Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
Navy S.E.A.L. sniper Chris Kyle's pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home with his family after four tours of duty, however, Chris finds that it is the war he can't leave behind.
Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Marcus and his team are left to fight for their lives in one of the most valiant efforts of modern warfare.
An intense portrayal of elite soldiers who have one of the most dangerous jobs in the world: disarming bombs in the heat of combat. When a new sergeant, James, takes over a highly trained bomb disposal team amidst violent conflict, he surprises his two subordinates, Sanborn and Eldridge, by recklessly plunging them into a deadly game of urban combat, behaving as if he's indifferent to death. As the men struggle to control their wild new leader, the city explodes into chaos, and James' true character reveals itself in a way that will change each man forever.Written by
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The film was shot on location in Jordan. Part of the shoot (one week) was to take place in Kuwait on a U.S. Military Base; however, access was denied. See more »
When James initially hands Sanborn the Barrett M107 magazine, before Eldridge cleans it off, the rounds in the magazine have no bullets. In the next shot, when Sanborn receives the magazine, the rounds have bullets in them. See more »
Opening Quote by Chris Hedges:
The rush of battle is often a potent and lethal addiction, for war is a drug.
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There are no opening credits, not even a title. See more »
Your Smiling Face
Written by Gerhard Narholz (as Norman Candler)
Performed by The Norman Candler Strings
Courtesy of APM Music See more »
A Rare Occurrence of Thought Provoking Action
Over the past three years, give or take, there have been an assortment of films that have attempted to articulate and illustrate the many complexities of the Middle East. Paticuluarly in the aspect of Western involvement in this tense region. The Hurt Locker is that: tense and at times nerve racking.
The generation of such sensations and feelings of anxiousness and distress should be much accredited to Kathryn Bigelow, the director. Yet the reason for her success which of course is her direction, is quite unorthodox. The most tense and debilitating moments are done so in slow pacing and seemingly tranquil moments rather then rushing into rapid action and quick camera-shots. The screenwriter of the film, Mark Boal continues to rise with The Hurt Locker as only his second screenplay, the other being In the Valley of Elah. The two combined together create not just greatly done action sequences but ultimately thought provoking ones.
The performances as well were quite convincing from almost seemingly upcoming stars in Jeremy Renner, Brian Geraghty and almost certainly Anthony Mackie considering his powerful résumé. There are also greatly meaningful quintessential cameos from such well accomplished actors such as Guy Pearce, David Morse and Ralph Fiennes.
Films on this subject have tried focusing on very focused and specific aspects of this plight and find themselves wandering off into unnecessary and confusing aspects of the story. Others have attempted to assess the situation broadly but with doing so, most often make the mistake of presenting the different facets in a much too mundane or simplified fashion. With this it is obvious very few films have succeeded in presenting a thorough, accurate and sensible look at this tense region. The Hurt Locker creates a tension that I last felt from Apocalypse Now. I'm certainly not saying the film is of the status of Apocalypse Now but I certainly advise to watch at the least a very good war film.
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