Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter
An intense portrayal of elite soldiers who have one of the most dangerous jobs in the world: disarming bombs in the heat of combat. When a new sergeant, James, takes over a highly trained bomb disposal team amidst violent conflict, he surprises his two subordinates, Sanborn and Eldridge, by recklessly plunging them into a deadly game of urban combat, behaving as if he's indifferent to death. As the men struggle to control their wild new leader, the city explodes into chaos, and James' true character reveals itself in a way that will change each man forever.Written by
BWR Public Relations
Here we have one of the best films of the last decade. A war film that succeeds in showing what it's like to be in the armed forces nowadays. It was directed be the underrated Kathryn Bigelow. The focus is on American soldiers in the Iraq war. But it's not about them being involved in assaults or shootouts. Instead we're shown the lives of a bomb squad. Jeremy Renner is commanding as Sergeant First Class William James. He provides an excellent performance. So do Anthony Mackie and Brian Geraghty as his partners. They really do act like real soldiers. The Hurt Locker consists of a series of bomb threats that the team have to overcome. These are all thrilling, tense. What makes the film really shine, however, is its anti-war messages. In the tradition of Apocalypse Now (1979) and Come And See (1985) The Hurt Locker shows that people get hurt and killed in wars, even if they don't deserve it. It shows that the victims are just like anyone else except that they're in a war zone. The film doesn't directly criticize the American war effort. There are no discussions about whether the Iraq war is moral or immoral. Bigelow's direction is truly impressive. She certainly knows how to work with actors. The acting is obviously superb, and this is the film's greatest strength. Also notable is the cinematography by Barry Ackroyd. The war hasn't looked this realistic or this interesting in cinema until The Hurt Locker. The images captured are thoughtful and memorable. No wonder the film was the big winner at the 2010 Academy Awards. Some films that win Best Picture don't deserve it, but The Hurt Locker sure did deserve it. It's one of the best war films ever, and I highly recommend it.
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