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Harry Potter and the Deathly Hallows: Part 1 (2010)

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1:03 | Trailer

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Airs Sat. Feb. 23, 2:10 PM on SYFY

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As Harry, Ron and Hermione race against time and evil to destroy the Horcruxes, they uncover the existence of the three most powerful objects in the wizarding world: the Deathly Hallows.

Director:

David Yates

Writers:

Steve Kloves (screenplay), J.K. Rowling (novel)
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Popularity
620 ( 175)
Nominated for 2 Oscars. Another 15 wins & 53 nominations. See more awards »

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Cast

Cast overview, first billed only:
Bill Nighy ... Minister Rufus Scrimgeour
Emma Watson ... Hermione Granger
Richard Griffiths ... Vernon Dursley
Harry Melling ... Dudley Dursley
Daniel Radcliffe ... Harry Potter
Julie Walters ... Molly Weasley
Bonnie Wright ... Ginny Weasley
Rupert Grint ... Ron Weasley
Ian Kelly Ian Kelly ... Mr. Granger
Michelle Fairley ... Mrs. Granger
Fiona Shaw ... Petunia Dursley
Alan Rickman ... Professor Severus Snape
Carolyn Pickles ... Charity Burbage
Ralph Fiennes ... Lord Voldemort
Helena Bonham Carter ... Bellatrix Lestrange
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Storyline

Voldemort's power is growing stronger. He now has control over the Ministry of Magic and Hogwarts. Harry, Ron, and Hermione decide to finish Dumbledore's work and find the rest of the Horcruxes to defeat the Dark Lord. But little hope remains for the Trio, and the rest of the Wizarding World, so everything they do must go as planned. Written by Chris Green

Plot Summary | Plot Synopsis

Taglines:

Part 1 Of The Epic Finale See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some sequences of intense action violence, frightening images and brief sensuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

UK | USA

Language:

English

Release Date:

19 November 2010 (USA) See more »

Also Known As:

The Deathly Hallows See more »

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Box Office

Budget:

£150,000,000 (estimated)

Opening Weekend:

£18,319,721 (United Kingdom), 21 November 2010, Limited Release

Opening Weekend USA:

$125,017,327, 21 November 2010, Wide Release

Gross USA:

$295,983,305

Cumulative Worldwide Gross:

$960,283,305
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Michael Byrne (Gellert Grindelward) and Bill Nighy (Rufus Scrimgeour) previously played General Friedrich Olbricht in dramas depicting the July 20 plot to assassinate Adolf Hitler: Byrne in The Plot to Kill Hitler (1990) and Nighy in Valkyrie (2008). See more »

Goofs

It's obvious that Harry's glasses don't have lenses during certain parts of the film. See more »

Quotes

[first lines]
Rufus Scrimgeour: These are dark times, there is no denying. Our world has perhaps faced no greater threat than it does today. But I say this to our citizenry: We, ever your servants, will continue to defend your liberty and repel the forces that seek to take it from you! Your Ministry remains strong.
See more »

Crazy Credits

The end credits are in 3D gold text. When they conclude, the Deathly Hallows symbol appears, first in extreme close-up with all three items rotating independently (like the one Mr. Lovegood wears around his neck), then shrinks down with the title appearing centered across it. Next, the line fades out followed by the circle and, as the triangle fades out, the Elder Wand appears in its place. See more »

Connections

Referenced in Honest Trailers: The Hunger Games: Catching Fire (2014) See more »

Soundtracks

Bagatelle in A minor (Für Elise)
(uncredited)
Written by Ludwig van Beethoven
Performed by Rupert Grint and Emma Watson
See more »

Frequently Asked Questions

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User Reviews

Rootless
7 January 2011 | by RResendeSee all my reviews

One has to face it; it's not that hard to carry a franchise like this. The books are best-sellers, and teenagers are among some of the resistant hardcore fans for whatever pop phenomena they choose to embrace. The books hit a sweet corner of contemporary souls: the lack of magic in the way they conduct their lives, driven by a vision of the world that has been excluding the power of mysticism, true mysticism, born from the most basic connections between humans and their environment, humans and themselves. The books revolve around bits of old mythologies, and deliver them with a fashionable package, filled with visual and metaphorical elements that ring a bell in our western collective consciousness. Phoenixes, wands, potions, spells...

But i only care for the series because they were made into films, these books don't appeal to me, the films may appeal. And the main option in the building of the 8 (which after all will be 9) films that translate the books was that they would evolve like their main characters, which were at the beginning children. So we started as children's films, evolved to adolescent "highschool" films, and know the films have been mapped onto a kind of a hybrid genre, oscillating between the detective story and the action film. This 8th installment falls on this category, as the previous one had. I guess the last one will get closer to the "return of the king": epic and visceral.

Apart from that evolution of the films, in some of them we have cinematic concepts that get explored, with more or less success. This is where things get interesting to me. The 3rd film was the best to me: it dealt with an coupling of time and space (that the story of the book supported) and cleverly relied on one of the best explorers of space (through camera) we have today to direct it. So we have the deepest shots in the series, the best Hogwarts, the most magic environment of the series. The Half-blood prince relied on similar principles, but instead of exploring the space, the architecture was cleverly staged, it depended on point of view, framing and mise-en-scéne. It was clever and the best film of the series post- Columbus.

This gets us here, to this film, which represents a radical shift in what has been done before. Again, the story provides the clues for the visual materialization of the film: our main characters are stranded, wandering between multiple worlds, multiple realities, all of them devoid of human elements to anchor the action: snow, woods, rocks. So the rug is pulled on us, and the relatively frantic rhythm of the movie has to do with us failing to anchor our eyes on the expected sets that do Not show: we don't get to see Hogwarts. That may have been a somewhat risky decision, but i believe that at this moment, the fans only want to see the illustration on-screen of the facts they know will happen, so these guys can almost literally do anything they want.

Again, as in the previous film, i appreciated the visual hint: linear time, but rootless sets. But the sets are just not interesting enough, and the effect fades with the multiplication of sets.

My opinion: 3/5

Http://www.7eyes.wordpress.com


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