In more than word? DIY gumption and After Effects soaked greenscreen.
The first steel sword, The Sword of KarKaan (not Ka-Khan), is stolen by Shane as he leaves Hell. Possibly, is how this story begins.
The monotony that follows is filled with familiar purplish stoic dialogue, side characters and their vignettes as the quest takes shape.
Of the four Bo staff twirling ladies we are set to follow really only two come to prominence in the overall story. Which does to lead to a 'gotcha' ending.
Odd minions appear through out and there is a winged tyrannosaur in one scene but no real set pieces, stuntwork or nudity, this is not an action packed feature.
In and of itself this film doesn't jokingly turn in a non-effort, it's surprisingly consistent, everyone puts in a bit of work but there are times some people seem a little lost in the greenscreen landscape.
This isn't a black tanktop kind of film just a low geared somewhat awkward film.
5 out 10/3.5 out 5 stars for neutrality's sake. Ratings and scales are dead to me.
The first steel sword, The Sword of KarKaan (not Ka-Khan), is stolen by Shane as he leaves Hell. Possibly, is how this story begins.
The monotony that follows is filled with familiar purplish stoic dialogue, side characters and their vignettes as the quest takes shape.
Of the four Bo staff twirling ladies we are set to follow really only two come to prominence in the overall story. Which does to lead to a 'gotcha' ending.
Odd minions appear through out and there is a winged tyrannosaur in one scene but no real set pieces, stuntwork or nudity, this is not an action packed feature.
In and of itself this film doesn't jokingly turn in a non-effort, it's surprisingly consistent, everyone puts in a bit of work but there are times some people seem a little lost in the greenscreen landscape.
This isn't a black tanktop kind of film just a low geared somewhat awkward film.
5 out 10/3.5 out 5 stars for neutrality's sake. Ratings and scales are dead to me.
