Blindness (2008)

A city is ravaged by an epidemic of instant white blindness.

Director:

Fernando Meirelles

Writers:

José Saramago (novel), Don McKellar (screenplay)

Stars:

Julianne Moore, Mark Ruffalo, Gael García Bernal

15 wins & 20 nominations.

Cast

Cast overview, first billed only:
Yûsuke Iseya	...	First Blind Man
Jason Bermingham	...	Driver #1
Eduardo Semerjian	...	Concerned Pedestrian #1
Don McKellar	...	Thief
Ciça Meirelles	...	Driver #2
Antônio Fragoso	...	Concerned Pedestrian #2
Lilian Blanc	...	Concerned Pedestrian #3
Douglas Silva	...	Onlooker #1
Daniel Zettel	...	Onlooker #2
Yoshino Kimura	...	First Blind Man's Wife
Joe Pingue	...	Taxi Driver
Susan Coyne	...	Receptionist
Fabiana Gugli	...	Mother of the Boy
Mitchell Nye	...	Boy
Danny Glover	...	Man with Black Eye Patch

Storyline

A city is ravaged by an epidemic of instant "white blindness". Those first afflicted are quarantined by the authorities in an abandoned mental hospital where the newly created "society of the blind" quickly breaks down. Criminals and the physically powerful prey upon the weak, hoarding the meager food rations and committing horrific acts. There is, however, one eyewitness to the nightmare. A woman whose sight is unaffected by the plague follows her afflicted husband to quarantine. There, keeping her sight a secret, she guides seven strangers who have become, in essence, a family. She leads them out of quarantine and onto the ravaged streets of the city, which has seen all vestiges of civilization crumble.

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Plot Keywords:

blindness | hospital | quarantine | epidemic | pubic hair | 

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Taglines:

You'll never see it coming

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Genres:

Drama | Mystery | Sci-Fi | Thriller

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Motion Picture Rating (MPAA)

Rated R for violence including sexual assaults, language and sexuality/nudity

Details

Official Sites:

Ensaio Official site [Brazil] Miramax [United States]

Country:

Canada Brazil Japan

Language:

English Japanese

Release Date:

3 October 2008 (USA)

Also Known As:

Ceguera

Filming Locations:

Minhocão, Via Elevada Presidente João Goulart

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

BRL 1,223,734 (Brazil), 14 September 2008, Limited Release

Opening Weekend USA:

$1,950,260, 3 October 2008, Wide Release

Gross USA:

$3,073,392, 12 October 2008

Company Credits

Production Co:

Rhombus Media,O2 Filmes,Bee Vine Pictures

Technical Specs

Runtime:

121 min

Sound Mix:

DTS Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Producer Niv Fichman became interested in the project back in 1999, when he and Don McKellar, who would write the script, flew to the Canary Islands to talk to the Nobel Prize-winning Portuguese author José Saramago about giving them the film rights to his book. One of Saramago's conditions was that the film must not be set in any recognizable countries.

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Goofs

During food distribution, when the "king of ward three" points the gun at the doctor's throat, we distinctly hear the sound of the hammer being cocked, however one can clearly see it's not cocked at all.

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Quotes

[first lines]
First Blind Man: I'm blind.

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Connections

Referenced in Who Wants to Be a Millionaire: Episode #7.141 (2009)

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Soundtracks

A Lua é Testemunha (Una Noche Serena Y Oscura)
Written by S. Lozano
100% Promotora Hispano Americana De Musica - PHAM
Management: Pffamusic do Brasil Ediçôes Musicaes Ltda.
Brazilian Version: Inhana/Goia
Provided courtesy of Warner Music Brasil Ltda., A company from Warner Music Group

User Reviews

Fair adaptation of a complex novel

"If it can be written, or thought, it can be filmed", said the great Stanley Kubrick, who adapted most of his films from novels and turned them into his own films, rather than being too literal (or faithful, if you prefer) to the source material (and often turning authors and fans of the adapted novels crazy – Stephen King, anyone?). I agree with his statement. No literary work is "unfilmable" – which doesn't necessarily mean any literary work, good or bad, can be turned into a good movie. However, in spite of a few flaws, "Blindness" is a very efficient adaptation of a brilliant (and very complex) novel by Portuguese author José Saramago, "Ensaio Sobre a Cegueira" (literally, "Essay About Blindness"), and doesn't deserve all the bad reviews it's been getting.

The negative reaction towards the film doesn't surprise me at all, though. Fernando Meirelles, after getting world acclaim with his neoclassic "City of God", made a very successful transition to an international project with the beautiful "The Constant Gardener". His sophomore English project is very daring and dark, uneasy to watch at times, but also compelling and thought-provoking.

César Charlone's exquisite cinematography sets the tone for the story of an unexplained "white blindness" epidemic. It's also a huge asset to have such a phenomenal actress like Julianne Moore to play the film's heroine: as always, she has a strong presence and is extremely expressive, making everyone believe and feel for her character's cross of being the only one who can see in a chaotic quarantine, where people have to submit to violence and rape in order to survive.

My only major complaint is about the uneven first 20 minutes or so: some sequences seem a little disjointed and the acting somewhat amateurish, but once the first act is done the film finds its own pace and strength. Roger Ebert called it "one of the most unpleasant, not to say unendurable, films" he's ever seen. For a start, it would be stupid to assume a film with such a dark premise would be uplifting (and if Ebert had the slightest knowledge about the material it's based on, he'd realize what he was up for), so his comment is unintelligent and atrocious like the majority of everything he's ever written (but he's a widely popular Pulitzer-winning film critic, so unfortunately lots of people trust his opinion before going to see a movie). Even though I still prefer the outstanding novel to the film, I admire director Fernando Meirelles and writer Don McKellar's adaptation for what it is: smart, daring and respectful to its source material, without being overtly faithful or afraid of taking risks. And Saramago himself approved the film, so who are we to criticize? The man knows what he's talking about; if you want to see it for yourself, read his novel now and then compare it to this film, appreciating it not as a literary work, but as the good piece of cinema it is. 8/10.