Told in three interconnected segments, we follow a young man named Takaki through his life as cruel winters, cold technology, and finally, adult obligations and responsibility converge to test the delicate petals of love.
A high-school girl named Makoto acquires the power to travel back in time, and decides to use it for her own personal benefits. Little does she know that she is affecting the lives of others just as much as she is her own.
The love of Japanese high school students Mikako Nagamine and Noboru Tera is tested when Mikako is sent to fight aliens in a distant universe and voice mails to and from Earth become months to years in transmission.
Takaki and Akari are two classmates in elementary school. During their time together they have become close friends. Their relationship is tested when Akari moves to another city because of her parents' jobs. Both of them struggle to keep their friendship alive, as time and distance slowly pulls them apart. When Takaki finds out that he is moving further away, he decides to visit Akari one last time.Written by
In 2009 a Chinese animation company Liuzhou Lan Hai technologies Ltd. admitted to plagiarizing several backgrounds from the film to use in their own animation series. See more »
If cherry petals would fall by 5 centimeters per second, it would take them one minute to fall from a 3 meter high tree. Obviously they fall around ten times faster, even when pictured in the movie. See more »
I could copy almost my entire review of THE PLACE PROMISED IN OUR EARLY DAYS, Shinkai's previous film. More Takahata than Miyazaki... check. The same wistful, nostalgic tone is woven throughout these three episodes of youthful romantic pinings turned into bittersweet adult reminiscences. Breathtaking animation... check. The artistic style is uncommonly beautiful, with extraordinary attention to detail, gorgeous color and lighting, and images that deftly evoke a sense of melancholy. If all anime looked this astonishing, I'd watch more of it. Satisfying human elements but oversentimental... check. I could relate to the feelings expressed by Takaki, Kanae and Akari -- surely there is something nearly universal about those unrequited adolescent yearnings that can resurface years and years later -- but had to roll my eyes a bit at all the tinkly piano and whispered voice-over. Where this film surpasses its predecessor is in its lack of a goofy sci-fi subplot. There is a rocketship involved, but it's a background element purely for metaphorical purposes. Without that sort of distraction, I was more easily charmed by the gentle rhythms, pleasant characters, and lovely visuals.
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