)
- Reviewed & Cleared (clearances)
- SK Media Rooms (accommodation agent)
- ScreenSkills (department trainees provided by)
- Setkeeper (pre-production software)
- Shipleys (audit)
- Surrey film office (thanks to)
- Team Engine (production software provided by)
- The Postal Museum (copyright: GPO posters)
- The Vintage TV & Wireless Company (archive footage playback)
- Timbertops (animals)
- Trusted Media Brands (used with the permission of: Reader's Digest November 1960)
- iStock by Getty Images (images/illustrations supplied by)
Storyline
Plot Summary |
In 1961, 60-year-old Kempton Bunton stole Goya's portrait of the Duke of Wellington from the National Gallery in London. He sent ransom notes saying that he would return the painting on condition that the government invested more in care for the elderly. What happened next became the stuff of legend. An uplifting true story about a good man who set out to change the world and managed to save his marriage. |
Plot Keywords | |
Taglines | The priceless true story See more » |
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Parents Guide | View content advisory » |
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Filming Locations |
Did You Know?
Trivia | EON productions, who are the producers of the official James Bond film series are notoriously protective of their property and rarely give permission for clips to be used in other studio's movies for fear of the clips being misused or lampooned. In this case Dame Helen Mirren and director Roger Michell personally asked the Bond producers Barbara Broccoli and Michael Wilson for permission to use the Scene from Dr No (1962) and promised the scene would be used in context and not adulterated in any way. A small fee was paid (which was donated to charity) and Broccoli and Wilson were allowed to view the finished film with the promise of that if they didn't like how the scene was used then it would be removed before release. Fortunately they had no complaints. See more » |
Goofs | When visiting Kempton in his remand cell to discuss his ongoing court case, his QC leans on the "brick" cell wall, which clearly bends and rebounds, seemingly made of a rubberised material cast to resemble old painted brickwork. See more » |
Movie Connections | Featured in Adele/Helen Mirren/Jim Broadbent/Golda Rosheuvel/George Ezra (2022). See more » |
Soundtracks | Shop Window See more » |
Quotes |
Kempton Bunton:
I'd just finished reading Joseph Conrad's Heart Of Darkness and I felt a need to explore Sunderland. See more » |