Named one of Filmmaker magazine’s “25 New Faces of Independent Film” in 2007, New York–based co-conspirators Melanie Shatzky and Brian M. Cassidy gravitated toward moving-image storytelling after earning master’s degrees in photography at the School of Visual Arts. Exploring the porous borders between narrative and nonfiction, while importing many of the techniques they’d learned as Mfa students in another visual discipline, Shatzky and Cassidy debuted two equally memorable, conspicuously stylized shorts that year, The Delaware Project (fiction) and God Provides (a nine-minute doc), which premiered at the Rotterdam and Sundance Film Festivals, respectively. In 2011, The Patron Saints, a six-years-in-the-making “hyperrealistic” feature documentary that peeks at life in a nursing home with curiosity, discomfiting candor, and eccentric flashes of dark humor, unspooled at Toronto and further aligned the husband-and-wife team with a heightened cinematic style that borrows something from portraitists-of-the-everyday Walker Evans and William Eggleston.
Continuing their exploration in...
Continuing their exploration in...
- 9/12/2012
- by Damon Smith
- Filmmaker Magazine - Blog
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