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Skyfall (2012)

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Bond's loyalty to M is tested when her past comes back to haunt her. When MI6 comes under attack, 007 must track down and destroy the threat, no matter how personal the cost.

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Won 2 Oscars. Another 65 wins & 119 nominations. See more awards »

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Cast

Cast overview, first billed only:
... James Bond
... M
... Silva
... Gareth Mallory
... Eve
... Severine (as Bérénice Lim Marlohe)
... Kincade
... Q
... Tanner
... Patrice
... Clair Dowar MP
... Doctor Hall
Bill Buckhurst ... Ronson
... Vanessa (M's Assistant)
Ian Bonar ... MI6 Technician
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Storyline

When Bond's latest assignment goes gravely wrong and agents around the world are exposed, MI6 is attacked forcing M to relocate the agency. These events cause her authority and position to be challenged by Gareth Mallory (Ralph Fiennes), the new Chairman of the Intelligence and Security Committee. With MI6 now compromised from both inside and out, M is left with one ally she can trust: Bond. 007 takes to the shadows - aided only by field agent, Eve (Naomie Harris) - following a trail to the mysterious Silva (Javier Bardem), whose lethal and hidden motives have yet to reveal themselves. Written by JoaoBond

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated PG-13 for intense violent sequences throughout, some sexuality, language and smoking | See all certifications »

Parents Guide:

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Details

Official Sites:

Official Facebook | Official site |  »

Country:

|

Language:

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Release Date:

9 November 2012 (USA)  »

Also Known As:

007: Operación Skyfall  »

Filming Locations:

 »

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Box Office

Budget:

$200,000,000 (estimated)

Opening Weekend:

£20,180,369 (United Kingdom), 28 October 2012, Limited Release

Opening Weekend USA:

$88,364,714, 11 November 2012, Wide Release

Gross USA:

$304,360,277

Cumulative Worldwide Gross:

$1,108,561,013
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

A few days after the film debuted in Britain, the real MI6, the Secret Intelligence Service (S.I.S.), took out a full page advertisement in "The Times" and "The Sunday Times" running with the headline, "If the qualities that make a good spy were obvious, they wouldn't make a very good spy." The aim of the ad was to debunk the legend and mythology associated with film fiction spies, like James Bond in this movie, saying that real-life spy work is not "high-speed chases and shoot-outs", an average spy is not a "globe-trotting Secret Agent" and that psychological profiles of real-life Agents show that they are actually "far more ordinary". The ad also dismisses the white male spy stereotype, saying that "the truth is, we don't care what sex you are, or where you're from, as long as you're a British national." The humorous advertising campaign is considered one of MI6's most open ever recruitment drives. But in true espionage fashion, the ad still warns of utmost secrecy and strict confidentiality, advising potential candidates that they cannot disclose that they are making an application to anyone. See more »

Goofs

It would be impossible to drive a silver Aston Martin DB5 from London to Scotland without getting splash marks on the side of the vehicle. Especially in view of the fact that the road conditions are wet by the time 007 and M reach the Scottish Highlands, but the car still looks immaculate. See more »

Quotes

[first lines]
James Bond: [Speaking on a blue tooth device] Ronson's down. He needs a medical evac.
M: Where is it? Is it there?
James Bond: Hard drives gone.
M: You sure?
James Bond: It's gone. Give me a minute.
M: They must have it! Get after them!
James Bond: I'm stabilizing Ronson.
M: We don't have the time!
James Bond: I have to stop the bleeding!
[...]
See more »

Crazy Credits

Bond's traditional shot towards the camera, seen through the barrel of a gun, is placed at the end of this film rather than the beginning. After the blood stops dripping, the James Bond 50th Anniversary logo appears with the words "James Bond will return," below it. See more »

Connections

References Throne of Blood (1957) See more »

Soundtracks

Skyfall
Music by Adele
Lyrics by Paul Epworth
Performed by Adele
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Frequently Asked Questions

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User Reviews

 
How safe do you feel?
5 December 2012 | by See all my reviews

Bond 23 and 007 has to literally come back from the dead when a stolen hard-drive makes M (Dench) look bad at a time when a face from her past comes homing into blood thirsty view.

There is one sure fire fact in cinema that nobody can dispute, that of there never ever being a James Bond film that all Bondphiles will agree on. From each corner of the spectrum will come arguments that said Bond film is not gritty enough, not fun enough, not enough sex, not enough action, not enough fantastical stunts and etc etc etc. Well that's fine of course, we all have our peccadilloes we prefer in our Bond movies, but we do live in different times now, the world has changed, and so has Bond. You may not get the ultimate Bond you want, but this is a 21st Century Bond and a new era of 007 is upon us, something which makes Skyfall even the more bolder and braver because it marks the 50th anniversary by blending the old with the new and mostly achieving brilliant results.

Skyfall allows us to bathe in nostalgia whilst also forcing us to re- evaluate just where we are at in terms of our beloved super secret agent. One of the great things about this Bond is that there is a bubbling under current of time's importance delicately perched on each side of James Bond's shoulders. Is he (and M etc) outdated? Or is the future still in need of such operatives/organisations? Director Mendes and his team don't take any of the easy options that were clearly available to them to answer the question, they instead build a film around Bond and M as characters, embrace the traditions of the series and hit us hard in head and heart.

The plot of Skyfall as written is simple, absolutely nailed on it is straight and true to Hollywood conventions, but what fills out the simple plot is a series of Bondian delights, thrills spills and emotionally splintered kills. The stunning pre-credits sequence sees Bond traverse the rooftops of Istanbul on a motorcycle and then fight on top of a speeding train. Only to then find himself expendable. Which leads to Daniel Kleinman's title credits sequence that is filled with ominous portents of death and blood, in turn backed by the wonderfully Bondian of old title song warbled by Adele. It's clear at this point that this Bond movie is nodding to traditional values whilst promising to deliver some emotional pain. And so it proves.

A washed up Bond enters the fray, and he convinces, he's dishevelled, unshaven and unfit, but he's still a tough bastard who can drink hard and stare a scorpion down. He'll be back soon, we know this, and he will be in wonderful physical shape, and loyal to his surrogate mother for sure. Ah, but there's the adversary on the scene now, a villain to finally give Craig's Bond something to fret about. It's Javier Bardem's (perfect) Silva, a cyber terrorist with a shock of blonde hair, a nasty dental trick and a devilish sexiness that unnerves during an interrogation scene; to which Bond cheekily opens up some wink wink possibilities. There is other sexual tension in the film as well, not just a steamy shower scene, but the ongoing banter with Naomie Harris' (excellent) Eve that positively fizzes with smirking innuendo.

But ultimately this comes down to the love between a man and a woman, the kind that is so different to the type that has so often underpinned a Bond movie. Bond will kill or be killed for M, and how marvellous to see a director really able to give Judi Dench the direction she so deserves, and Bond, in Craig's magnetic and gritty hands, responds in kind to deliver a last half hour as good as any in the 50 years of Bond on film. As we know, all turf is Bond's turf, but this time it really is HIS turf, and as a little back story comes seeping out, Bond gets to exorcise some demons whilst kicking considerable ass. Get ready Bondphiles, this has the emotional wallop only seen in the best Bond movies of old.

All the Bondian trappings are still here, exotic locales, gorgeous women, speeding vehicles, fights, stupendous stunts, bizarre lairs and balls out machismo. It's also funny! I myself commented when reviewing Quantum of Solace that it was pretty ace as an action film, but for many it's not Bondian enough, and the truth of the matter is Bond still needs to have a degree of fun, no matter how grim and gritty the story line is. Thankfully Skyfall is often a blast, with Craig (surely convincing even the most stubborn of dissenters how good a Bond he is) having the confidence and skill to lace his Bond's macho broody instinct with a desert dry wit and shrug of the shoulders nonchalance. Other side of the camera the tech credits are high, with Deakins proving to be one of the aces in the pack. His capturing of vistas, be it a neon city scape or a mountainous valley, are eye delights, his colour tones are beautiful, I promise you, nobody these days does golden browns like Deakins.

It's not the masterpiece that I or gazillions of others hoped for, and it does have flaws (new Q a bit too geeky safe, finale lacks a substantial battle with the villain) and remains simple in plot, but it's Bond's birthday and the birthday boy has been done proud by the makers. It's a new era Bond for sure, but that most definitely isn't a bad thing, it knows its past and it now knows its future, and without doubt we all still know the name. 9/10


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