
My Name Is Sarah (2007)
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- Not Rated
- 1h 38min
- Comedy, Drama
- 28 May 2007 (USA)
- TV Movie
- 1 win.
- See more »
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Complete, Cast awaiting verification
Jennifer Beals | ... |
Sarah Winston
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Peter Outerbridge | ... |
Charlie Manning
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Nolan Gerard Funk | ... |
Kit
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Crystal Bublé | ... |
Darla
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Sarah Edmondson | ... |
Olivia
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Steven Cree Molison | ... |
Hank
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Ken Kramer | ... |
Leo
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Eve Harlow | ... |
Lola
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Rukiya Bernard | ... |
Barista
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Kwesi Ameyaw | ... |
Principal
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Beverley Elliott | ... |
Landlady
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Michael Coleman | ... |
Pound Worker
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Catherine Thomas | ... |
Nurse
(as C. Herine Thomas)
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John R. Taylor | ... |
Charlie's Dad
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Rest of cast listed alphabetically: | |||
Michelle Addison | ... |
Mother (uncredited)
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Kathryn Kirkpatrick | ... |
AA Meeting Speaker (uncredited)
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Connor Christopher Levins | ... |
Boy (uncredited)
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Ingrid Tesch | ... |
Claire (uncredited)
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Directed by
Paul A. Kaufman |
Written by
Julie Brazier | ... | (written by) |
Produced by
Tara Cowell-Plain | ... | line producer |
Deboragh Gabler | ... | producer (as Deboragh B. Gabler) |
Stephen Hays | ... | co-executive producer |
Eileen Hoeter | ... | line producer |
Norman Stephens | ... | executive producer |
Randall H. Zalken | ... | associate producer (as Randy Zolken) / executive producer |
Music by
James McVay |
Cinematography by
Robert Aschmann | ... | director of photography |
Editing by
Neil Grieve |
Casting By
Lindsay Chag |
Production Design by
Marian Wihak |
Art Direction by
Keli Manson |
Set Decoration by
Patricia Cuccia |
Costume Design by
Tina Fiorda |
Makeup Department
Jennifer Beebe | ... | swing hair/makeup |
Joann Fowler | ... | key makeup artist |
Amy Jane Joy | ... | swing hair/makeup (as Amy-Jane Joy) |
Jill Winston | ... | hair stylist |
Production Management
Tara Cowell-Plain | ... | production manager |
Eileen Hoeter | ... | production manager |
Shona Miko | ... | post-production supervisor (as Shona Miko Musgrave) |
Second Unit Director or Assistant Director
Blair Freeman-Marsh | ... | first assistant director |
Debra Herst | ... | second assistant director |
Patrick Stark | ... | third assistant director |
Warren Dean Fulton | ... | trainee assistant director (uncredited) |
Art Department
Matt Eaton | ... | construction coordinator |
Linda Ganderton | ... | property assistant (as Linda Ganderston) |
Ron McCall | ... | property master (as Ron Mccall) |
Randall Mccaw | ... | painter |
Eric McNab | ... | assistant set decorator (as Eric Mcnabb) |
Jason Rains | ... | on-set dresser |
S.B. Edwards | ... | propmaker (uncredited) |
Les Ford | ... | playback animator (uncredited) |
Steve Scott | ... | graphic artist (uncredited) |
Carl Sutherland | ... | assistant property master (uncredited) |
Sound Department
Anke Bakker | ... | sound supervisor |
Kevin Belen | ... | re-recording mixer |
Hugo De La Cerda | ... | re-recording mixer |
James Fonnyadt | ... | sound designer (uncredited) |
Megan Goudsward | ... | background editor (as Megan Disanto) |
David Green | ... | adr mixer |
Jason Mauza | ... | foley editor |
Laurie Melhus | ... | audio post coordinator |
Maureen Murphy | ... | foley artist |
Glen Noseworthy | ... | re-recording mixer |
Mike Paprocki | ... | sound designer |
Tony Poulsen | ... | boom operator |
James Schoening | ... | sound recordist |
Shane Shemko | ... | foley artist |
Joshua Stevenson | ... | assistant sound editor (as Josh Stevenson) |
Ann Townshend | ... | assistant sound editor (as Anne Townsend) |
Kevin Townshend | ... | dialogue editor |
Jillian Wedel | ... | assistant sound editor (as Jillian Wedell) |
Todd R. Mason | ... | sound effects recordist (uncredited) |
Stunts
Bill Ferguson | ... | stunt coordinator |
Kylie Furneaux | ... | Jennifer Beals (uncredited) / stunt double (uncredited) |
Camera and Electrical Department
Andrew Boxwell | ... | second assistant camera |
Garry Brook | ... | key grip (as Gary Brook) |
Andrew Coppin | ... | first assistant camera |
Gareth Farfan | ... | dolly grip |
James Kantola | ... | best boy grip |
Troy J. Peters | ... | gaffer |
Christian Schauz | ... | best boy |
Neil Seale | ... | camera operator |
Jeff Weddell | ... | stills photography |
Jay Fox | ... | camera trainee (uncredited) |
Ryan Ketchum | ... | lighting technician (uncredited) |
Paul T. Murakami | ... | best boy grip (uncredited) |
Animation Department
Adrian Budd | ... | animation |
Casting Department
Lindsay Chag | ... | casting: U.S. |
Candice Elzinga | ... | casting: Canada |
L.A. Hilts | ... | extras casting director |
Costume and Wardrobe Department
Jessica Best | ... | assistant designer |
Nancy Hare | ... | set supervisor |
Location Management
Mike Helms | ... | assistant location manager |
John Wittmayer | ... | location manager |
Peter Munro | ... | location scout (uncredited) |
Music Department
Ken Cade | ... | music editor (uncredited) |
Script and Continuity Department
Susan Williams | ... | script supervisor |
Transportation Department
Floyd Faircrest | ... | transport captain |
Chris Wild | ... | transportation coordinator |
Additional Crew
Rose Collins | ... | assistant: Ms.Gabler |
Ian Doig | ... | animal wrangler |
Raymond Gross | ... | additional legal services: Gibson, Hoffman And Pancione |
Cherie Harbour | ... | accountant: Legacy |
Stacey Harris | ... | production coordinator (as Stacey A. Harris) |
Renate Kviet | ... | post accountant / production accountant |
Harpaul Mahul | ... | second assistant coordinator |
Abi Tabone | ... | assistant coordinator |
Danny Webber | ... | production legal counsel: Hall, Webber LLP |
Paul Websdale | ... | production auditor: Wolridge Mahon |
Krista Johnston | ... | clearances (uncredited) |
John T.L. Tang | ... | key production assistant (uncredited) |
Thanks
Paul Altilia | ... | special thanks: DGC |
Libby Beers | ... | special thanks: Lifetime Television |
Julie Bernard | ... | special thanks: BC Film Commission |
Lesley Brady | ... | special thanks: UBCP |
Ken Cathro | ... | special thanks: Studio Post & Imaging |
Susan Croome | ... | special thanks: BC Film Commission |
Lisa Dunn | ... | special thanks: Kaleidescope Ent. |
John Genzel | ... | special thanks: Royal Bank of Canada |
Leanne Harry | ... | special thanks: Royal Bank of Canada |
Crawford Hawkins | ... | special thanks: DGC |
Arlene D. Hay | ... | special thanks: Kaleidescope Ent. (as Arlene Hays) |
Barb LaFarge | ... | special thanks: City of Vancouver (as Barb Lafarge) |
Chevonne O'Shaughnessy | ... | special thanks: ACI |
Ed Osghian | ... | special thanks: Next Entertainment Inc. (as Edi Osghian) |
Joey Plager | ... | special thanks: Lifetime Television |
Paul Roscorla | ... | special thanks: William F. White, Vancouver |
Larry Sacchetti | ... | special thanks: William F. White, Toronto |
Eva B. Schmieg | ... | special thanks: Heenan Blaikie, LLP (as Eva Schmieg) |
Paul A. Sharpe | ... | special thanks: Sharpe Sound Studios (as Paul Sharpe) |
Suzanne Thompson | ... | special thanks: Northwest Imaging & FX |
Production Companies
- Legacy Filmworks (presents)
- The Kaufman Company
- 120dB Films (in association with)
Distributors
- Bridgestone Media Group (2020) (United States) (DVD)
- Lifetime Movie Network (LMN) (2007) (United States) (tv)
Special Effects
Other Companies
- The Background (walla group)
- Northwest Imaging & FX (digital post production)
- Sharpe Sound Studios (audio post production)
- The Research House Clearance Services (script research services)
- Hall Webber (legal services provided by)
- Gipson, Hoffman & Pancione (additional legal services)
- Wolrige Mahon (production auditor)
- Axium International (payroll services)
- Film Finances Canada (completion bond)
- Lifetime Television (special thanks to)
- American Cinema International (special thanks to)
- Kaleidoscope Entertainment (special thanks to)
- Royal Bank of Canada (special thanks to)
- Heenan Blaikie (special thanks to)
- B.C. Film Commission (special thanks to)
- The City of Vancouver (special thanks to)
- Union of B.C. Performers (special thanks to)
- Directors Guild of Canada (DGC) (special thanks to)
- William F. White International (special thanks to)
- Sharpe Sound Studios (special thanks to)
- Northwest Imaging & FX (special thanks to)
- Next Entertainment (special thanks to)
- SPI Studio Post & Imaging (special thanks to)
- Province of British Columbia Film Incentive BC (with the participation of)
- Canadian Film or Video Production Tax Credit (CPTC) (with the assistance/participation of)
- Directors Guild of Canada (DGC) (acknowledgment)
- Union of B.C. Performers (acknowledgment)
- Aion Art Gallery (set artwork)
- Fintage CAM (collection account management)
- Multimedia Risk Consultants and Insurance Brokers (insurance brokers)
- The Research House Clearance Services (script clearance)
Storyline
Plot Summary |
When Sarah, a lonely and deeply troubled woman, inadvertently enters an AA meeting, she is embraced by its members who believe that she too is an alcoholic. What the meeting is all about, she doesn't know... but her motive for going to the community center is to meet face-to-face with Charlie, one of the members whom she has seen regularly standing in front of the center adjacent to her window just before what she supposes is some sort of Bible study. She likes the way Charlie moves and the way he smiles. As fate would have it, Sarah and Charlie begin to fall in love. The big question is: Will her continuing attendance at the meeting and her pretense of being an alcoholic weave itself into an entangling web? Will she muster up the courage to tell him, "My name is Sarah, and I'm not an alcoholic," knowing that she may lose him as a result? |
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Parents Guide | Add content advisory for parents » |
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Did You Know?
Trivia | Eve Harlow's debut. See more » |
Soundtracks | You Called It Right See more » |
Quotes |
Sarah Winston:
Why do you ask? My mother told me that when somebody asks you a question, you just say 'why do you ask' and t stops them in their tracks. See more » |