Through Ernesto's Eyes (2019)
Aos Olhos de Ernesto (original title)Reference View | Change View
- 2h 3min
- Drama
- 18 Jul 2020 (Japan)
- Movie
- 4 wins & 12 nominations.
- See more »
Photos and Videos
Cast
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Jorge Bolani | ... |
Ernesto
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| Jorge D'Elía | ... |
Javier
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Gabriela Poester | ... |
Bia
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| Júlio Andrade | ... |
Ramiro
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| Gloria Demassi | ... |
Lucia
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Áurea Baptista | ... |
Cristina
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Kaya Rodrigues | ... |
Vânia
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Celina Alcântara | ... |
Caixa do Banco
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Janaína Kremer Motta | ... |
Dona do Restaurante
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Pedro Tergolina | ... |
Vendedor
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Directed by
| Ana Luiza Azevedo | ... | (directed by) |
Written by
| Ana Luiza Azevedo | ... | (screenplay) |
| Jorge Furtado | ... | (screenplay) |
| Vicente Moreno | ... | (collaborating writer) |
Produced by
| Nora Goulart | ... | executive producer |
| Nicky Klöpsch | ... | assistant executive producer |
Music by
| Leo Henkin | ||
Cinematography by
| Glauco Firpo | ... | director of photography |
Editing by
| Giba Assis Brasil | ... | (edited by) |
Editorial Department
| Daniel Dode | ... | colorist / deliverables and quality control / post production supervisor |
Production Design by
| William Valduga | ||
Art Direction by
| Fiapo Barth | ||
| William Valduga | ||
Costume Design by
| Rosângela Cortinhas | ||
Makeup Department
| Britney Federline | ... | makeup department head |
| Deby Marques | ... | assistant makeup artist |
Production Management
| Fernanda Pifano | ... | assistant production manager |
| Glauco Urbim | ... | production manager |
Second Unit Director or Assistant Director
| Jaqueline Valadares | ... | second assistant director |
Art Department
| Pierre Olivé | ... | set dresser (as Pierre Rosa) |
Sound Department
| Fábio Baltar | ... | boom operator (as Fábio Duarte) |
| Tiago Bello | ... | re-recording mixer / sound designer |
| Toco Cerqueira | ... | dialog re-recording mixer |
| Marcos Lopes | ... | sound designer |
| Fabián Oliver | ... | sound mixer (film segments) |
| Rafael Rodrigues | ... | sound mixer / sound recordist |
Camera and Electrical Department
| Felipe Kuhn | ... | best boy electric |
| Guilherme Menegotto | ... | key grip |
| Juliano Possebon | ... | video assist |
| Arno Schuh | ... | first assistant camera |
| Andre Campanhol Terneiro | ... | best boy grip (as André Campanhol) |
| Martín Varela | ... | gaffer: In Uruguay |
Location Management
| Pedro Gusmão | ... | location manager |
Additional Crew
| Luísa Adegas | ... | production coordinator |
Production Companies
- Casa de Cinema de Porto Alegre (produced by)
Distributors
- Elo Studios (2020) (Brazil) (theatrical)
- Moviola (2020) (Japan) (theatrical)
Special Effects
Other Companies
Storyline
| Plot Summary |
Ernesto, a seventy-eight-year-old Uruguayan photographer living in Brazil, faces the limitations of old age, such as loneliness and growing blindness, which he thinks he can disguise. When Ernesto became a widower, he learned that aging is about filling the silences with a spinning record, with the calls from his son who lives far away, with the bank errands to withdraw his pension, with his neighbor Javier's flying visits, with the wait for a new letter from Lucía. However, Bia, a careless dog carer, storms into his life and upsets his methodical daily life. And Ernesto realizes that aging can be about rejuvenating with the intense company of a girl who is not even thirty years old. And that life and love are possible even for those who are almost eighty. |
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