Un garçon de cinq ans noue une relation avec Ponyo, une jeune princesse poisson rouge qui aspire à devenir humaine suite à un coup de foudre pour lui.Un garçon de cinq ans noue une relation avec Ponyo, une jeune princesse poisson rouge qui aspire à devenir humaine suite à un coup de foudre pour lui.Un garçon de cinq ans noue une relation avec Ponyo, une jeune princesse poisson rouge qui aspire à devenir humaine suite à un coup de foudre pour lui.
- Prix
- 12 victoires et 20 nominations
Cate Blanchett
- Gran Mamare
- (English version)
- (voice)
Matt Damon
- Kôichi
- (English version)
- (voice)
Liam Neeson
- Fujimoto
- (English version)
- (voice)
Tomoko Yamaguchi
- Risa
- (voice)
Kazushige Nagashima
- Kôichi
- (voice)
Yûki Amami
- Granmamare
- (voice)
George Tokoro
- Fujimoto
- (voice)
Yuria Nara
- Ponyo
- (voice)
Hiroki Doi
- Sôsuke
- (voice)
Rumi Hiiragi
- Fujin
- (voice)
Kazuko Yoshiyuki
- Toki
- (voice)
Tomoko Naraoka
- Yoshie
- (voice)
Tokie Hidari
- Kayo
- (voice)
Eimi Hiraoka
- Kumiko
- (voice)
Nozomi Ohashi
- Karen
- (voice)
Hayao Miyazaki's Magic Worlds
Hayao Miyazaki's Magic Worlds
Explore the boundless imagination of animation director Hayao Miyazaki through some of our favorite images from his movies and series.
Histoire
Le saviez-vous
- AnecdotesThe opening twelve seconds, involving vast schools of fish and undersea creatures, required 1,613 pages of conceptual sketches to develop.
- GaffesIn the English dubbed version, when Ponyo and Sosuke come across the Devonian-era fish while riding in the toy boat, Ponyo incorrectly calls one of them a Bothriocephalus. The correct name for that specific fish is Bothriolepis. Bothriocephalus is actually the name of a genus of tapeworm.
- Autres versionsThe Japanese theatrical release had the Toho logo at the start of the movie (Toho was the distributor for this release). The U.S. theatrical release removes the Toho logo and replaces it with the 2006 Disney logo, followed by the Studio Ghibli logo. All other international theatrical versions have the film simply beginning with the Studio Ghibli logo.
- ConnexionsEdited into Miyazaki Dreams of Flying (2017)
- Bandes originalesGake no ue no Ponyo
(Ponyo on the Cliff by the Sea)
Lyrics by Katsuya Kondô & Hayao Miyazaki
Composed by Joe Hisaishi
Arranged by Joe Hisaishi
Japanese version performed by Takaaki Fujioka (as Fujioka) Naoya Fujimaki (as Fujimaki) & Nozomi Ohashi
English version performed by Noah Cyrus (as Noah Cyrus) & Frankie Jonas
Courtesy of Yamaha Music Communications
Commentaire en vedette
Doesn't make you feel like a child again; it makes you a child again
Ponyo is without a doubt one of the loveliest films I've seen. I don't think anyone with a soul can be without smiling at least once during this wonderful piece of work from the hands of animation legend Hayao Miyazaki. There is so much to love about Ponyo.
The story bears a vague resemblance to Little Mermaid. The main character, a 5-year old boy named Sosuke, finds a goldfish in a bottle on the beach and decides to name it Ponyo. Through a series of events Ponyo ends up wanting to become human, and then they have a little adventure together. In traditional terms, there hardly is a story: there's no conflict, no main villain, no overall goal to achieve and very little character development. Yet none of this will ever bother, because the visuals, the animation and the pure joy the film absolutely oozes of are so overwhelming they drown out any complaints I might have about the film.
That said, the movie really has to have a visual edge if it is to drown out everything else. In that regard Ponyo truly delivers. Everything looks eye-poppingly gorgeous from the water effects to the expressive and instantly distinguishable characters. Most have praised the water effects as the show stealer, but for me it is the animation of the children. Just watching Ponyo run, jump and bounce around with the sheer unbridled joy of a child is a wonder to watch. Look at Sosuke's expressions the first time he hears Ponyo talk: I bet that's exactly how you would have looked like if you'd found as a child that your pet could talk. The audio is also excellent, with thudding sound effects and a riveting musical score that makes even the smallest moments feel meaningful. Ponyo's voice actor is the icing on the cake, giving a performance so adorable it's almost unbearable.
But the most effective part of Ponyo is its atmosphere, which is quite hard to describe. In short, Ponyo makes you feel like a child adventuring in the woods again. The seemingly limitless positive energy the film has reminds us of the innocence of childhood, when nothing bad could really happen, because there always was someone looking after you. It's also in the little details: for example, we hardly ever see Sosuke's mother unless he himself is in the same scene. The main conflict is only slightly hinted at, resembling the kind of things only grownups talked about and understood when we were kids.
In summation, Ponyo is a fantastic, beautiful work of pure joy that can be enjoyed by any ages. You need to see this film last week.
The story bears a vague resemblance to Little Mermaid. The main character, a 5-year old boy named Sosuke, finds a goldfish in a bottle on the beach and decides to name it Ponyo. Through a series of events Ponyo ends up wanting to become human, and then they have a little adventure together. In traditional terms, there hardly is a story: there's no conflict, no main villain, no overall goal to achieve and very little character development. Yet none of this will ever bother, because the visuals, the animation and the pure joy the film absolutely oozes of are so overwhelming they drown out any complaints I might have about the film.
That said, the movie really has to have a visual edge if it is to drown out everything else. In that regard Ponyo truly delivers. Everything looks eye-poppingly gorgeous from the water effects to the expressive and instantly distinguishable characters. Most have praised the water effects as the show stealer, but for me it is the animation of the children. Just watching Ponyo run, jump and bounce around with the sheer unbridled joy of a child is a wonder to watch. Look at Sosuke's expressions the first time he hears Ponyo talk: I bet that's exactly how you would have looked like if you'd found as a child that your pet could talk. The audio is also excellent, with thudding sound effects and a riveting musical score that makes even the smallest moments feel meaningful. Ponyo's voice actor is the icing on the cake, giving a performance so adorable it's almost unbearable.
But the most effective part of Ponyo is its atmosphere, which is quite hard to describe. In short, Ponyo makes you feel like a child adventuring in the woods again. The seemingly limitless positive energy the film has reminds us of the innocence of childhood, when nothing bad could really happen, because there always was someone looking after you. It's also in the little details: for example, we hardly ever see Sosuke's mother unless he himself is in the same scene. The main conflict is only slightly hinted at, resembling the kind of things only grownups talked about and understood when we were kids.
In summation, Ponyo is a fantastic, beautiful work of pure joy that can be enjoyed by any ages. You need to see this film last week.
utile•121
- tuomas_gimli
- 10 oct. 2012
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Détails
Box-office
- Budget
- 34 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 15 743 471 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 3 585 852 $ US
- 16 août 2009
- Brut – à l'échelle mondiale
- 205 109 574 $ US
- Durée1 heure 41 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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What is the streaming release date of Gake no ue no Ponyo (2008) in Brazil?
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