The Eagle (2011)

In Roman-ruled Britain, a young Roman soldier endeavors to honor his father's memory by finding his lost legion's golden emblem.

Director:

Kevin Macdonald

Writers:

Jeremy Brock (screenplay), Rosemary Sutcliff (novel)

Stars:

Channing Tatum, Jamie Bell, Donald Sutherland

1 nomination.

Cast

Cast overview, first billed only:
Channing Tatum	...	Marcus
István Göz	...	Cohort Centurion
Bence Gerö	...	Celt Boy / Young Marcus
Denis O'Hare	...	Lutorius
Paul Ritter	...	Galba
Zsolt László	...	Paulus
Julian Lewis Jones	...	Cassius
Aladár Laklóth	...	Flavius Aquila
Marcell Miklós	...	Fort Legionary 1
Bálint Magyar	...	Fort Legionary 2
Ferenc Pataki	...	Fort Legionary 3
Bálint Antal	...	Young Legionary
Lukács Bicskey	...	Druid
Douglas Henshall	...	Cradoc
James Hayes	...	Stephanos

Storyline

In 140 AD, twenty years after the unexplained disappearance of the entire Ninth Legion in the mountains of Scotland, young centurion Marcus Aquila (Tatum) arrives from Rome to solve the mystery and restore the reputation of his father, the commander of the Ninth. Accompanied only by his British slave Esca (Bell), Marcus sets out across Hadrian's Wall into the uncharted highlands of Caledonia - to confront its savage tribes, make peace with his father's memory, and retrieve the lost legion's golden emblem, the Eagle of the Ninth.

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Plot Keywords:

legion | wall | gay subtext | hadrian's wall | slave | 

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Taglines:

The destiny of a soldier. The honour of a slave. The fate of an empire.

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Genres:

Action | Adventure | Drama | History

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Motion Picture Rating (MPAA)

Rated PG-13 for battle sequences and some disturbing images

Details

Official Sites:

Focus Features [United States] Official Facebook

Country:

UK USA

Language:

English Scottish Gaelic

Release Date:

11 February 2011 (USA)

Also Known As:

La legión del águila

Filming Locations:

Rannoch Moor, Perth & Kinross, Scotland, UK

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$8,684,464, 13 February 2011, Wide Release

Gross USA:

$19,490,041, 7 April 2011

Cumulative Worldwide Gross:

$27,122,040, 7 April 2011

Company Credits

Production Co:

Focus Features, Film4, Toledo Productions

Technical Specs

Runtime:

114 min

Sound Mix:

Dolby Digital DTS

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Historical Advisor for the film, Lindsay Allason-Jones, gave a talk to Newcastle University Archaeology Society about her experiences working on the film. She explained that the production company decided to use stirrups, despite their being anachronistic, because there would have been issues getting insurance for the lead actors, especially as Jamie Bell had never ridden before.

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Goofs

When Marcus and Esca pass Hadrian's Wall and head north, they are both pictured riding bay horses. Shortly thereafter, and for the rest of the film, they are seen mounted on war horses, 1 black, 1 white. No explanation of where they got these horses is forthcoming. (In the shooting script it is stated that they took these horses from the "rogue warriors" they killed, but in the actual film, the horses appear before the scene where they kill the rogue warriors.)

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Quotes

[first lines]
Marcus Aquila: Marcus Flavius Aquila, Fourth Cohort of Gaul, Second Legion, come to relieve the command.
Lutorius: Lutorius Drusillus Salinator, acting senior officer.
Marcus Aquila: Where's the garrison commander?
Lutorius: He left this morning, sir. Couldn't wait to get away.

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Crazy Credits

The names of the Director, of the Writers (screenplay and Novel) and of the main Cast are red in an old English language.

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Connections

References Centurion (2010)

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Soundtracks

The Return of the Eagle
Performed by Torc featuring Eoghan Neff, Flaithri Neff (as The Neff Brothers) and Atli Örvarsson

User Reviews

If I'm wrong then I shall die: And that's how it should be.

The Eagle is directed by Kevin Macdonald and adapted to screenplay by Jeremy Brock from the book The Eagle of the Ninth written by Rosemary Sutcliff. It stars Channing Tatum, Jamie Bell, Donald Sutherland, Tahar Rahim and Mark Strong. Music is scored by Atli Örvarsson and cinematography by Anthony Dod Mantle.

In 120 AD, The Roman Ninth Legion marched into Caledonia, they, along with their precious Golden Eagle standard, were never seen again. 20 years later and Marcus Flavius Aquila (Tatum) arrives in Britain to serve as a garrison commander. He carries a burden, though, for the Ninth Legion was led by his father. It is perhaps his destiny that he go forth into Caledonia to maybe solve the mystery and restore honour to the family name?

Better angry than dead.

A film of two different, but equally enjoyable, halves, The Eagle is a delightful throw back to the swords and shields movies of old. All things are in place for a rollicking tale of courage, friendship and honour, and the film mostly delivers on its premise. First half is all about character introduction and motives required for plotting. We get some clanking sword play and splendid synchronised army manoeuvres as a garrison defence unfolds. Great to report that CGI and digital blood are not dominating proceedings, this is very human, even if the editing is of the whippy kind. A turn of events then sees Marcus come by way of Bell's slave, incidents are defined and we then move into the second half of the picture.

Life, life, LIFE!

Here is where the film becomes a character piece as two men from different walks of life, enemies with anger and determination gnawing away at their souls, traverse the magnificent Scottish Highlands (Dod Mantle's photography is breath taking at times) to solve the mystery of The Ninth. What follows is an invigorating olde world adventure where mistrust, redemption and unknown tribes reside. Dialogue stays sharp and Macdonald never lest the pace sag. There's a pleasant adherence to period flavourings, with the Romans and their foes given an intelligent make over by the writer, while it's really refreshing to find there isn't a token female love interest jimmied into the story.

Film, perhaps inevitably given the modest budget and expectations afforded it, is far from flawless, but it's becoming increasingly difficult to understand just what the modern audience, or indeed old classics movie fans, expect of a genre film such as this? The churlish decry the casting of American Tatum in the lead, but what he lacks in actual depth of talent is more than compensated for by him knowing how to make the role of Marcus work. With impressive physicality and square jawed machismo, he cuts a splendid rugged figure, he also knows how to brood, essential for any stoic hero stung by a slur on his family name. Bell slots in nicely as the weak of body but strong of mind slave, Esca, the unrecognisable Rahim scores very well as a warrior tribesman, while the technical touches within the picture (including Örvarsson's score) are genre compliant.

Sutherland's casting is odd, and Mark Strong is badly wasted, and the ending, whilst satisfactory, is not as grandiose as it should be. The latter more galling given the one they rejected, that's available in the extras on the DVD, would have closed the film down far better. Yet this is a far better film than its box office take and internet ratings suggests it is. The days of magnificent historical epics and eye dazzling choreographed sword fights sadly look a long way off now. That doesn't mean that fans of such films have to accept any genre offering that comes their way, for example such as Neil Marshall's very uneven Centurion, but something like the smaller scale treats of The Eagle deserve our support. 7.5/10