In the Hasidic community of Boro Park, Brooklyn, a despondent young man, short on both faith and funds, reluctantly agrees to assume the responsibility of an overnight shimmer and fulfill the Jewish practice of watching over the body of a deceased member of the Orthodox community. With only the company of the recently departed and an ailing widow who expresses cryptic reservations as to the man's ability to carry out the task, he soon finds himself exposed to a terrifying haunting within the claustrophobic confines of a home that has become host to a malevolent entity. In what is essentially a one-man show, Dave Davis is profoundly affecting in his portrayal of the hesitant sentinel, exuding an empathetic combination of frayed nerves and timid weariness. Throughout this uncanny night, his vigil gradually transforms into a harrowing spiritual investigation of both his cursed surroundings and his pitiable past - a journey in which the very recesses of his community's collective trauma ...Written by
Toronto International Film Festival
In December 2019, Blumhouse acquired domestic distribution rights to the film. See more »
A promising premise turns out to be an unfortunate mishap - intoscreens.com
Set over the course of a single evening in Brooklyn's Hassidic "Boro" Park neighborhood. Having lost his faith, Yakov (Dave Davis - Greyhound) isn't eager to go back to the insular religious community he only recently fled. But when Reb Shulem (Menashe Lustig - Menashe), a rabbi and confidante, approaches Yakov after a support group meeting and offers to pay Yakov to be the shomer - a respected position of someone who watches over the body overnight to keep it from demons - for a recently deceased Holocaust survivor, he reluctantly accepts the job. Shortly after arriving at the dilapidated house, Yakov realizes that something is very, very wrong.
The concept of The Vigil looks good enough on paper to get excited about. The film could've explored territories that are fairly unknown for many of us who aren't part of the Jewish community, with stories that often involve the supernatural and afterlife. Instead of turning into a 21st century "Jewish Excorcist", it rather takes the easy route and goes for a more lighter version of 'The Autopsy of Jane Doe'. The film takes place in one extremely underlit house, where creepy knocks and creaks help build an ominous atmosphere. What starts off strong quickly gets annoying when rough sound design and annoyingly ineffective jump scares take over, unfortunately losing any emotional impact the story could have created by the end of this haunted night.
Director Keith Thomas seems lost in his own screenplay and never elevates what makes his first feature film stand out: the atmosphere. Those dark rooms sure raise questions, as to why Yakov doesn't turn on more lights and keep them on when he starts witnessing shadows in the corners of the room. The problem with the overpowering darkness is that at one point, that isolating feeling loses its effect and every shadow just becomes a blur. Luckily Davis knows how to handle himself, in what's basically a one-man show.
The Vigil never reaches for that light at the end of the tunnel, relying too much on clichés and overused scare tactics. By keeping it all a bit too vague, it loses any sense of terror it so successfully built up in the first half of the film, making it an unfortunate mishap that could've been an unforgettable original addition to the horror genre.
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