Adventurer Lara Croft goes on a quest to save the mythical Pandora's Box, before an evil scientist finds it, and recruits a former Marine turned mercenary to assist her.
Director:
Jan de Bont
Stars:
Angelina Jolie,
Gerard Butler,
Chris Barrie
Grief-stricken mother Christine Collins (Angelina Jolie) takes on the L.A.P.D. to her own detriment when it tries to pass off an obvious impostor as her missing child.
Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Don Alejandro de la Vega and his wife, Elena, to take action.
Director:
Martin Campbell
Stars:
Antonio Banderas,
Catherine Zeta-Jones,
Rufus Sewell
A woman, along with her lover, plans to con a rich man by marrying him, earning his trust, and then running away with all his money. Everything goes as planned until she falls in love with him.
Director:
Michael Cristofer
Stars:
Antonio Banderas,
Angelina Jolie,
Thomas Jane
When his peaceful life is threatened by a high-tech assassin, former black-ops Agent Frank Moses (Bruce Willis) reassembles his old team in a last ditch effort to survive and uncover his assailants.
Evelyn Salt is a CIA agent and highly respected by all, including her boss, Ted Winter. Out of the blue, a Russian spy walks into their offices and offers a vital piece of information: the President of Russia will be assassinated during his forthcoming visit to New York City to attend the funeral of the recently deceased U.S. Vice President. The name of the assassin: Evelyn Salt. Concerned about the safety of her husband, who she cannot contact, she goes on the run. Winter refuses to accept that she is a mole or a double agent but her actions begin to raise doubts. Just who is Evelyn Salt and what is she planning?Written by
garykmcd
When someone receives an electric shock, the muscles contract, not expand. That means every time she zapped the police office with the TASER, his foot would have come off the pedal, not pushed it down. See more »
Quotes
[first lines]
Evelyn Salt:
[being dragged out and tied down]
Please let me go home. Please, I'm not who you think I am. I'm really not who you think I am. Please. Please, I'm not a spy.
North Korean Torturer:
You are a spy!
Evelyn Salt:
I'm not a spy. Please let me go home.
North Korean Torturer:
Try again.
Evelyn Salt:
I am not a spy! I am a business woman. I work for Rink Petroleum and Gas. Please call them. I work for Rink Petroleum!
North Korean Torturer:
You are here to sabotage our nuclear ambitions. Yes?
Evelyn Salt:
[gasoline funnel being forced into her mouth]
I am not a spy! I am not a spy!
See more »
Alternate Versions
UK theatrical version was cut for violence to achieve a '12A' rating with edits to the opening torture scene and some blows and chain throttling during fight scenes. These cuts persisted into the US theatrical version, although the UK DVD was raised to a 15 due to the inclusion of the extended and director's cut versions (which are unrated on the US DVD). See more »
When Bruce Willis makes crash landings in the original "Die Hard" movie, at least he winces in pain and it takes him a few moments to regain composure. In "Salt", when Angelina Jolie jumps consecutively onto six moving trucks on the freeway, she's flying right up and instantly running at Olympic record pace, sort of like the original Terminator except sporting lipstick. Throughout the movie, she decks secret service agents faster than they can graduate out of combat training if she's not pushing out of moving vehicles going 70 mph while wearing handcuffs, although the officers forgot to put the cuffs on behind her. They put them on in front of her leaving her with a slight chance to get away. I guess the point of this movie: don't try this at home.
The essential plot I think is quite compelling, and I don't want to give too much away but only to say that nothing is at it seems until the very end. But I think I would have liked more of the mystery behind the story than all the long action sequences which I felt undermined a potentially complex idea. These days in filmmaking, it seems that the longer action sequences displace story development. There are flashbacks to a greater story but a lot of it was more confusing than insightful.
After a brief prelude in which Jolie is interrogated and tortured by North Korean military agents, the movie begins, presumably about a year later, with a Russian requesting asylum with the United States via the CIA. Agent Evelyn Salt (Jolie) interrogates the defector who tells a strange story about how the Russians infiltrate the United States with moles programmed and brainwashed during childhood. Only seconds after the interview is over, the defector is killing CIA agents and escaping the headquarters. And so is Salt. In fact, the agency is more determined to get Salt than the defector, which is one of the many little glaring plot problems that occur during this movie. The non-stop action begins here, fueled by several plots and subplots.
I think Salt is a decent film but not a great one. At least what it does successfully is keep you guessing. You're not sure what Salt is doing, where she's going, or even whose side she's on which keeps you at the edge of your seat. By movies end, I still had a lot of unanswered questions that were not explained through the action sequences. I also realized at one point, Jolie doesn't say much after the initial interview until the very end. It's hard not to like Jolie but I think she should have requested a bit of a better script with a little bit less chasing, gunning and blowing things up. Jolie can also act, not just chase.
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When Bruce Willis makes crash landings in the original "Die Hard" movie, at least he winces in pain and it takes him a few moments to regain composure. In "Salt", when Angelina Jolie jumps consecutively onto six moving trucks on the freeway, she's flying right up and instantly running at Olympic record pace, sort of like the original Terminator except sporting lipstick. Throughout the movie, she decks secret service agents faster than they can graduate out of combat training if she's not pushing out of moving vehicles going 70 mph while wearing handcuffs, although the officers forgot to put the cuffs on behind her. They put them on in front of her leaving her with a slight chance to get away. I guess the point of this movie: don't try this at home.
The essential plot I think is quite compelling, and I don't want to give too much away but only to say that nothing is at it seems until the very end. But I think I would have liked more of the mystery behind the story than all the long action sequences which I felt undermined a potentially complex idea. These days in filmmaking, it seems that the longer action sequences displace story development. There are flashbacks to a greater story but a lot of it was more confusing than insightful.
After a brief prelude in which Jolie is interrogated and tortured by North Korean military agents, the movie begins, presumably about a year later, with a Russian requesting asylum with the United States via the CIA. Agent Evelyn Salt (Jolie) interrogates the defector who tells a strange story about how the Russians infiltrate the United States with moles programmed and brainwashed during childhood. Only seconds after the interview is over, the defector is killing CIA agents and escaping the headquarters. And so is Salt. In fact, the agency is more determined to get Salt than the defector, which is one of the many little glaring plot problems that occur during this movie. The non-stop action begins here, fueled by several plots and subplots.
I think Salt is a decent film but not a great one. At least what it does successfully is keep you guessing. You're not sure what Salt is doing, where she's going, or even whose side she's on which keeps you at the edge of your seat. By movies end, I still had a lot of unanswered questions that were not explained through the action sequences. I also realized at one point, Jolie doesn't say much after the initial interview until the very end. It's hard not to like Jolie but I think she should have requested a bit of a better script with a little bit less chasing, gunning and blowing things up. Jolie can also act, not just chase.