If there was ever a movie that needed Jack Black, this is the one. The lead character in The Rocker almost seems to be written with him in mind, and I don't know, maybe it intended to be a starring vehicle for him at one time, but other projects got in the way. Whatever the reason, it's impossible not to think what kind of energy he'd bring to this film - Energy that Rainn Wilson (the actor who does headline this movie) cannot supply, despite his best efforts. At least he seems to be trying.
Wilson plays Robert "Fish" Fishman, a washed up drummer who lost his chance at stardom back in 1986 when he was the drummer for a rising heavy metal hair band named Vesuvius, only to have his bandmates ditch him right before fame came knocking for the group. His attempt to stop his former friends from running away from him brings about an inspired comic sequence, where Fish seemingly develops superhuman abilities while chasing after their fleeing van. He can run at impossible speeds like a human Terminator, and he then leaps on top of the van, and punches holes through the roof with his drum sticks, causing his bandmates to scream in terror. I laughed a lot at this sequence. I liked its goofy tone, which seemed to be parodying horror films, and it set my mind at ease early on that director Peter Cattaneo (The Full Monty) would be giving the movie a likeably offbeat sense. As soon as this sequence ends, however, the movie goes on total auto pilot and never looks back.
Robert is now jobless, homeless, and holding a major grudge against his former band, which has gone on to chart-topping success. Opportunity comes knocking while Robert is living at his sister's house, trying to get his life together. His nephew, Matt (Josh Gad), is in a high school garage band called ADD, and they have recently lost their drummer right before their first gig at the school's prom. Matt asks Robert to fill in as a last resort, much to the dismay of his two fellow bandmates - lead singer and songwriter Curtis (Teddy Geiger), and cynical guitarist Amelia (Emma Stone). They eventually welcome Robert into the band, since he can get them other gigs, and they find their popularity quickly building, especially after Robert becomes an Internet sensation when a video of him drumming naked becomes a hit on Youtube. Seemingly in a matter of weeks, the band is going on tour, selling out massive concert halls, and releasing hit CDs.
The Rocker seems to know just how derivative it is, as it races through its various pre-required stops, almost as if it was checking its clichés off one by one. Robert gets a love interest in the form of Curtis' mom (Christina Applegate), who accompanies the band on tour. Despite Applegate getting second billing in the cast, though, her character barely registers, and her plot hardly goes anywhere. There are relationships within the band itself, as young Matt has his eyes on a girl who appears at all of their concerts, and Amelia and Curtis keep on exchanging meaningful glances at each other, but can't speak their feelings. These are dealt with the same lack of interest, almost as if the screenplay is just throwing these ideas out there, but doesn't want to do anything with them. And of course, there has to be turmoil amongst the bandmates. There's a slimy manager who pops up now and then to manipulate Curtis into turning against Robert, but this brief spat is resolved about two scenes later, so we're left to wonder why the movie bothered in the first place. This film is so haphazard and lazy in its tone that even the band getting arrested and going to prison isn't a very big deal in this movie.
Instead of creating characters or situations that we can care about, we're left with a lot of music montages, which seem to make up 80% of the film's middle. But, at least the music was able to distract me a little from most of the film's humor, which seems to be under the rule that seeing Rainn Wilson getting hit in the face or the privates gets funnier each time it tries it. When he's living at his sister's house early on in the film, it seems to be designed for him to hit his head or fall backwards over something, almost as if The Three Stooges had built the house. I can just picture someone on the construction crew while the house was being built asking why they were making the ceiling and boards in the attic so low, and the head foreman saying, "Trust me, it will be funny when some guy has to live up here someday". Even when he's not in the house, he seems to be a magnet for bees flying in his mouth, tree branches smacking his face, and TV boxes in hotel rooms striking his crotch.
Despite its message of embracing a rebellious spirit and never giving up on your dreams, The Rocker is completely substandard and instantly forgettable. This almost seems to be the kind of movie the month of August was made for. It's not exactly bad, but there's absolutely nothing that stands out about it. Now that the big summer movies have come and gone, it's time for the movies that won't be remembered a month from now. If only the movie had kept the same level of insanity of its first five minutes. Then The Rocker would be a movie worth seeing.
Wilson plays Robert "Fish" Fishman, a washed up drummer who lost his chance at stardom back in 1986 when he was the drummer for a rising heavy metal hair band named Vesuvius, only to have his bandmates ditch him right before fame came knocking for the group. His attempt to stop his former friends from running away from him brings about an inspired comic sequence, where Fish seemingly develops superhuman abilities while chasing after their fleeing van. He can run at impossible speeds like a human Terminator, and he then leaps on top of the van, and punches holes through the roof with his drum sticks, causing his bandmates to scream in terror. I laughed a lot at this sequence. I liked its goofy tone, which seemed to be parodying horror films, and it set my mind at ease early on that director Peter Cattaneo (The Full Monty) would be giving the movie a likeably offbeat sense. As soon as this sequence ends, however, the movie goes on total auto pilot and never looks back.
Robert is now jobless, homeless, and holding a major grudge against his former band, which has gone on to chart-topping success. Opportunity comes knocking while Robert is living at his sister's house, trying to get his life together. His nephew, Matt (Josh Gad), is in a high school garage band called ADD, and they have recently lost their drummer right before their first gig at the school's prom. Matt asks Robert to fill in as a last resort, much to the dismay of his two fellow bandmates - lead singer and songwriter Curtis (Teddy Geiger), and cynical guitarist Amelia (Emma Stone). They eventually welcome Robert into the band, since he can get them other gigs, and they find their popularity quickly building, especially after Robert becomes an Internet sensation when a video of him drumming naked becomes a hit on Youtube. Seemingly in a matter of weeks, the band is going on tour, selling out massive concert halls, and releasing hit CDs.
The Rocker seems to know just how derivative it is, as it races through its various pre-required stops, almost as if it was checking its clichés off one by one. Robert gets a love interest in the form of Curtis' mom (Christina Applegate), who accompanies the band on tour. Despite Applegate getting second billing in the cast, though, her character barely registers, and her plot hardly goes anywhere. There are relationships within the band itself, as young Matt has his eyes on a girl who appears at all of their concerts, and Amelia and Curtis keep on exchanging meaningful glances at each other, but can't speak their feelings. These are dealt with the same lack of interest, almost as if the screenplay is just throwing these ideas out there, but doesn't want to do anything with them. And of course, there has to be turmoil amongst the bandmates. There's a slimy manager who pops up now and then to manipulate Curtis into turning against Robert, but this brief spat is resolved about two scenes later, so we're left to wonder why the movie bothered in the first place. This film is so haphazard and lazy in its tone that even the band getting arrested and going to prison isn't a very big deal in this movie.
Instead of creating characters or situations that we can care about, we're left with a lot of music montages, which seem to make up 80% of the film's middle. But, at least the music was able to distract me a little from most of the film's humor, which seems to be under the rule that seeing Rainn Wilson getting hit in the face or the privates gets funnier each time it tries it. When he's living at his sister's house early on in the film, it seems to be designed for him to hit his head or fall backwards over something, almost as if The Three Stooges had built the house. I can just picture someone on the construction crew while the house was being built asking why they were making the ceiling and boards in the attic so low, and the head foreman saying, "Trust me, it will be funny when some guy has to live up here someday". Even when he's not in the house, he seems to be a magnet for bees flying in his mouth, tree branches smacking his face, and TV boxes in hotel rooms striking his crotch.
Despite its message of embracing a rebellious spirit and never giving up on your dreams, The Rocker is completely substandard and instantly forgettable. This almost seems to be the kind of movie the month of August was made for. It's not exactly bad, but there's absolutely nothing that stands out about it. Now that the big summer movies have come and gone, it's time for the movies that won't be remembered a month from now. If only the movie had kept the same level of insanity of its first five minutes. Then The Rocker would be a movie worth seeing.
