
Khorfakkan (2020)
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- 1h 47min
- History
- 17 Dec 2020 (United Arab Emirates)
- Movie
In the beginning of 1500's, during the Portuguese conquests on Indian Ocean, Red Sea, and Arabian Gulf, a village on the edge of sea revolts against the Portuguese rule and conquer after years of oppression, In pursuit of freedom.
Directors:
Writer:
Awards:
- 21 wins & 1 nomination.
- See more »
Reviews:
Photos and Videos
Cast
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Rashid Assaf | ... |
Afonso de Albuquerque
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Qays Sheikh Najib |
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Ahmed Al Jasmi |
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Rest of cast listed alphabetically: | |||
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Khalifa Albahri | ... |
Saeed
(as Khalifa al Bhri)
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Abdullah Almaqbali | ... |
nasser
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Abdullah Bin Haider | ... |
Mohammed
(as Abdullah Bin Heider)
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Abdulla Masoud | ... |
Commander 'Omar'
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Omar Al Mulla |
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Dan Towse | ... |
Portuguese Arsonist
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Hassan Yousuf | ... |
Ahmed
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Directed by
Ben Mole | ||
Maurice Sweeney |
Written by
Sultan Bin Muhammad Al Qasimi | ... | (written by) |
Produced by
Ashraf Ali | ... | producer |
Saif Abdelrahman Alshalal | ... | producer |
Tony Deegan | ... | producer |
Christopher George | ... | producer |
Mohammed Hassan Khalaf | ... | executive producer |
Music by
Osama Ali | ... | (Oriental Music) |
Michael Fleming |
Cinematography by
Richard Kendrick |
Editing by
Mick Mahon |
Editorial Department
Rory Gavin | ... | on-line editor |
Production Design by
Richard Touch |
Art Direction by
Abe El Habashy | ||
Martin Sullivan |
Set Decoration by
Carl Waters |
Costume Design by
Erika Ökvist |
Makeup Department
Olivia Jerrard | ... | hair and makeup artist |
Stefanie Kemp | ... | makeup supervisor |
Jenny Rhodes-McLean | ... | department supervisor |
Lucy Rowley | ... | hair & makeup junior |
Laura Sim | ... | hair & makeup design assistant |
Emma J. Slater | ... | hair stylist / makeup artist |
Erika Ökvist | ... | makeup designer |
Production Management
Cornelia Brouder | ... | unit production manager |
Anora Tukhsanova | ... | production manager: UAE |
Second Unit Director or Assistant Director
Aiman Faisal Abd Alrahman | ... | third assistant director |
Sandro Canaan | ... | second assistant director |
Mostafa El Gammal | ... | assistant director |
Mohamed Khalifa | ... | director's assistant |
Kremena Makarieva | ... | second assistant director |
Anas Rawashdeh | ... | first assistant director: 2nd Unit |
Kawthar Younis | ... | first assistant director |
Art Department
Stuart Chambers | ... | standby art director |
Michael Coja | ... | standby props |
Abe El Habashy | ... | assistant art director |
Niel Febrio | ... | set dresser |
Maxim Molchanov | ... | property master |
Guy Roberts | ... | painter |
Anna Shpaltakova | ... | assistant set decorator |
Kevin Smith | ... | weapons master |
Sound Department
Khalid Alshehhi | ... | sound designer |
Peter Blayney | ... | dialogue editor |
Caoimhe Doyle | ... | foley artist / foley editor |
Ciara Mahon | ... | foley recording assistant |
Fiachra O'Hanlon | ... | sound recordist |
Jonathan Reynolds | ... | foley recording mixer |
Special Effects by
Conor Coughlan | ... | special effects supervisor |
Simon Davey | ... | special effects supervisor |
Chris Dubock | ... | special effects technician |
Dario Lopes | ... | pyrotechnic effects |
Ellie O'Rourke | ... | junior special effects technician |
Nick Smith | ... | pyrotechnic effects |
Paul Yemm | ... | special effects technician |
Visual Effects by
Andy Clarke | ... | visual effects supervisor |
Karina Craveiro | ... | digital compositor |
Sophie Luto | ... | digital compositor |
Andrea Micheletto | ... | digital compositor |
Kevin O'Brien | ... | visual effects |
Felix Serwir | ... | digital compositor |
Camera and Electrical Department
Mathiew Chambers | ... | additional photography video assist operator |
Tim Fletcher | ... | gaffer |
Ghassan Jawad | ... | assistant camera |
Louise MacEllin | ... | second assistant camera |
Jack Madden | ... | electrician (creditOnly) |
Domingo Samala Martinez | ... | 2nd ac |
Rua Meegan | ... | Second Unit Director of Photography: dailies / first assistant camera: A Camera |
Donal Murphy | ... | first assistant camera / second assistant camera |
Andrew O'Reilly | ... | b cam operator |
Francesco Paolo Domenico Pudda | ... | Rigging grip |
Tom Reynolds | ... | DIT |
Sarah Ronad | ... | Video Technician |
Costume and Wardrobe Department
Catti Calthrop | ... | costume supervisor |
Amechi Osanife | ... | costume assistant |
Dan Towse | ... | armour dresser |
Script and Continuity Department
Mostafa El Gammal | ... | script supervisor |
Fiona Lanham | ... | script supervisor |
Additional Crew
Aiman Faisal Abd Alrahman | ... | production assistant |
Jack Sheridan | ... | production coordinator |
Alfred Thamasian | ... | construction manager |
Production Companies
- Get Go Films
- Sharjah Broadcasting Authority (produced by)
- Sharjah Media
Distributors
- Vox Cinemas (2020) (United Arab Emirates) (theatrical)
- Creative Media Solutions (CMS) (2020) (World-wide) (Distribution consultant)
Special Effects
Other Companies
Storyline
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Additional Details
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Did You Know?
Trivia | The movie is based on real life events. The production of the movie started the moment His Highness Sheikh Dr. Sultan bin Muhammad Al Qasimi, Member of Supreme Council and Ruler of Sharjah, finished writing the book "Khorfakkan Resistance to the Portuguese Invasion 1507". In the book, His Highness documented the historical events that occurred during the Portuguese invasion in 1507. During the Portuguese invasion, the city of Khorfakkan was surrounded by mountains and was protected by a giant wall separating it from the mountains and open towards the sea. The movie depicts the brutality and cruelty of the Portuguese army especially of the general Afonso de Albuquerque. The commander built a reputation of a fierce and skilled military commander that used cruel and ruthless tactics in his conquests. Three Portuguese ships were built specially for the movie. The ship Fleur de La Mar, the Galiot and the Fausta were built in real size, based on accurate historical documents in order to be used for filming live scenes on board. Along with the ships, houses, a mosque and a wall was built similar to the historic Khorfakkan wall. All stages of film production were under direct supervision and immediate follow-up by His Highness Sheikh Dr. Sultan bin Muhammad Al Qasimi. His Highness vision of presenting the historical facts as accurate as possible didn't allow the filmmakers to make any artistic additions that might alter the reality of the actual events. See more » |