Directed by
| Rupert Glasson | ||
Writing Credits
| Rupert Glasson | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Phil Hunt | ... | executive producer |
| David Lightfoot | ... | producer |
| Compton Ross | ... | executive producer |
| Ayisha Taylor | ... | producer (as Ayisha Davies) |
| Piers Tempest | ... | executive producer |
Music by
| John Gray | ||
Cinematography by
| David Foreman | ... | director of photography |
Editing by
| Adrian Rostirolla | ... | picture editor |
Casting By
| Brooke Howden | ||
Production Design by
| Tony Cronin | ||
Costume Design by
| Theo Benton | ||
Makeup Department
| Eileen Brennan | ... | additional makeup assistant |
| Jodee Lenaine-Smith | ... | key hair and make up artist (as Jodie Lenaine-Smith) |
| Tracy Phillpot | ... | additional makeup standby (as Tracey Phillpot) |
| Rachel Wells | ... | hair and make up assistant |
Production Management
| Kate Butler | ... | post-production supervisor |
| Michael Gill | ... | unit manager |
| Fiona Lanyon | ... | production manager |
| Ayisha Taylor | ... | post-production supervisor (as Ayisha Davies) |
Second Unit Director or Assistant Director
| Shannon Crotty | ... | third assistant director |
| Travis Kalendra | ... | second assistant director |
| Mark Knight | ... | first assistant director |
Art Department
| Michael Clarkin | ... | product placement |
| Chris Jobson | ... | additional set decorator |
| Peter Jobson | ... | props buyer |
| Kylie Lawson | ... | additional scenic artist |
| Brad Maddern | ... | art department attachment |
| Geoffrey Tarr | ... | standby props (as Geoff Tarr) |
| Richard Trayling | ... | storyboard artist |
| Gareth Wilkes | ... | set dresser |
Sound Department
| Russell Alexander | ... | foley recordist |
| Marco Arlotta | ... | boom operator |
| Mike Bakaloff | ... | additional boom operator |
| Pete Best | ... | mix facility supervisor |
| Craig Carter | ... | sound designer |
| James Currie | ... | additional sound recordist |
| Jason Hancock | ... | foley recordist |
| James Harvey | ... | effects editor, adr editor |
| David Macdonald | ... | boom operator (as David McDonald) |
| Adrian Medhurst | ... | foley artist |
| Rhys Richards | ... | foley editor |
| John Simpson | ... | foley artist |
| Pete Smith | ... | post-production sound mixer (as Peter Smith) |
| Rob Stankovich | ... | sound recordist |
| Belinda Trimboli | ... | dialogue editor |
| Sam Rogers | ... | foley work experience (uncredited) |
Visual Effects by
| Peter Amies | ... | laboratory operations manager |
| Daniel Ashton | ... | film recording technician |
| Nick Booth | ... | film recording supervisor |
| Martin Edwards | ... | laboratory post-production coordinator |
| Marty Pepper | ... | visual effects artist |
| Stephen Roucher | ... | film recording technician |
| Brian Scadden | ... | laboratory post-production supervisor |
| Pete Williams | ... | film recording manager (as Peter Williams) |
Stunts
| Mark Duncan | ... | stunt double: Joseph Del Re, stunt performer |
| Mick Hodge | ... | assistant stunt coordinator: precision driver |
| Bernard Ledger | ... | stunt coordinator, safety supervisor, precision driver (as Bernie Ledger) |
| Philip Partridge | ... | stunt double: Sam Parsonson, stunt performer |
Camera and Electrical Department
| Marcus Bosisto | ... | gaffer |
| Mischa Chaleyer-Kynaston | ... | camera assistant |
| Mark Dohring | ... | additional camera assistant |
| John Foster | ... | focus puller/ additional second camera operator |
| Werner Gerlach | ... | best boy |
| Daniel Guerra | ... | still photographer (as Daniel 'Guido' Guerra) |
| Joel Johnston | ... | additional still photographer |
| Zane Roach | ... | additional still photographer |
| Henry Smith | ... | clapper loader |
| Andrew Stankovich | ... | steadicam operator (as Andy Stankovich) |
| Darcy Sullivan | ... | grip |
| Ben Taylor | ... | additional grip & electric |
| Jules Wurm | ... | additional camera assistant |
| Mischa Chaleyer-Kynaston | ... | additional camera operator (uncredited) |
Costume and Wardrobe Department
| Meredith Goyne | ... | costume standby (as Meredith Hudson Goyne) |
| Vicky Stimson | ... | costume buyer / costume assistant (uncredited) |
Editorial Department
| Kate Butler | ... | post-production producer |
| Sean Lahiff | ... | assistant editor |
| Mark Machin | ... | HD neg reports |
| Sam Matthews | ... | digital intermediate assistant |
| Marty Pepper | ... | colourist |
| Dale Roberts | ... | head of post-production |
| Joshua Sutherland | ... | dubbing & transfers |
Location Management
| Julie Lewington | ... | location manager |
Music Department
| Gregg Arthur | ... | vocals |
| Geir S. Brillian | ... | recording engineer and mixer (as Geir Brillian Gunnarsson) |
| Patrick Brown | ... | assistant engineer |
| Alex Henery | ... | music contractor |
| Christopher O'Young | ... | assistant composer (as Chris O'Young) |
| Jessica Wells | ... | conductor |
Script and Continuity Department
| Eve Foreman | ... | script supervisor |
Additional Crew
| George Adams | ... | completion guarantor |
| Roger Brewitt | ... | completion guarantor |
| Mark Broomhead | ... | legal: Screen Australia |
| Michael Clarkin | ... | assistant to producer |
| Sally Davis | ... | unit nurse |
| Bettina Hamilton | ... | production coordinator |
| Richard Hyde | ... | insurance broker |
| Jenny Lalor | ... | entertainment lawyer |
| Chad Leader | ... | production accounts assistant |
| Toby Moritz | ... | legal: South Australian Film Corporation |
| Ann Pashley | ... | animal handler |
| Matt Pearson | ... | production runner |
| Chris Pike | ... | caterer |
| Phil Pike | ... | caterer |
| Matt Richardson | ... | unit assistant |
| Mark Roffell | ... | boat wrangler |
| Trudy Talbot | ... | financial controller |
