Broken Embraces (2009)

Harry Caine, a blind writer, reaches this moment in time when he has to heal his wounds from 14 years back. He was then still known by his real name, Mateo Blanco, and directing his last movie.

Director:

Pedro Almodóvar

Writer:

Pedro Almodóvar

Stars:

Penélope Cruz, Lluís Homar, Blanca Portillo

Nominated for 1 Golden Globe. Another 9 wins & 44 nominations.

Cast

Cast overview, first billed only:
Penélope Cruz	...	Lena
Lluís Homar	...	Mateo Blanco / Harry Caine
Blanca Portillo	...	Judit García
José Luis Gómez	...	Ernesto Martel
Rubén Ochandiano	...	Ray X
Tamar Novas	...	Diego
Ángela Molina	...	Madre de Lena
Chus Lampreave	...	Portera
Kiti Mánver	...	Madame Mylene
Lola Dueñas	...	Lectora de labios
Mariola Fuentes	...	Edurne
Carmen Machi	...	Chon
Kira Miró	...	Modelo
Rossy de Palma	...	Julieta
Alejo Sauras	...	Álex

Storyline

Passion, obsession, wealth, jealousy, family, guilt, and creativity. In Madrid, Harry Caine is a blind screenwriter, assisted by Judit and her son Diego. The past comes rushing in when Harry learns of the death of Ernesto Martel, a wealthy businessman, and Ernesto's son pays Harry a visit. In a series of flashbacks to the 1990s, we see Harry, who was then Mateo Blanco, a director; he falls in love with Ernesto's mistress, Lena, and casts her in a film, which Ernesto finances. Ernesto is jealous and obsessive, sending his son to film the making of the movie, to follow Lena and Mateo, and to give him the daily footage. Judit doesn't like Lena. It's a collision course.

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Plot Keywords:

obsession | writer | screenwriter | jealousy | voyeur | 

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Genres:

Drama | Romance | Thriller

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Motion Picture Rating (MPAA)

Rated R for sexual content, language and some drug material

Details

Official Sites:

Official site [Spain] Official site [France]

Country:

Spain

Language:

Spanish English

Release Date:

15 January 2010 (USA)

Also Known As:

Broken Hugs

Filming Locations:

Arucas, Gran Canaria, Canary Islands, Spain

Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend USA:

$107,111, 22 November 2009

Gross USA:

$5,014,305

Cumulative Worldwide Gross:

$30,991,660

Company Credits

Production Co:

Universal Pictures International (UPI), Canal+ España, El Deseo

Technical Specs

Runtime:

127 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The director revealed in an interview that the character played by Carmen Machi was inspired by his real-life friend, Blanca Sánchez, who, in the 1980s, had a relationship with a man who unbeknownst to her was a member of the Basque separatist group E.T.A. Sanchez was also used as the inspiration for the character Candela played by María Barranco in Pedro Almodóvar's breakthrough hit Women on the Verge of a Nervous Breakdown (1988).

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Goofs

At the end of the movie, during Matteo remakes the video, we see two chairs in old video record which are made by Spanish designer Patricia Urquiola for Italian furniture brand Moroso (Antibodi chaise lounge - produced in 2006). While Lena was going to open the door for red dress woman there behind we can see each of them. And also outside in the terrace we can see another chair designed by P. Urquiola for Moroso (Tropicalia chair - produced in 2009). But from 1990 to 1996 P. Urquiola was the assistant professor to Achille Castiglioni and Eugenio Bettinelli at the Politecnico Di Milano and ENSCI in Paris.

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Quotes

[first lines]
[in Spanish, quoting English subtitles]
Modelo: What's your name?
Mateo Blanco: Harry Caine.
[voiceover]
Mateo Blanco: I used to be called Mateo and I was a film director. I was always tempted by the idea of being someone else, as well as myself. Living one's life wasn't enough, so I invented a pseudonym, Harry Caine, an adventurer who, as fate would have it, became a writer. I had him sign all the scripts and stories I wrote. For years, Mateo Blanco and Harry Caine shared the same body, mine. But a moment came when ...

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Connections

Spin-off The Cannibalistic Councillor (2009)

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Soundtracks

Werewolf
Performed by Cat Power

User Reviews

Almodovar's embrace with cinema

There's never been any doubt about Pedro Almodovar's unquestioned, unstoppable love for all things cinema, a fact that pops up frequently in his body of work, most notably the autobiographical Bad Education. Like that intrigue-heavy melodrama, Broken Embraces was shown in competition at the Cannes Film Festival, with many critics and bookmakers speculating about the director finally winning the Palme d'Or after many unsuccessful attempts (the closest he came, apparently, was with the stunning Volver). Of course, the movie received zero awards (with the top prize going to Michael Haneke, another "perennial loser" so to speak) and left many people who saw it indifferent. The reason? Almodovar keeps making the exact same films year after year.

The "hero" of Broken Embraces is a Spanish screenwriter (Lluis Homar, who played the older priest in Bad Education) who calls himself Harry Caine (a mixture of fictional character Harry Palmer and the actor playing him, Michael Caine, or possibly a play on how Italians and Spaniards phonetically pronounce the English word "hurricane"). He's blind, and has gone off on a soul-searching journey to deal with a tragedy that occurred 14 years earlier. As the mystery surrounding his past unravels, flashbacks are used to depict a "happier" time, when he could still see, was known as Mateo Blanco and tried to make his last film, on the set of which he met and fell in love with actress Lena (Penélope Cruz), who unfortunately was involved with another, more powerful man...

It's easy to see why people choose to dislike the film: they're right, there's nothing really original in the screenplay (the "solution" to the mystery is easy to guess), in fact Almodovar seems to be going on autopilot, hitting the melodrama button without bothering to make sure he's doing it the right way. But that doesn't mean he never does a good job: visually, Broken Embraces is as enchanting as Volver, and if there's one thing the director hardly ever gets wrong, it's casting: Penélope Cruz is beautiful and convincingly vulnerable at the same time, Homar elicits enough sympathy as Mateo/Harry, and the "villain" of the piece (José Luis Gomez) is acceptably solid.

As for the self-referential streak in Almodovar's production (there's at least one in-joke in every film), he really hits gold this time, with fake footage of Mateo's lost film coming off as a clever pastiche of earlier hit Women on the Verge of a Nervous Breakdown, which starred his other muse Carmen Maura. That scene alone justifies watching the film at least once. Broken Embraces may not be vintage Almodovar, but he's worth checking out even when he's "slacking".