The unforgettable true story chronicles the tumultuous three-month period in 1965, when Dr. Martin Luther King, Jr. led a dangerous campaign to secure equal voting rights in the face of violent opposition. The epic march from Selma to Montgomery culminated in President Johnson signing the Voting Rights Act of 1965, one of the most significant victories for the civil rights movement. Director Ava DuVernay's "Selma" tells the story of how the revered leader and visionary Dr. Martin Luther King, Jr and his brothers and sisters in the movement prompted change that forever altered history.Written by
Miss W J Mcdermott
Martin Sheen is mistakenly not listed in the credits. See more »
At the beginning of the first march, the marchers pass an auto parts store that has a sign outside advertising "Shocks Struts (etc)". In 1965 very few cars used struts and of the ones that did, chances are very slim that they would have been available in Selma. See more »
Hey, what you need guns for?
The Bible says an eye for an eye, reverend.
I'm sick of this shit!
How many guns you think they got down there? That's an entire army down there. What you got? A couple of .32s? A .38? Maybe a couple of old scatterguns? What?
I got enough to kill a couple of them crackers, that's what I got!
And how many of us you think they gonna kill in retaliation? With their 12-gauge pump-actions, their Colt automatics, their Remingtons, their helicopters, their tanks! We ...
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Apart from the production companies involved, there are no opening credits. See more »
"Selma" is 90% of a great film. It tells the true story of a three month period in 1965 when Martin Luther King, Jr. led his famous march from Selma to Montgomery, Alabama to secure equal voting rights against violent opposition. The period is skillfully recreated, generally knowing exactly what to center the drama on, wisely much more than on King himself but on the entire community and how so many came together to alter history.
In spite of the film's impact (especially in the violent scenes between the police and the protesters) and some great performances, the script by Paul Webb inserts a fictitious clash between King and President Lyndon Johnson in order to add a conflict to the film. This has drawn much criticism but, more than doing a disservice to LBJ (who reportedly did not impede putting forward the voting rights bill), it also reveals that Webb and director DuVernay did not feel there was enough dramatic conflict inherent in the story without it. One can legitimately argue either way, but in my opinion it would have been better to further emphasize the interaction of all the participants more without 'hyping' the LBJ conflict. Even if the film had been less 'dramatic' in a classical sense it would have been more accurate as well as effective. Still, this film is a must-see and a significant document of a crucial time in the history of America.
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