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The Thing (2011)

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At an Antarctica research site, the discovery of an alien craft leads to a confrontation between graduate student Kate Lloyd and scientist Dr. Sander Halvorson.

Director:

Matthijs van Heijningen Jr. (as Matthijs van Heijningen)

Writers:

Eric Heisserer, John W. Campbell Jr. (short story "Who Goes There?")
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Popularity
1,320 ( 997)
5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Mary Elizabeth Winstead ... Kate Lloyd
Joel Edgerton ... Carter
Ulrich Thomsen ... Dr. Sander Halvorson
Eric Christian Olsen ... Adam Finch
Adewale Akinnuoye-Agbaje ... Jameson
Paul Braunstein ... Griggs
Trond Espen Seim ... Edvard Wolner
Kim Bubbs ... Juliette
Jørgen Langhelle ... Lars
Jan Gunnar Røise Jan Gunnar Røise ... Olav
Stig Henrik Hoff ... Peder
Kristofer Hivju ... Jonas
Jo Adrian Haavind ... Henrik
Carsten Bjørnlund ... Karl
Jonathan Walker ... Colin (as Jonathan Lloyd Walker)
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Storyline

Paleontologist Kate Lloyd is invited by Dr. Sandor Halvorson to join his team who have found something extraordinary. Deep below the Arctic ice, they have found an alien spacecraft that has been there for perhaps 100,000 years. Not far from where the craft landed, they find the remains of the occupant. It's cut out of the ice and taken back to their camp but as the ice melts, the creature reanimates and not only begins to attack them but manages to infect them, with team members devolving into the alien creature. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

It's not human. Yet. See more »

Genres:

Horror | Mystery | Sci-Fi

Motion Picture Rating (MPAA)

Rated R for strong creature violence and gore, disturbing images, and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Canada

Language:

English | Norwegian | Danish

Release Date:

14 October 2011 (USA) See more »

Also Known As:

The Thing: The Beginning See more »

Filming Locations:

British Columbia, Canada See more »

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Box Office

Budget:

$38,000,000 (estimated)

Opening Weekend USA:

$8,493,665, 16 October 2011, Wide Release

Gross USA:

$16,928,670, 17 November 2011

Cumulative Worldwide Gross:

$31,505,287
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | Datasat | SDDS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

(at around 55 mins) When Carter and Jameson return to the camp, they stumble past a funny signpost full of city names and their distances. One of the cities that can be clearly read is Amsterdam, which is where director Matthijs van Heijningen Jr. is from. See more »

Goofs

(at around 22 mins) The ukulele played in the dance scene is a Fender. This model of ukulele was introduced in the 2000s, so it was not available in 1982. See more »

Quotes

[first lines]
Peder: [In Norwegian] Okay, I've got another one. A good one. A man and woman are making love one night when their young boy walks in.
See more »

Crazy Credits

The Universal logo of the 1990s is used instead of the current (2011) logo. See more »


Soundtracks

Samiid Aednan
Performed by Sverre Kjelsberg, Ragnar Olsen
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Frequently Asked Questions

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User Reviews

Thing - Think + Stupid = Stink
15 October 2011 | by jefsof-2See all my reviews

*SPOILERS*

Why did I think for a second that this film might be good? It is terrible in so many ways it is hard to know where to begin, other than to say that Hollywood studio system cookie-cutter movie-by-committee produces crap like this. The advance press on the film kept saying how much the filmmakers respected the original 1982 John Carpenter version ... well, if true, they never understood what made the first film so good.

This version is entirely without suspense, features full-frontal CGI creature effects, terrible casting, a worse script, and feels like a child't connect-the-dots exercise more than a movie experience. Rather than tie this film to Carpenter's 1982 version it feels more like a companion piece to the first awful X-Files movie. In instance after instance the film tries to reference the Carpenter version and lifts bits completely but comes off entirely stale with zero feeling of continuity. They really should make a drinking game as a companion to this version, so you can pound a shot of booze every time you recognize that's from the other film ... alcohol poisoning for everyone!

In horror, what lurks in the shadows and our imaginations is much more frightening than what is seen clearly in the open. Monsters that hint at their presence (or scuttle by quickly) send your mind reeling whereas CGI creatures with insect appendages and toothy maws center-screen and well-lit, just make you want to laugh after the fifth time. Modern horror films speed the action up, now we have fast zombies and a Thing that whips around it's flower-arm and rips organs right out of victims one after another ... your liver ... and your pancreas! Just as with the slow dumb Zombies in George Romero's Night of the Living Dead, it is the relentless, unstoppable creep of evil which is frightening - not the whip-snap of a monster's fleshy tentacle. Duh.

The Gen-X / Gen-Y idiots responsible for green-lighting and ordering certain things be in this movie should be tried and convicted for bad filmmaking. Obviously some studio suits came in with their marketing charts and said the movie needed Americans, blacks and women in order to sell tickets to those moviegoers. It is my recollection of the Norwegian station from the Carpenter version it was all white, male Norwegians. A good story and a good script and the black and female audiences would still have come to see the new version without their surrogates in the film as characters. A good, scary film will draw an audience, every time. This exercise in movie-by-marketing-committee deserves to see a huge loss on this piece of crap.

The lead actress is a blank and a bore and her character - if you can call it that - is just an archetype of the brainy, no-nonsense science nerd with some looks, and is so badly written maybe it isn't the actress's fault. There is no internal logic as to why the senior and veteran members of the Norwegian team would start to follow her or listen to her, or why she suddenly is Sigourney Weaver in Aliens by the end of the film - toting a flame-thrower and treading bravely into the alien's lair. The time period is referenced once at the beginning "Winter 1982" but the hair, clothes and cultural idioms are wrong and nothing else suggests the era - nor does anything suggest the absolute remoteness, harshness and isolation of the place. There are way too many people at the base, way too much equipment, the place internally is way too spacious and the suggestion of the cold and the harsh elements is almost dispensed with it is done so poorly (especially the plastic snow on windshields).

This is the kind of bad movie you leave the theater feeling like you got mugged.


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